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Landscape with an artist sketching

Maker

(artist)
active late 16th or early 17th century (Life dates)

Formerly attributed to
(artist)
1525-1569

Formerly attributed to
(artist)
1576-1639

Title

Landscape with an artist sketching

Date of Production

(circa) 1606 - 1608

Medium

graphite (verified with VSC), pen and brown ink on laid paper, with remnants of brown ink framing lines largely trimmed away

Dimensions

Height: 27.4 cm
Width: 39.9 cm

Accession Number

D.1978.PG.9

Mode of Acquisition

HM Government (Acceptance in Lieu), allocation, 1978

Credit

Accepted by HM Government in lieu of Inheritance Tax and allocated to the Samuel Courtauld Trust, 1981.

Copyright

Work in the public domain

Location

Not currently on display

Keywords






Label Text

This sheet was thought to have been made during Pieter Bruegel the Elder’s trip to Italy. His biography states that ‘when he was in the Alps he swallowed all those mountains and rocks which... he spat out again onto canvases and panels’. Yet Bruegel’s known drawings were all finished in the studio, and this drawing was reattributed on stylistic grounds. Uncharacteristic broad strokes in the foreground precede a highly detailed mid-ground, transitioning to a light touch.

Provenance

possibly Joris Hofnaegel (1542-1601) [according to Seilern, based on a letter sent to him from Schilling]; part of an album compiled in England, around 1800 (with D.1978.PG.8 and D.1952.RW.4007); W. Thompson; purchased from him by Colnaghi (London), 21 October 1948; purchased there by Count Antoine Seilern, London (1901-1978), 28 October 1948 (£5000, including D.1978.PG.8); Princes Gate Bequest 1978 (Accepted by HM Government in lieu of Inheritance Tax and allocated to the Samuel Courtauld Trust, 1981)

Exhibition History

Drawings Gallery Display - Artists at Work, The Courtauld Gallery, London, 03/05/2018-15/07/2018

Drawings Gallery Display - Bruegel / Not Bruegel, The Courtauld Gallery, London, 16/01/2016-17/04/2016

Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 16/10/1991-19/01/1992 ...More

Mantegna to Cezanne - Master Drawings from the Courtauld, British Museum, London, 24/02/1983-19/06/1983

The Princes Gate Collection - Drawings (Selection A), The Courtauld Gallery, London, 17/07/1981-26/01/1982 ...Less

Literature

Drawings Gallery Display - Artists at Work, The Courtauld Gallery, London, 2018
cat. no. 1
no. 1 on p. 32
ill. p. 33
as Master of the Mountain Landscapes; in file

Petherbridge, Deanna, The primacy of drawing: histories and theories of practice, New Haven 2010
pp. 302-04
pl. 210 on p. 302
in file

Antei, Giorgio, Contra Natura: el arte y la crisis de la nauraliza, Museo de Arte Moderno de Bogotá 2000
ill. ...More

Mielke, Hans, Pieter Bruegel: die Zeichnungen, Turnhout 1996
no. A 12 on p. 78
as Savery; in file

Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 1991
cat. no. 14
pp. 36, 174
ill. p. 37
as Bruegel

The prints of Pieter Bruegel the Elder, Bridgestone Museum of Art, Ishibashi Foundation, Mie Prefectural Art Museum, Hiroshima Prefectural Museum of Art, 1989, Tokyo
pp. 81- 83
fig. 2 on p. 82
in file

Farr, Dennis, 100 Masterpieces from the Courtauld Collections, London: Courtauld Institute Galleries, 1987
p. 136
ill. p. 137
as Bruegel; in file

The age of Bruegel: Netherlandish drawings in the sixteenth century, National Gallery of Art, Washington and Pierpont Morgan Library, New York, 1986-87
pp. 92 note 3 and 98 under no. 27
in file

The Northern Landscape. Flemish, Dutch and British Drawings from the Courtauld Collections, The Drawing Center, New York; Courtauld Institute Galleries, 1986
p. 92 note 16 under no. 34

Mantegna to Cezanne: Master Drawings from the Courtauld, British Museum, London, 1983
no. 20 on p. 19
ill. p. 31
as Bruegel; in file

The Princes Gate Collection - Drawings (Selection A), Courtauld Gallery, London, 1981-1982
cat. no. 126

Oberhuber, Konrad, 'Bruegel's early landscape drawings' in 'Master Drawings', 1981 - pp. 146-56; XIX
p. 149
pl. 23
in file

'Des dessins de Pierre Bruegel l'Ancien' in 'Bruegel: une dynastie de peintres', Palais des Beaux-Arts, Brussels, 1980
p. 65
ill. p. 65
in file

Müller Hofstede, Justus, 'Zur Interpretation von Pieter Bruegels Landschaft Ästhetischer Landschaftsbegriff und Stoische Weltbetrachtung' in 'Pieter Bruegel und seine Welt', Berlin 1979
pp. 94, 118, 125
in file

Meder, Joseph, translated and revised by Winslow Ames, The mastery of drawing, New York 1978
vol. I, pp. 366, 381; vol. II, pp. 106ff
fig. 114

Grossmann, F., Bruegel: the paintings, London 1955; 1966; 1973
p. 13 (1955); p. 13 (2nd ed., 1966); pp. 14, 52 note 31 (rev. 3rd ed., 1973)

Seilern, Count Antoine, Corrigenda and Addenda to the Catalogue of paintings and drawings at 56 Princes Gate, London, London 1971
no. 9

Catalogue raisonné des estampes de Bruegel l'Ancien, Bibliothèque royale Albert Ier, Brussels, 1969
pp. 30, 38
in file

Münz, Ludwig, Bruegel: the drawings, London 1961
no. 14 on p. 209 and p. 209 under no. 15
pl. 14
in file

van Gelder, J.G., 'Pieter Bruegel: "Na(e)r het leven'" in ' Bulletin Musées Royaux des Beaux-Arts/Bulletin Koninklijke Musea voor Schone Kunsten', 1960 - pp. 29-36; 9
p. 3 2 note 6

Haverkamp Begemann, E., William Buytewech, Amsterdam 1959
p. 137 under no. 106
in file

Seilern, Count Antoine, Flemish paintings & drawings at 56 Princes Gate, London SW 7, London 1955; I
no. 9
pl. XXVI
in file

Grossmann, F., The drawings of Pieter Bruegel the Elder in the Museum Boymans. Postscript: 'Notes on the landscape drawings of Bruegel' in 'Bulletin Museum Boymans', 1954; V, 3
p. 79

de Tolnay, Charles, The drawings of Pieter Bruegel the elder: with a critical catalogue, London 1952
no. 21 on p. 60
ill. (?)
in file

Popham, A.E., 'Two landscape drawings by Pieter Bruegel the Elder' in 'Burlington Magazine', 1949 - pp. 319-20; XCI
pp. 319-20
fig. 16
in file ...Less

Inscriptions

Watermark: none.

Inscription: Recto: lower left corner, brown ink, 16th-century hand?: “de ouden Breugel”. Verso: lower centre, graphite, 16th-century hand?: “den oúden Breúgel no 56”; lower right corner, graphite, modern hand (same on PG.8): “42 I”.

Collector's mark: none.

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