Seated burgher (recto)
Maker
(artist)
1576-1639
Formerly attributed to
(artist)
1525-1569
1576-1639
Formerly attributed to
(artist)
1525-1569
Title
Seated burgher (recto)
Date of Production
1550 -1559
Medium
black chalk, pen and brown ink (recto and verso) on laid paper
Dimensions
Height: 19 cm
Width: 15.2 cm
Width: 15.2 cm
Accession Number
D.1978.PG.7
Mode of Acquisition
Count Antoine Seilern, bequest, 1978
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
bourgeoisie
Label Text
This study of a seated townsman was executed by Jacob Savery’s younger brother and presumed student, Roelandt. By extracting models from Bruegel’s works, he used the master’s figures as a foundation for his own studies drawn from life. Believed to have been employed by the Holy Roman Emperor Rudolf II, Roelandt Savery likely had direct access to the Emperor’s notable collection of works by Pieter Bruegel the Elder whilst working in Prague.
Provenance
Rt Hon Henry Hobhouse, Somerset (1854-1937); purchased from him by Colnaghi, probably on 18 November 1935; purchased there by J.E. Huxtable; purchased back from him by Colnaghi (London), 6 May 1943; purchased there by Count Antoine Seilern, London (1901-1978), 28 May 1943 (£300); Princes Gate Bequest 1978
Exhibition History
Drawings Gallery Display - Bruegel / Not Bruegel, The Courtauld Gallery, London, 16/01/2016-17/04/2016
The Princes Gate Collection - Drawings (Selection B), The Courtauld Gallery, London, 29/01/1982-25/07/1982
The Princes Gate Collection - Drawings (Selection B), The Courtauld Gallery, London, 29/01/1982-25/07/1982
Literature
The Princes Gate Collection - Drawings (Selection B), The Courtauld Gallery, London, 1982
cat. no. 155
Spicer-Durham, Joaneath, The drawings of Roelandt Savery, PhD thesis, Yale University 1979
no. C 153 F 151 (verso) and C 154 F 152 (recto) on pp. 582-83
Seilern, Count Antoine, Corrigenda and Addenda to the Catalogue of paintings and drawings at 56 Princes Gate, London, London 1971
no. 7
as Breugel, c. mid-1550s; in file ...More
Spicer, J.A., 'The "Naer het leven" drawings: by Pieter Bruegel or Roelandt Savery?' in 'Master Drawings', 1970; VIII, 1
p. 11
as Savery; in file
Bjurström, Per, 'Three unpublished drawings by Pieter Bruegel the Elder' in 'Master Drawings', 1965; III, 1
p. 49
as Bruegel; in file
Münz, Ludwig, Bruegel: the drawings, London 1961
no. 55 (verso) and no. 56 (recto) on p. 215
pl. 54 (verso) and pl. 55 (recto)
van Gelder, J.G., 'Pieter Bruegel: "Na(e)r het leven'" in ' Bulletin Musées Royaux des Beaux-Arts/Bulletin Koninklijke Musea voor Schone Kunsten', 1960 - pp. 29-36; 9
p. 33
Seilern, Count Antoine, Flemish paintings & drawings at 56 Princes Gate, London SW 7, London 1955; I
no. 7
pls. XXIII, XXIV
as Bruegel, c. 1552-55; in file
de Tolnay, Charles, The drawings of Pieter Bruegel the elder: with a critical catalogue, London 1952
pp. 77ff, nos. 73 and 74
ill.
as Bruegel, c. 1557-58 ...Less
cat. no. 155
Spicer-Durham, Joaneath, The drawings of Roelandt Savery, PhD thesis, Yale University 1979
no. C 153 F 151 (verso) and C 154 F 152 (recto) on pp. 582-83
Seilern, Count Antoine, Corrigenda and Addenda to the Catalogue of paintings and drawings at 56 Princes Gate, London, London 1971
no. 7
as Breugel, c. mid-1550s; in file ...More
Spicer, J.A., 'The "Naer het leven" drawings: by Pieter Bruegel or Roelandt Savery?' in 'Master Drawings', 1970; VIII, 1
p. 11
as Savery; in file
Bjurström, Per, 'Three unpublished drawings by Pieter Bruegel the Elder' in 'Master Drawings', 1965; III, 1
p. 49
as Bruegel; in file
Münz, Ludwig, Bruegel: the drawings, London 1961
no. 55 (verso) and no. 56 (recto) on p. 215
pl. 54 (verso) and pl. 55 (recto)
van Gelder, J.G., 'Pieter Bruegel: "Na(e)r het leven'" in ' Bulletin Musées Royaux des Beaux-Arts/Bulletin Koninklijke Musea voor Schone Kunsten', 1960 - pp. 29-36; 9
p. 33
Seilern, Count Antoine, Flemish paintings & drawings at 56 Princes Gate, London SW 7, London 1955; I
no. 7
pls. XXIII, XXIV
as Bruegel, c. 1552-55; in file
de Tolnay, Charles, The drawings of Pieter Bruegel the elder: with a critical catalogue, London 1952
pp. 77ff, nos. 73 and 74
ill.
as Bruegel, c. 1557-58 ...Less
Inscriptions
Watermark: Watermark: none.
Inscription: Recto: from top to bottom on right half of the sheet, all in brown ink over black chalk, artist’s hand, descriptions: “omberre / mus” [umber-coloured hat]; “gel / rot / swart” [yellow red black]; “Licht bruinockker / Rock” [Light brown ochre garment]; “Swart” [black]; “Swartte broeck [black trousers]”; “Swart lerssen [black boots]”; bottom "nart leuen"; lower right corner in a different brown ink: “Pet Brugell”. Verso: all in brown ink, artist’s hand: “licht swartte / broek” [light black trousers]; “swartte / lerssen [black boots]”; upper right: “omberre / mus” [omber-coloured hat]; “vil licht bruinochkker / rock” [felt light brown ochre coat]; “rot en blauue / strepen / dar op” [red and blue stripes on there]; lower right: “swartten / hoet [black hat]”; vil lichtte swart / linnen / mantel [felt light black linen mantle]”; “swart [black]”; lower centre edge: “nart leuen”.
Collector's mark: none.
Inscription: Recto: from top to bottom on right half of the sheet, all in brown ink over black chalk, artist’s hand, descriptions: “omberre / mus” [umber-coloured hat]; “gel / rot / swart” [yellow red black]; “Licht bruinockker / Rock” [Light brown ochre garment]; “Swart” [black]; “Swartte broeck [black trousers]”; “Swart lerssen [black boots]”; bottom "nart leuen"; lower right corner in a different brown ink: “Pet Brugell”. Verso: all in brown ink, artist’s hand: “licht swartte / broek” [light black trousers]; “swartte / lerssen [black boots]”; upper right: “omberre / mus” [omber-coloured hat]; “vil licht bruinochkker / rock” [felt light brown ochre coat]; “rot en blauue / strepen / dar op” [red and blue stripes on there]; lower right: “swartten / hoet [black hat]”; vil lichtte swart / linnen / mantel [felt light black linen mantle]”; “swart [black]”; lower centre edge: “nart leuen”.
Collector's mark: none.
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