by-nc

Seated burgher (recto)

Maker

(artist)
1576-1639

Formerly attributed to
(artist)
1525-1569

Title

Seated burgher (recto)

Date of Production

1550 -1559

Medium

black chalk, pen and brown ink (recto and verso) on laid paper

Dimensions

Height: 19 cm
Width: 15.2 cm

Accession Number

D.1978.PG.7

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords

bourgeoisie






Label Text

This study of a seated townsman was executed by Jacob Savery’s younger brother and presumed student, Roelandt. By extracting models from Bruegel’s works, he used the master’s figures as a foundation for his own studies drawn from life. Believed to have been employed by the Holy Roman Emperor Rudolf II, Roelandt Savery likely had direct access to the Emperor’s notable collection of works by Pieter Bruegel the Elder whilst working in Prague.

Provenance

Rt Hon Henry Hobhouse, Somerset (1854-1937); purchased from him by Colnaghi, probably on 18 November 1935; purchased there by J.E. Huxtable; purchased back from him by Colnaghi (London), 6 May 1943; purchased there by Count Antoine Seilern, London (1901-1978), 28 May 1943 (£300); Princes Gate Bequest 1978

Exhibition History

Drawings Gallery Display - Bruegel / Not Bruegel, The Courtauld Gallery, London, 16/01/2016-17/04/2016

The Princes Gate Collection - Drawings (Selection B), The Courtauld Gallery, London, 29/01/1982-25/07/1982

Literature

The Princes Gate Collection - Drawings (Selection B), The Courtauld Gallery, London, 1982
cat. no. 155

Spicer-Durham, Joaneath, The drawings of Roelandt Savery, PhD thesis, Yale University 1979
no. C 153 F 151 (verso) and C 154 F 152 (recto) on pp. 582-83

Seilern, Count Antoine, Corrigenda and Addenda to the Catalogue of paintings and drawings at 56 Princes Gate, London, London 1971
no. 7
as Breugel, c. mid-1550s; in file ...More

Spicer, J.A., 'The "Naer het leven" drawings: by Pieter Bruegel or Roelandt Savery?' in 'Master Drawings', 1970; VIII, 1
p. 11
as Savery; in file

Bjurström, Per, 'Three unpublished drawings by Pieter Bruegel the Elder' in 'Master Drawings', 1965; III, 1
p. 49
as Bruegel; in file

Münz, Ludwig, Bruegel: the drawings, London 1961
no. 55 (verso) and no. 56 (recto) on p. 215
pl. 54 (verso) and pl. 55 (recto)

van Gelder, J.G., 'Pieter Bruegel: "Na(e)r het leven'" in ' Bulletin Musées Royaux des Beaux-Arts/Bulletin Koninklijke Musea voor Schone Kunsten', 1960 - pp. 29-36; 9
p. 33

Seilern, Count Antoine, Flemish paintings & drawings at 56 Princes Gate, London SW 7, London 1955; I
no. 7
pls. XXIII, XXIV
as Bruegel, c. 1552-55; in file

de Tolnay, Charles, The drawings of Pieter Bruegel the elder: with a critical catalogue, London 1952
pp. 77ff, nos. 73 and 74
ill.
as Bruegel, c. 1557-58 ...Less

Inscriptions

Watermark: Watermark: none.

Inscription: Recto: from top to bottom on right half of the sheet, all in brown ink over black chalk, artist’s hand, descriptions: “omberre / mus” [umber-coloured hat]; “gel / rot / swart” [yellow red black]; “Licht bruinockker / Rock” [Light brown ochre garment]; “Swart” [black]; “Swartte broeck [black trousers]”; “Swart lerssen [black boots]”; bottom "nart leuen"; lower right corner in a different brown ink: “Pet Brugell”. Verso: all in brown ink, artist’s hand: “licht swartte / broek” [light black trousers]; “swartte / lerssen [black boots]”; upper right: “omberre / mus” [omber-coloured hat]; “vil licht bruinochkker / rock” [felt light brown ochre coat]; “rot en blauue / strepen / dar op” [red and blue stripes on there]; lower right: “swartten / hoet [black hat]”; vil lichtte swart / linnen / mantel [felt light black linen mantle]”; “swart [black]”; lower centre edge: “nart leuen”.

Collector's mark: none.

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