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A woman attacking a kneeling figure, while a man arrives from the left (Juno's vengeance on Callisto?)
Maker
(artist)
1599-1641
Title
Date of Production
Medium
Dimensions
Width: 35.7 cm
Accession Number
Mode of Acquisition
Credit
Copyright
Location
Keywords
Provenance
Exhibition History
Collection, The Courtauld Gallery, London, 06/10/1988-08/01/1989
17th Century Art in Europe, Royal Academy of Arts, London, 03/01/1938-12/03/1938
Literature
I, p. 320 under no. 75b
says will be rejected as either Rubens or van Dyck in forthcoming Courtauld catalogue
McGrath, Elizabeth, Gregory Martin, Fiona Healey, Bert Schepers, Carl van de Velde and Karolien de Clippel, Mythological Subjects. I. Achilles to The Graces, CRLB XI, 2 vols., London and Turnhout, 2016
I, p. 130 note 35 under no. 6
Rubens - Paintings, Drawings and Prints in the Princes Gate Collection, Courtauld Gallery, London, 1988-1989
cat. no. 43
no. 43 and p. 19
ill. on p. 39
as 'Ascribed to van Dyck'; in file ...More
Seilern, Count Antoine, Corrigenda and Addenda to the Catalogue of paintings and drawings at 56 Princes Gate, London, London 1971
no. 68
as van Dyck?
Müller Hofstede, Justus, Review of Burchard and d'Hulst in 'Master Drawings', 1966; IV, 4
p. 449 under no. 82
as Rubens; in file
Jaffé, Michael, 'Rubens as a draughtsman' in 'Burlington Magazine', 1965; CVII
p. 379
as van Dyck; in file
Burchard, Ludwig and R.A. d'Hulst, Rubens drawings, Brussels 1963
no. 82
as Rubens; in file
Seilern, Count Antoine, Flemish paintings & drawings at 56 Princes Gate, London SW 7, London 1955; I
no. 68
pl. CXXX
as van Dyck; in file
17th Century Art in Europe, Royal Academy of Arts, London, 1938
cat. no. 612
no. 612
as van Dyck
Popham, A.E., Catalogue of drawings in the collection formed by Sir Thomas Phillipps, now in the possession of his grandson T. FitzRoy Phillipps Fenwick of Thirlestaine House Cheltenham, London 1935
p. 183, no. 1
pl. LXXVI
as van Dyck ...Less
Inscriptions
Inscription: Recto: lower right, light brown ink: "Rubbens". Verso: lower right, graphite, circled: “5”.
Collector's mark: Recto: lower left corner, blindstamped: Sir Thomas Lawrence (L.2445); lower centre, stamped in black ink: Prosper Henry Lankrink (L.2090).
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