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Entombment, Saturn and five female figures
Maker
(artist)
1577-1640
Formerly attributed to
(artist)
1593-1678
Title
Date of Production
Medium
Dimensions
Width: 20.4 cm
Accession Number
Mode of Acquisition
Credit
Copyright
Location
Keywords
Provenance
Literature
no. A4
as Jordaens
Seilern, Count Antoine, Corrigenda and Addenda to the Catalogue of paintings and drawings at 56 Princes Gate, London, London 1971
no. 67
as Jordaens(?), and if so, revised dating to before 1616; in file
Held, J.S., 'Jordaens at Ottawa' in 'Burlington Magazine', 1969; CXI
p. 268 ...More
Held, Julius S., Review of 'Tekeningen van Jacob Jordaens (1593-1678). Ausstellung Rubenshuis, Antwerpen (8.10. - 4.12.1966) und Museum Boymans-van Beuningen, Rotterdam (17.12.1966 - 5.2.1967). Katalong von Roger-A. d'Hulst' in 'Kunstchronik', April 1967 - pp. 94-110; 20, 4
pp. 97-98, 110
says 1630-35 is probably too late but agrees is a follower of Rubens; in file
Tekeningen van Jacob Jordaens, Rubenshuis, Antwerp and Boymans Museum, Rotterdam, 1966-1967
p. 40 under no. 2
entry author: R.A. d'Hulst
d'Hulst, R.A., 'Nieuwe gegevens omtrent enkele tekeningen van Jakob Jordaens' in 'Gentse Bijdragen tot de Kunstgeschiedenis en de Oudheidkunde' (1957-58), Ghent 1959 - pp. 135-56; XVII
pp. 135-38
fig. 1 on p. 136
as Jordaens; in file
Norris, Christopher, and Popham, A.E., 'Review: Count Seilern's Flemish Paintings and Drawings: The Drawings' in 'Burlington Magazine', December 1955 - pp. 396-98, 403; XCVII
p. 398
as Rubens
Seilern, Count Antoine, Flemish paintings & drawings at 56 Princes Gate, London SW 7, London 1955; I
no. 67
pl. CXXIX
as 'School of Rubens', dated c. 1630-35; in file ...Less
Inscriptions
Inscription: Recto: upper centre edge, brown ink, cut off: “C ~mh[?] […]” [Seilern thought this was actually contemporary writing upside down, but is cut off by edge and impossible to read]; centre, brown ink: illegible.
Collector's mark: none.
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