The Angel of the Lord attacks Moses and Zipporah circumcises their son to allay God's Wrath
Maker
Attributed to
(artist)
1622-1654
Formerly attributed to
(artist)
1606-1669
(artist)
1622-1654
Formerly attributed to
(artist)
1606-1669
Title
The Angel of the Lord attacks Moses and Zipporah circumcises their son to allay God's Wrath
Date of Production
(circa) 1650 - 1654
Medium
pen and brown ink, brown wash and white pigment (gypsum? see notes) on laid paper
Dimensions
Height: 15.9 cm
Width: 22.3 cm
Width: 22.3 cm
Accession Number
D.1978.PG.409
Mode of Acquisition
Count Antoine Seilern, bequest, 1978
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Leo Blumenreich (Berlin) [according to Alfred Brod]; Franz Koenigs, Haarlem (1881-1941), probably acquired after 1931 [when he had sold off his first collection]; by descent to his son, W. Koenigs (1926-2009); his sale, Sotheby's (London), 23 March 1960, lot 10; Alfred Brod Gallery (London), by July 1961; purchased there by Count Antoine Seilern, London (1901-1978), 14 November 1961 (£3,800); Princes Gate Bequest 1978
Exhibition History
Drawings by Rembrandt in the Princes Gate Collection, The Courtauld Gallery, London, 02/07/1983-25/09/1983
Exhibition of drawings and watercolours, Alfred Brod Gallery, London, 12/07/1961-29/07/1961
Exhibition of drawings and watercolours, Alfred Brod Gallery, London, 12/07/1961-29/07/1961
Literature
Drawings by Rembrandt in the Princes Gate Collection, Courtauld Galllery, 1983
cat. no. 17
with explanation for new title as per Nieuwstraten's suggestion
Seilern, Count Antoine, Recent Acquisitions at 56 Princes Gate, London SW7, London 1971; VI
no. 409
pl. XVIII
as 'Angel threatening Balaam', dated early 1640s
Chudzikowski, A., 'Jean-Baptiste Weenix, peintre d'histoire' in 'Bulletin du Musée National de Varsovie', 1966; VII
pp. 1-10
fig. 4 on p. 5 (Royalton-Kisch says fig. 3 on p. 4 - TK) ...More
Nieuwstraten, J., Review of Rotermund, 'Rembrandts Handzeichnungen und Radierungen zur Bibel' in 'Oud-Holland', 1965; LXXX, 1
p. 63
who first identified the scene as currently titled
Rotermund, Hans-Martin, Rembrandts Handzeichnungen und Radierungen zur Bibel, Stuttgart 1963
pp. 90-91 and no. 75
pl. 75
Sumowski, Werner, Bemerkungen zu Otto Beneschs Corpus der Rembrandtzeichnungen, Bad Pyrmont 1961
vol. II, p. 10
as attributed to Ferdinand Bol
Exhibition of drawings and watercolours, Alfred Brod Gallery, London, 1961
cat. no. 29
listed for £7,500
Benesch, Otto, Corpus der Rembrandtzeichnungen, 1954-73
vol. III, no. 505 and under no. 500
fig. 628
dated c. 1640-42, subject Angels and Balaam
Benesch, O., Rembrandt. Werk und Forschung, Vienna 1935
p. 35
Lugt, Frits, Musée du Louvre: Inventaire général des dessins des écoles du Nord, école hollandaise (Rembrandt), Paris 1933; vol. III
p. 16 under no. 1144
Valentiner, W.R, Rembrandt. Des Meisters Handzeichnungen. Klassiker der Kunst, Stuttgart, Berlin and Leipzig 1925; xxxi, vol. I
no. 437
ill.
Royalton-Kisch, Martin, The drawings of Rembrandt: a revision of Otto Benesch's catalogue raisonné, rembrandtcatalogue.net ongoing
Benesch 505 (posted 17 September 2020)
as Carel Fabritius? c. 1650-54? ...Less
cat. no. 17
with explanation for new title as per Nieuwstraten's suggestion
Seilern, Count Antoine, Recent Acquisitions at 56 Princes Gate, London SW7, London 1971; VI
no. 409
pl. XVIII
as 'Angel threatening Balaam', dated early 1640s
Chudzikowski, A., 'Jean-Baptiste Weenix, peintre d'histoire' in 'Bulletin du Musée National de Varsovie', 1966; VII
pp. 1-10
fig. 4 on p. 5 (Royalton-Kisch says fig. 3 on p. 4 - TK) ...More
Nieuwstraten, J., Review of Rotermund, 'Rembrandts Handzeichnungen und Radierungen zur Bibel' in 'Oud-Holland', 1965; LXXX, 1
p. 63
who first identified the scene as currently titled
Rotermund, Hans-Martin, Rembrandts Handzeichnungen und Radierungen zur Bibel, Stuttgart 1963
pp. 90-91 and no. 75
pl. 75
Sumowski, Werner, Bemerkungen zu Otto Beneschs Corpus der Rembrandtzeichnungen, Bad Pyrmont 1961
vol. II, p. 10
as attributed to Ferdinand Bol
Exhibition of drawings and watercolours, Alfred Brod Gallery, London, 1961
cat. no. 29
listed for £7,500
Benesch, Otto, Corpus der Rembrandtzeichnungen, 1954-73
vol. III, no. 505 and under no. 500
fig. 628
dated c. 1640-42, subject Angels and Balaam
Benesch, O., Rembrandt. Werk und Forschung, Vienna 1935
p. 35
Lugt, Frits, Musée du Louvre: Inventaire général des dessins des écoles du Nord, école hollandaise (Rembrandt), Paris 1933; vol. III
p. 16 under no. 1144
Valentiner, W.R, Rembrandt. Des Meisters Handzeichnungen. Klassiker der Kunst, Stuttgart, Berlin and Leipzig 1925; xxxi, vol. I
no. 437
ill.
Royalton-Kisch, Martin, The drawings of Rembrandt: a revision of Otto Benesch's catalogue raisonné, rembrandtcatalogue.net ongoing
Benesch 505 (posted 17 September 2020)
as Carel Fabritius? c. 1650-54? ...Less
Inscriptions
Watermark: none.
Inscription: Verso: upper centre edge, graphite: "4"; centre, graphite: "81"; lower left, graphite, unclear: "lElc [?]"; lower left corner, brown ink: "Rembrant"; lower left, graphite: "CA"; lower left, graphite: "935".
Collector's mark: none.
Inscription: Verso: upper centre edge, graphite: "4"; centre, graphite: "81"; lower left, graphite, unclear: "lElc [?]"; lower left corner, brown ink: "Rembrant"; lower left, graphite: "CA"; lower left, graphite: "935".
Collector's mark: none.
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