Woman holding a vase
Maker
Follower of
1606-1669
Formerly attributed to
1606-1669
1606-1669
Formerly attributed to
1606-1669
Title
Woman holding a vase
Date of Production
1665 - 1699
Medium
black and red chalk, pen and brown ink on laid paper, laid down on a historic mount (Richardson's?)
Dimensions
Height: 13.1 cm
Width: 7.8 cm
Width: 7.8 cm
Accession Number
D.1978.PG.408
Mode of Acquisition
Count Antoine Seilern, bequest, 1978
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Jonathan Richardson, the elder, London (1665-1745), L.2184 and L.2995; John Barnard, London (1709-1784), L.1419 and L.1420; Sir Joshua Reynolds, London (1723-1792), L.2364 and L.3016a; Gerald M. Fitzgerald, Esq.; his sale, Sotheby's (London), 23-24 May 1922, lot 38; Dr and Mrs Victor Bloch; their sale, Sotheby's (London), 13 May 1964, lot 38; purchased there by Colnaghi (London) on behalf of Count Antoine Seilern, London (1901-1978) (£750); Princes Gate Bequest 1978
Exhibition History
Drawings by Rembrandt in the Princes Gate Collection, The Courtauld Gallery, London, 02/07/1983-25/09/1983
Literature
Drawings by Rembrandt in the Princes Gate Collection, Courtauld Galllery, 1983
cat. no. 16
Seilern, Count Antoine, Recent Acquisitions at 56 Princes Gate, London SW7, London 1971; VI
no. 408
pl. XVII
dated c. 1640-43, acknowledges weaknesses but gives to Rembrandt nonetheless
Benesch, Otto, Corpus der Rembrandtzeichnungen, 1954-73
vol. III, no. 642
fig. 778
dated c. 1649-50 ...More
cat. no. 16
Seilern, Count Antoine, Recent Acquisitions at 56 Princes Gate, London SW7, London 1971; VI
no. 408
pl. XVII
dated c. 1640-43, acknowledges weaknesses but gives to Rembrandt nonetheless
Benesch, Otto, Corpus der Rembrandtzeichnungen, 1954-73
vol. III, no. 642
fig. 778
dated c. 1649-50 ...More
Inscriptions
Watermark: none visible in the drawing sheet.
Mount (historic), Verso: centre: a Pro Patria (unable to see clearly due to drawing).
Inscription: Verso (hidden under the mount, visible via transmitted light): upper right corner, ink: too illegible to read through the mount; centre, ink: “E.38.”. Mount (historic), Recto: upper right corner, brown ink, partly cut off: “T” [or “J”?]; lower right, brown ink, John Barnard’s initials (L.1419): “J:B.”; lower centre, brown ink, Richardson the elder’s hand (L.2995): “Rembrandt.”. Mount (historic), Verso: upper centre, brown ink, John Barnard’s hand (L.1420): “B.24. / C. / J:B. No: 256. / 5 ¼ by 3.”; lower right, graphite: “4365”; lower left corner, brown ink, cut off at edge, unable to find hand on Lugt: “No. 752”; lower centre edge, graphite: “c / r[?]”; lower right corner, red ink, Reynold’s mark (L.3016a), cut off by edge: “Lot […]”.
Collector's mark: Recto: lower left corner, stamped in black: Sir Joshua Reynolds (L.2364); lower right corner, stamped in black: Jonathan Richardson, the elder (L.2184). Mount (historic), Recto: lower right, written in brown ink: John Barnard (L.1419), with no year added; lower centre, written in brown ink: Jonathan Richardson the elder (L.2995), transcribed above. Mount (historic), Verso: upper centre, written in brown ink: John Barnard (L.1420), transcribed above; lower right corner, written in red ink: Sir Joshua Reynolds (L.3016a), transcribed above.
Inscription: Verso (hidden under the mount, visible via transmitted light): upper right corner, ink: too illegible to read through the mount; centre, ink: “E.38.”. Mount (historic), Recto: upper right corner, brown ink, partly cut off: “T” [or “J”?]; lower right, brown ink, John Barnard’s initials (L.1419): “J:B.”; lower centre, brown ink, Richardson the elder’s hand (L.2995): “Rembrandt.”. Mount (historic), Verso: upper centre, brown ink, John Barnard’s hand (L.1420): “B.24. / C. / J:B. No: 256. / 5 ¼ by 3.”; lower right, graphite: “4365”; lower left corner, brown ink, cut off at edge, unable to find hand on Lugt: “No. 752”; lower centre edge, graphite: “c / r[?]”; lower right corner, red ink, Reynold’s mark (L.3016a), cut off by edge: “Lot […]”.
Collector's mark: Recto: lower left corner, stamped in black: Sir Joshua Reynolds (L.2364); lower right corner, stamped in black: Jonathan Richardson, the elder (L.2184). Mount (historic), Recto: lower right, written in brown ink: John Barnard (L.1419), with no year added; lower centre, written in brown ink: Jonathan Richardson the elder (L.2995), transcribed above. Mount (historic), Verso: upper centre, written in brown ink: John Barnard (L.1420), transcribed above; lower right corner, written in red ink: Sir Joshua Reynolds (L.3016a), transcribed above.
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