by-nc

Woman holding a vase

Maker

Follower of

1606-1669

Formerly attributed to

1606-1669

Title

Woman holding a vase

Date of Production

1665 - 1699

Medium

black and red chalk, pen and brown ink on laid paper, laid down on a historic mount (Richardson's?)

Dimensions

Height: 13.1 cm
Width: 7.8 cm

Accession Number

D.1978.PG.408

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords




Provenance

Jonathan Richardson, the elder, London (1665-1745), L.2184 and L.2995; John Barnard, London (1709-1784), L.1419 and L.1420; Sir Joshua Reynolds, London (1723-1792), L.2364 and L.3016a; Gerald M. Fitzgerald, Esq.; his sale, Sotheby's (London), 23-24 May 1922, lot 38; Dr and Mrs Victor Bloch; their sale, Sotheby's (London), 13 May 1964, lot 38; purchased there by Colnaghi (London) on behalf of Count Antoine Seilern, London (1901-1978) (£750); Princes Gate Bequest 1978

Exhibition History

Drawings by Rembrandt in the Princes Gate Collection, The Courtauld Gallery, London, 02/07/1983-25/09/1983

Literature

Drawings by Rembrandt in the Princes Gate Collection, Courtauld Galllery, 1983
cat. no. 16

Seilern, Count Antoine, Recent Acquisitions at 56 Princes Gate, London SW7, London 1971; VI
no. 408
pl. XVII
dated c. 1640-43, acknowledges weaknesses but gives to Rembrandt nonetheless

Benesch, Otto, Corpus der Rembrandtzeichnungen, 1954-73
vol. III, no. 642
fig. 778
dated c. 1649-50 ...More

Sotheby's (London), Important drawings and pictures, 23-24 May 1922
lot 38
ill. ...Less

Inscriptions

Watermark: none visible in the drawing sheet. Mount (historic), Verso: centre: a Pro Patria (unable to see clearly due to drawing).

Inscription: Verso (hidden under the mount, visible via transmitted light): upper right corner, ink: too illegible to read through the mount; centre, ink: “E.38.”. Mount (historic), Recto: upper right corner, brown ink, partly cut off: “T” [or “J”?]; lower right, brown ink, John Barnard’s initials (L.1419): “J:B.”; lower centre, brown ink, Richardson the elder’s hand (L.2995): “Rembrandt.”. Mount (historic), Verso: upper centre, brown ink, John Barnard’s hand (L.1420): “B.24. / C. / J:B. No: 256. / 5 ¼ by 3.”; lower right, graphite: “4365”; lower left corner, brown ink, cut off at edge, unable to find hand on Lugt: “No. 752”; lower centre edge, graphite: “c / r[?]”; lower right corner, red ink, Reynold’s mark (L.3016a), cut off by edge: “Lot […]”.

Collector's mark: Recto: lower left corner, stamped in black: Sir Joshua Reynolds (L.2364); lower right corner, stamped in black: Jonathan Richardson, the elder (L.2184). Mount (historic), Recto: lower right, written in brown ink: John Barnard (L.1419), with no year added; lower centre, written in brown ink: Jonathan Richardson the elder (L.2995), transcribed above. Mount (historic), Verso: upper centre, written in brown ink: John Barnard (L.1420), transcribed above; lower right corner, written in red ink: Sir Joshua Reynolds (L.3016a), transcribed above.

Information on this object may be incomplete and will be updated as research progresses. We are particularly committed to addressing any discriminatory or offensive language and ideas that might be present in our records. To help improve this record, and to enquire about images of The Courtauld Gallery Collection, please email gallery.collectionsonline@courtauld.ac.ukFind out more about using and licensing our images.

____________________________

Buy a print from our collection