Study of a seated female nude seen from behind
Maker
Attributed to
(artist)
1606-1669
(artist)
1606-1669
Title
Study of a seated female nude seen from behind
Date of Production
1635?
Medium
black chalk on laid (heavily foxed) paper
Dimensions
Height: 15.9 cm
Width: 11.9 cm
Width: 11.9 cm
Accession Number
D.1978.PG.404
Mode of Acquisition
Count Antoine Seilern, bequest, 1978
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
In this remarkably unidealised view of a nude woman, drawn from life in the artist’s studio, Rembrandt studies how light and shade affect the modelling and surface texture of the torso. The cast shadow, marked with heavy strokes, firmly anchors the body on the paper, whilst short curves shape the back, and fluent lines suggest a drapery covering the woman’s lap. Shortcomings in the rendering of the anatomy indicate an early date for the drawing.
Provenance
Joseph Daniel Böhm, Vienna (1794-1865), L.1442 and L.271; Rudolf Peltzer, Cologne (1825-1910), variant of L.2231 on the verso; by descent to his heirs; their sale, Gutekunst (Stuttgart), 13-14 May 1914, lot 308 (pl. 21); Dr Hans Wendland, Lugano; his sale, Kornfeld and Klipstein (Berne), 14 June 1967, lot 254; purchased there by Colnaghi (London) on behalf of Count Antoine Seilern, London (1901-1978) (£2,590); Princes Gate Bequest 1978
Exhibition History
Special Display - Rembrandt drawings, The Courtauld Gallery, London, 22/02/2007-03/06/2007
Rembrandt's Women, National Gallery of Scotland, Edinburgh and Royal Academy of Arts, London, 08/06/2001-16/12/2001
Drawings by Rembrandt in the Princes Gate Collection, The Courtauld Gallery, London, 02/07/1983-25/09/1983
Rembrandt's Women, National Gallery of Scotland, Edinburgh and Royal Academy of Arts, London, 08/06/2001-16/12/2001
Drawings by Rembrandt in the Princes Gate Collection, The Courtauld Gallery, London, 02/07/1983-25/09/1983
Literature
Rembrandt's Women, National Gallery of Scotland, Edinburgh and Royal Academy of Arts, London, 2001
cat. no. 14
as by Rembrandt, dated c. 1630-34
Sumowski, Werner, trans. by Walter L. Strauss, Drawings of the Rembrandt School, 10 vols., New York 1979-1992
under no. 895
Giltaij, Jeroen, The drawings by Rembrandt and his school in the Museum Boymans-van Beuningen Rotterdam, 1988
p. 312 under no. 182
as attributed to Rembrandt ...More
Drawings by Rembrandt in the Princes Gate Collection, Courtauld Galllery, 1983
cat. no. 2
Seilern, Count Antoine, Recent Acquisitions at 56 Princes Gate, London SW7, London 1971; VI
no. 404
pl. XIII
dated early 1630s
Benesch, Otto, Corpus der Rembrandtzeichnungen, 1954-73
vol. II, no. 193
ill.
dated c. 1632
Benesch, O., Rembrandt. Werk und Forschung, Vienna 1935
p. 15
Bauch, K., Die Kunst des jungen Rembrandt, Heidelberg 1933
p. 192
fig. 42
H.G. Gutekunst, Stuttgart, Katalog wertvoller und seltener Handzeichnungen von Meistern aller Schulen des 15. - 19. Jahrhunderts aus der Sammlung des Herrn Landgerichtsrats a. D. Peltzer † in Köln u. a.: vorzügliche und bedeutende Blätter von Aldegrever ..., 13-14 May 1914
lot 308
pl. 21
Royalton-Kisch, Martin, The drawings of Rembrandt: a revision of Otto Benesch's catalogue raisonné, rembrandtcatalogue.net ongoing
Benesch 0193 (posted 13 August 2015) and under 0191, 0192 and 0193a
as very probably by Rembrandt, dated 1635? ...Less
cat. no. 14
as by Rembrandt, dated c. 1630-34
Sumowski, Werner, trans. by Walter L. Strauss, Drawings of the Rembrandt School, 10 vols., New York 1979-1992
under no. 895
Giltaij, Jeroen, The drawings by Rembrandt and his school in the Museum Boymans-van Beuningen Rotterdam, 1988
p. 312 under no. 182
as attributed to Rembrandt ...More
Drawings by Rembrandt in the Princes Gate Collection, Courtauld Galllery, 1983
cat. no. 2
Seilern, Count Antoine, Recent Acquisitions at 56 Princes Gate, London SW7, London 1971; VI
no. 404
pl. XIII
dated early 1630s
Benesch, Otto, Corpus der Rembrandtzeichnungen, 1954-73
vol. II, no. 193
ill.
dated c. 1632
Benesch, O., Rembrandt. Werk und Forschung, Vienna 1935
p. 15
Bauch, K., Die Kunst des jungen Rembrandt, Heidelberg 1933
p. 192
fig. 42
H.G. Gutekunst, Stuttgart, Katalog wertvoller und seltener Handzeichnungen von Meistern aller Schulen des 15. - 19. Jahrhunderts aus der Sammlung des Herrn Landgerichtsrats a. D. Peltzer † in Köln u. a.: vorzügliche und bedeutende Blätter von Aldegrever ..., 13-14 May 1914
lot 308
pl. 21
Royalton-Kisch, Martin, The drawings of Rembrandt: a revision of Otto Benesch's catalogue raisonné, rembrandtcatalogue.net ongoing
Benesch 0193 (posted 13 August 2015) and under 0191, 0192 and 0193a
as very probably by Rembrandt, dated 1635? ...Less
Inscriptions
Watermark: Watermark: none.
Inscription: According to the 1983 exhibition catalogue, formerly inscribed on the Recto: upper left: “18765”, but this not currently evident anywhere on the drawing. Verso: upper centre, graphite: "3183"; centre, graphite: "No. 1"; lower left, graphite: "#240"; lower left, graphite: "J.D. Boehm" [labelling L.271 which is below; described in the 1983 catalogue as a variant of L.272 but it is not]; lower right, graphite, with an arrow pointing up to L.2231 above: "K dox" [? a misidentification of the Lugt mark?].
Collector's mark: Verso: upper left corner, stamped in blue: Joseph Daniel Böhm (L.1442); lower left edge, stamped in blue: Joseph Daniel Böhm (L.271); lower right, stamped in purplish-red: Rudolf Peltzer (L.2331, although it is 5 mm wide yet recorded on Lugt as 4 mm wide, and may not be an exact match).
Inscription: According to the 1983 exhibition catalogue, formerly inscribed on the Recto: upper left: “18765”, but this not currently evident anywhere on the drawing. Verso: upper centre, graphite: "3183"; centre, graphite: "No. 1"; lower left, graphite: "#240"; lower left, graphite: "J.D. Boehm" [labelling L.271 which is below; described in the 1983 catalogue as a variant of L.272 but it is not]; lower right, graphite, with an arrow pointing up to L.2231 above: "K dox" [? a misidentification of the Lugt mark?].
Collector's mark: Verso: upper left corner, stamped in blue: Joseph Daniel Böhm (L.1442); lower left edge, stamped in blue: Joseph Daniel Böhm (L.271); lower right, stamped in purplish-red: Rudolf Peltzer (L.2331, although it is 5 mm wide yet recorded on Lugt as 4 mm wide, and may not be an exact match).
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