Satyr and satyress
Maker
(artist)
1696-1770
1696-1770
Title
Satyr and satyress
Date of Production
(circa) 1740
Medium
black chalk, pen and brown ink, brown wash on laid paper, laid down (examined under microscope)
Dimensions
Height: 14.7 cm
Width: 26.9 cm
Width: 26.9 cm
Accession Number
D.1978.PG.380
Mode of Acquisition
Count Antoine Seilern, bequest, 1978
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
From 2023 display La Serenissima: Drawing in 18th century Venice:
This drawing belongs to a series of similar studies of satyrs. They were part of an extensive repertoire of motifs for ceiling decorations. Tiepolo first painted pairs of satyrs in grisailles (monochrome paintings) in the gallery of Palazzo Clerici in Milan, Italy, in 1740. The artist must have favoured the motif, as he employed it years later on the vaults of other decorated residences, such as Ca’ Rezzonico in Venice.
This drawing belongs to a series of similar studies of satyrs. They were part of an extensive repertoire of motifs for ceiling decorations. Tiepolo first painted pairs of satyrs in grisailles (monochrome paintings) in the gallery of Palazzo Clerici in Milan, Italy, in 1740. The artist must have favoured the motif, as he employed it years later on the vaults of other decorated residences, such as Ca’ Rezzonico in Venice.
Provenance
Group Captain P.M. Dobree-Bell; his sale, Sotheby's (London), 8 July 1964, lot 84; purchased there by Alfred Brod Gallery (London); purchased there by Count Antoine Seilern (1901-1978), 17 May 1966 (£3,000); Princes Gate Bequest 1978
Exhibition History
La Serenissima: Drawing in 18th century Venice, The Courtauld Gallery, London, 14/10/2023-11/02/2024
Mantegna to Cezanne - Master Drawings from the Courtauld, British Museum, London, 24/02/1983-19/06/1983
The Princes Gate Collection - Drawings (Selection A), The Courtauld Gallery, London, 17/07/1981-26/01/1982 ...More
Old Master Drawings, Alfred Brod Gallery, London, 28/01/1965-20/02/1965 ...Less
Mantegna to Cezanne - Master Drawings from the Courtauld, British Museum, London, 24/02/1983-19/06/1983
The Princes Gate Collection - Drawings (Selection A), The Courtauld Gallery, London, 17/07/1981-26/01/1982 ...More
Old Master Drawings, Alfred Brod Gallery, London, 28/01/1965-20/02/1965 ...Less
Literature
Flavia Ormond, Master Drawings, February 2004
under no. 9
Tiepolo and his circle: drawings in American collections, Harvard University Art Museum; Pierpont Morgan Library, New York, 1996-1997, 1996
p. 136 under no. 46
Mantegna to Cezanne: Master Drawings from the Courtauld, British Museum, London, 1983
no. 74, p. 69
ill. on p. 84 ...More
The Princes Gate Collection - Drawings (Selection A), Courtauld Gallery, London, 1981-1982
cat. no. 149
Seilern, Count Antoine, Italian paintings and drawings at 56 Princes Gate, London SW7. Addenda, London 1969; V
no. 380
pl. LXVII
Alfred Brod Gallery, London, 28 January - 20 February 1965, Old master drawings, 1965
no. 32
ill. on p. 11
Mullaly, Terrence, Review, 'Exhibitions present two different kinds of drawings' in 'Daily Telegraph and Morning Post', 4 February 1965
ill. on p. 19
Sotheby's, London, 8 July 1964, Important old master drawings, 1964
no. 84
ill. ...Less
under no. 9
Tiepolo and his circle: drawings in American collections, Harvard University Art Museum; Pierpont Morgan Library, New York, 1996-1997, 1996
p. 136 under no. 46
Mantegna to Cezanne: Master Drawings from the Courtauld, British Museum, London, 1983
no. 74, p. 69
ill. on p. 84 ...More
The Princes Gate Collection - Drawings (Selection A), Courtauld Gallery, London, 1981-1982
cat. no. 149
Seilern, Count Antoine, Italian paintings and drawings at 56 Princes Gate, London SW7. Addenda, London 1969; V
no. 380
pl. LXVII
Alfred Brod Gallery, London, 28 January - 20 February 1965, Old master drawings, 1965
no. 32
ill. on p. 11
Mullaly, Terrence, Review, 'Exhibitions present two different kinds of drawings' in 'Daily Telegraph and Morning Post', 4 February 1965
ill. on p. 19
Sotheby's, London, 8 July 1964, Important old master drawings, 1964
no. 84
ill. ...Less
Inscriptions
Watermark: Watermark: three Venetian crescent moons, a cross emerging from the top one (not found in Heawood).
Inscription: Recto: lower centre edge, graphite: “Tiepolo”. Verso (backing sheet): centre, brown ink: “Giovanni Battista Tiepolo / B. Venice 1697. D. Madrid 1770. //”.
Collector's mark: none.
Inscription: Recto: lower centre edge, graphite: “Tiepolo”. Verso (backing sheet): centre, brown ink: “Giovanni Battista Tiepolo / B. Venice 1697. D. Madrid 1770. //”.
Collector's mark: none.
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