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Venus disarming Cupid
Maker
1503-1540
Title
Date of Production
Medium
Dimensions
Width: 14 cm
Accession Number
Mode of Acquisition
Credit
Copyright
Location
Keywords
Label Text
Provenance
Exhibition History
Drawings Gallery Display - Renaissance Modern, The Courtauld Gallery, London, 22/04/2015-07/06/2015 ...More
Narrative Folds (Pop-up exhibition), The Courtauld Gallery, London, 01/06/2013-01/06/2013
Parmigianino - Paintings, Drawings, Prints, The Courtauld Gallery, London, 14/05/1987-12/07/1987
The Princes Gate Collection - Drawings (Selection A), The Courtauld Gallery, London, 17/07/1981-26/01/1982
Exhibition of Old Master drawings, Colnaghi, London, 28/04/1960-28/05/1960 ...Less
Literature
cat. no. 18
and on p. 106
ill. on p. 103, IRR is fig. 87 on p. 173
Gnann, Achim, Parmigianino: Die Zeichnungen, Petersberg 2007
vol. I, p. 227 and vol. II, no. 675
ill.
De la Renaissance à l'age baroque: une collection de dessins italiens pour les musées de France, Musée du Louvre, Paris, 8 June - 29 August 2005, 2005
p. 123 under no. 82
author: Cordellier ...More
Christie's, London, Old master drawings, 6 July 1999
p. 20 under lot 17
Parmigianino - Paintings, Drawings, Prints, Courtauld, London, 1987
cat. no. 20
Leonardo to Van Gogh. Master drawings from Budapest, National Gallery of Art, Washington, D.C.; Art Institute of Chicago, 1985
p. 38 under no. 11
The Princes Gate Collection - Drawings (Selection A), Courtauld Gallery, London, 1981-1982
cat. no. 140
Seilern, Count Antoine, Corrigenda and Addenda to the Catalogue of paintings and drawings at 56 Princes Gate, London, London 1971
no. 364
Popham, A. E., Catalogue of the Drawings of Parmigianino, New Haven and London 1971
no. 766 and p. 53 under no. 30
pl. 277
Fagiolo dell'Arco, Maurizio, Il Parmigianino: un saggio sull'ermetismo nel Cinquecento, 1970
p. 198
Seilern, Count Antoine, Italian paintings and drawings at 56 Princes Gate, London SW7. Addenda, London 1969; V
no. 364
pl. XLVIII
dated c. 1527-30
Fenyö, Ivan, 'Su alcuni disegni del Parmigianino nel Museo di Belle Arti di Budapest' in 'Arte Antica e Moderna', Apr./Jun. 1963; 22
p. 141
Popham, A.E., 'Dessins du Parmesan au Musée des Beaux-Arts de Budapest' in 'Bulletin du Musée Hongrois des Beaux-Arts', 1961; 19
p. 48
Brophy, John, The mind's eye, London 1949
p. 20 note
ill. facing p. 177 ...Less
Inscriptions
Collector's mark: Recto: lower left, stamped in black: Sir Joshua Reynolds (L.2364).
Inscription: Recto: right centre, brown ink: “50”; lower left corner, brown ink: “Parmesan.”. Verso (backing sheet): lower centre edge, graphite: a flourish preceding “12-” [similar mark on D.1978.PG.398]. Former mount cover (removed in 1981, now in object file; belonged to Nicholas Hillier?), Recto: lower centre, brown ink: “Parmeggianino.”; below that, graphite: “140”.
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