Sheet of studies with female heads
Maker
Stefano da Verona (artist)
1374-1438
1374-1438
Title
Sheet of studies with female heads
Date of Production
(circa) 1430 - 1439
Medium
pen and brown ink on laid paper, laid down
Dimensions
Height: 5.6 cm
Width: 9.7 cm
Width: 9.7 cm
Accession Number
D.1978.PG.344
Mode of Acquisition
Count Antoine Seilern, bequest, 1978
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
This is the earliest drawing in The Courtauld’s collection. Stefano di Giovanni was the leading artist of the International Gothic style in Verona and was one of the first to fully exploit the potential for spontaneity of pen and ink on paper.
The Courtauld’s fragment is part of a large and mutilated sheet; the other, larger part is in the Uffizi Gallery, Florence. Both compositions are likely variations of The Education of the Virgin, featuring Saint Anne and the young Virgin Mary. The method of shading against the contours of the figures and the vigorous use of hatching are typical of Stefano’s lively penmanship.
The Courtauld’s fragment is part of a large and mutilated sheet; the other, larger part is in the Uffizi Gallery, Florence. Both compositions are likely variations of The Education of the Virgin, featuring Saint Anne and the young Virgin Mary. The method of shading against the contours of the figures and the vigorous use of hatching are typical of Stefano’s lively penmanship.
Provenance
Mr Grill, France (according to inscription in French on former backing support, now in object file, attributing the drawing to Ludovico Carracci); W. Wightman; purchased from him by Colnaghi (London), 17 August 1959; purchased there by Count Antoine Seilern, Londo (1901-1978), 18 November 1959 (£500); Princes Gate Bequest 1978
Exhibition History
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 16/10/1991-19/01/1992
Literature
Karet, Evelyn, The drawings of Stefano da Verona and his circle and the origins of collecting in Italy: a catalogue raisonné, Philadelphia 2002
no. 7 on p. 66 and pp. 56-7 under no. 4
Karet, Evelyn, 'The drawings of Stefano da Verona reconsidered' in 'Arte Lombarda', 1999 - pp. 5-45; NS, 1
p. 7 and no. 6 on p. 19
ill. on p. 19
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 1991
cat. no. 64
pp. 136, 191
ill. on pp. 137, 192
dated c. 1430s ...More
Seilern, Count Antoine, Italian paintings and drawings at 56 Princes Gate, London SW7. Addenda, London 1969; V
no. 344
pl. XXIV(a)
dated c. 1435
Fiocco, Giuseppe, 'Disegni di Stefano da Verona' in 'Proporzioni', 1950 - pp. 56-62; 3
pp. 59-60
Degenhart, Bernhard, Zur Graphologie der Handzeichnung : die Strichbildung als stetige Erscheinung immerhalb der italienischen Kunstkreise, Leipzig 1937
31:528 ...Less
no. 7 on p. 66 and pp. 56-7 under no. 4
Karet, Evelyn, 'The drawings of Stefano da Verona reconsidered' in 'Arte Lombarda', 1999 - pp. 5-45; NS, 1
p. 7 and no. 6 on p. 19
ill. on p. 19
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 1991
cat. no. 64
pp. 136, 191
ill. on pp. 137, 192
dated c. 1430s ...More
Seilern, Count Antoine, Italian paintings and drawings at 56 Princes Gate, London SW7. Addenda, London 1969; V
no. 344
pl. XXIV(a)
dated c. 1435
Fiocco, Giuseppe, 'Disegni di Stefano da Verona' in 'Proporzioni', 1950 - pp. 56-62; 3
pp. 59-60
Degenhart, Bernhard, Zur Graphologie der Handzeichnung : die Strichbildung als stetige Erscheinung immerhalb der italienischen Kunstkreise, Leipzig 1937
31:528 ...Less
Inscriptions
Watermark: Watermark: none.
Collector's mark: none.
Inscription: Verso (backing sheet): left centre, graphite: "Louis Carrache". Former support (removed and now in object file), Recto: lower right, grey ink, cut off at edge: “Stefano da Ver”; lower left, graphite, Colnaghi number: “A. 23800”. Former support (removed and now in object file), Verso: centre, graphite: “par Louis Carrache / dans la Collection de Mr. Grill”.
Collector's mark: none.
Inscription: Verso (backing sheet): left centre, graphite: "Louis Carrache". Former support (removed and now in object file), Recto: lower right, grey ink, cut off at edge: “Stefano da Ver”; lower left, graphite, Colnaghi number: “A. 23800”. Former support (removed and now in object file), Verso: centre, graphite: “par Louis Carrache / dans la Collection de Mr. Grill”.
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