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Meleager killing his uncles Plexippus and Toxeus

Maker

(Artists)
1577-1640

Title

Meleager killing his uncles Plexippus and Toxeus

Date of Production

1611 - 1615

Medium

pen and brown ink on laid paper, laid down on a historic mount with green wash, brown ink and gold borders (late 18th century, according to Braham 1988); the mount has been cut in half and there was formerly a second drawing mounted below the current one (now in the Ashmolean)

Dimensions

Height: 12.5 cm
Width: 15.5 cm

Accession Number

D.1978.PG.323

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords





Provenance

François Renaud, Paris (active late 18th - early 19th century) [L.1042 was formerly on the lower half of this mount, now WA1937.137 in the Ashmolean]; Adolf Nicolaus Zacharias-Langhans, Hamburg (1858-1931); from whom purchased by Ludwig Burchard, Germany and after 1935, London (1886-1960), 1928; by descent to his son, Wolfgang Burchard (1906-1998); purchased from him by Count Antoine Seilern, London (1901-1978), 14 December 1961 (£600); Princes Gate Bequest 1978

Exhibition History

Rubens - Paintings, Drawings and Prints in the Princes Gate
Collection
, The Courtauld Gallery, London, 06/10/1988-08/01/1989

Tekeningen van P.P. Rubens, Rubenshuis, Antwerp, 1956

Rubens tentoonstelling, Goudstikker, Amsterdam, 05/08/1933-01/10/1933

Literature

Logan, Anne-Marie in association with Kristin Lohse Belkin, Anne-Marie Logan in association with Kristin Lohse Belkin, The Drawings of Peter Paul Rubens. A Critical Catalogue, Volume Two (1609-1620), 2 vols, Turnhout, 2023
I, no. 283
II, fig. 392
dated c. 1612-14

McGrath, Elizabeth, Bert Schepers, Nils Büttner, Gregory Martin, Jeremy Wood, Eveliina Juntunen, Gerlinde Gruber and Fiona Healy, Mythological Subjects. II. Hercules to Olympus, CRLB XI, 2 vols., London, 2022
I, no. 83 and pp. 405-06 under no. 82
II, fig. 274

Vanoppen, Brecht, ‘La conceptión de las pinturas de Meleagro y Atalanta de Jacob Jordaens’ and ‘The Conception of the Meleager and Atalanta Paintings by Jordaens’, Boletin del Museo del Prado, XXXV, 53, 2017, pp. 83-91 and pp. 136-40
pp. 84, 136
fig. 1 on p. 83
dated c. 1611-1618 ...More

White, Christopher and Charlotte Crawley, The Dutch and Flemish drawings of the fifteenth to the early nineteenth centuries in the collection of Her Majesty the Queen at Windsor Castle, Cambridge and New York, 1994
p. 304 under no. 435

Rubens - Paintings, Drawings and Prints in the Princes Gate Collection, Courtauld Gallery, London, 1988-1989
cat. no. 32a
ill. on p. 28
dated c. 1611-15; in file

Held, Julius S., Rubens: selected drawings, Oxford 1986 (2nd ed.)
pp. 101-02 under nos. 81 and 82
as in Burchard coll.; McGrath et al. 2022 and Buttner 2022 erroneously list this as under nos. 80 and 81

Braham, Helen, The Princes Gate Collection [all Princes Gate works, the exhibited drawings listed separately as Selection A and Selection B], London, 1981
pp. 140, 323

Peter Paul Rubens: kritischer Katalog der Zeichnungen: Originale, Umkreis, Kopien, Staatliche Museen Preussischer Kulturbesitz, Berlin 1977, 1977
p. 76 under no. 27

Seilern, Count Antoine, Flemish paintings and drawings at 56 Princes Gate, London SW7. Addenda, London 1969; IV
no. 323
pl. XXXVIII
dated c. 1615 or somewhat later; in file

Burchard, Ludwig and R.A. d'Hulst, Rubens drawings, Brussels 1963
vol. I, no. 83 on pp. 137-38 and p. 135 under no. 80
vol. II, fig. 83
implied date c. 1616-18; in file

Held, Julius S., Rubens: selected drawings, London 1959
pp. 105-06 under no. 29
fig. 23
dated c. 1611-13;j in file except for image

Tekeningen van P.P. Rubens, Rubenshuis, Antwerp, 1956
cat. no. 49

Rubens tentoonstelling, Goudstikker, Amsterdam, 1933
cat. no. 100
ill.

Lugt, Frits, Jahrbuch der Preussischer Kunstsammlungen, 1931; LII
p. 44 under S. 124
in file ...Less

Inscriptions

Watermark: Recto: upper right of centre, likely on an intermediate sheet used as lining: encircled bunch of grapes.

Inscription: Verso (hidden under mount, likely on intermediate sheet used for lining): lower left, brown ink: “le Provence”. Mount (historic), Recto: lower right, graphite: "1558 / 1634" and "F.R. = / Lugt 1042".

Collector's mark: none (the inscription indicates the presence of L.1042, but it was on part of the mount attached to the drawing originally mounted below this one, now in the Ashmolean).

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