There was an issue while attempting to download the image. Please try again later. If the problem persists, kindly contact us at gallery.collectionsonline@courtauld.ac.uk for further assistance.
You are permitted to reuse this image under a CC
BY-NC 4.0 Creative Commons Attribution-NonCommercial 4.0 International.
This license requires that users give appropriate credit. You are permitted to distribute, remix, adapt, and build upon the material in any medium or format, for non-commercial purposes only.
BY: Credit must be given to the creator.
NC:Only non-commercial use of the work is permitted.
Non-commercial means not primarily intended for or directed towards commercial advantage or monetary compensation.
Can I use this work commercially? No, unless it is used in an academic project or publication with a print run of less than 3000 copies.
PLEASE SHARE WITH US HOW YOU PLAN TO USE THIS IMAGE
Please select an option:
LICENSING A HIGH-RESOLUTION IMAGE
For information about obtaining a license and a higher-resolution image for use not listed above please visit The Courtauld Copyright Policy
Sheet with two studies of a female nude
Maker
1798-1863
Title
Date of Production
Medium
Dimensions
Width: 38.6 cm
Accession Number
Mode of Acquisition
Credit
Copyright
Location
Keywords
Label Text
Provenance
Exhibition History
Mantegna to Matisse - Master Drawings from The Courtauld Gallery, The Courtauld Gallery, London, 14/06/2012-09/09/2012
Special Display - French Drawings of the 19th century, The Courtauld Gallery, London, 08/02/2008-12/06/2008 ...More
French Drawings: XVI-XIX Centuries, The Courtauld Gallery, London, 04/07/1991-06/10/1991
Delacroix : an exhibition of paintings, drawings and lithographs / arr. by the Arts Council of Great Britain in assoc ; with the Edinburgh Festival Society, Royal Academy only, 1964 ...Less
Literature
no. 49
ill. on p. 223
French Drawings: XVI-XIX Centuries, Courtauld Gallery, London, 1991
no. 15
ill. on p. 39
Johnson, Lee, The Paintings of Eugène Delacroix: A Critical Catalogue 1832-1863, vol. III, Oxford 1986
p. 7 under no. 168 ...More
Braham, Helen, The Princes Gate Collection [all Princes Gate works, the exhibited drawings listed separately as Selection A and Selection B], London, 1981
Appendix III, p. 138
Clark, T.J., The Absolute Bourgeois, London 1973
p. 138
pl. 97
dated c. 1847
Spector, Jack J., The Murals of Eugene Delacroix at Saint-Sulpice, The College Art Association of America, New York 1967
p. 31n18
dates drawing to March or April 1849
Delacroix : an exhibition of paintings, drawings and lithographs / arr. by the Arts Council of Great Britain in assoc ; with the Edinburgh Festival Society, Royal Academy, London, 1964
cat. no. no. 159
pl. 84
Royal Academy only
Seilern, Count Antoine, Paintings and drawings of Continental Schools other than Flemish and Italian at 56 Princes Gate, London SW7, London 1961; III
no. 234
pl. LIX
dated 1849-50 ...Less
Inscriptions
Inscription: Recto: lower left edge, graphite, artist’s hand: “ou bien elle tient la pomme./ la maladie, les maux, le peché les attendent. la mort dans l'arbre de la science”; lower right edge, graphite, artist’s hand: “les faire après la faute. appuyés tristement à l'arbre / Adam consterné et assis”.
Collector's mark: Recto: appears three times - on left sheet at lower centre, on right sheet at lower left and lower right edges - stamped in red: Eugène Delacroix (L.838a).
Information on this object may be incomplete and will be updated as research progresses. We are particularly committed to addressing any discriminatory or offensive language and ideas that might be present in our records. To help improve this record, and to enquire about images of The Courtauld Gallery Collection, please email gallery.collectionsonline@courtauld.ac.uk. Find out more about using and licensing our images.
____________________________
