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Christ and the two disciples arriving at Emmaus
Maker
(artist)
1606-1669
Formerly attributed to
(artist)
1606-1669
Title
Date of Production
Medium
Dimensions
Width: 21.3 cm
Accession Number
Mode of Acquisition
Credit
Copyright
Location
Keywords
Provenance
Exhibition History
Literature
p. 11
fig. 1.4 on p. 11
as 'School of Rembrandt'
Drawings by Rembrandt in the Princes Gate Collection, Courtauld Galllery, 1983
cat. no. 22
Baudiquey, P., Rembrandt et la Bible: texte intégral de l'Ancien et du Nouveau Testament, France 1979
pp. 1290, 1423, no. 68 ...More
Seilern, Count Antoine, Paintings and drawings of Continental Schools other than Flemish and Italian at 56 Princes Gate, London SW7, London 1961; III
no. 194
pl. XIX
dated c. 1650
Sumowski, Werner, Rembrandt erzählt das Leben Jesu, Berlin 1958
p. 201, no. 97
ill.
Benesch, Otto, Corpus der Rembrandtzeichnungen, 1954-73
vol. III, no. 585
fig. 717
Regteren Altena, J.Q. van, 'Rembrandt's way to Emmaus' in 'Kunstmuseets Årsschrift', Copenhagen 1948-49; XXXV-XXXVI
p. 6 and note 18
ill.
Valentiner, W.R., Rembrandt. Des Meisters Handzeichnungen. Klassiker der Kunst, Stuttgart and Berlin 1934; xxxi, vol. II
no. 519
Tietze, Hans (ed.), Österreichische Kunsttopographie, Die Denkmale der Stadt Wien, Vienna 1908; XI-XXI Bezirk
p. 356
ill. ...Less
Inscriptions
Inscription: Mount (historic), Recto: upper left (hidden under drawing, visible via transmitted light): “21” [? Or could be on the verso of the drawing]; lower left corner, brown ink, trimmed away so only first line visible: “x / […]”; beside that, graphite: “P.82”; lower centre edge, brown ink: “Rembrandt.”. Mount (historic), Verso: upper right, brown ink, Barnard’s hand (L.1420): “J:B. No: 249 / 9 by 8 ½”; lower left, graphite: “Co. fl RPB.- / va” [not on Lugt]; lower left, brown ink, probably Esdaile’s hand: “Out of the coll;ns of John Barnard / Snr. Jos. Reynolds.” and below that, Esdaile again (L.2617): “WE P84_1798.”; lower centre edge, brown ink, Arthur Pond’s hand? (variant of L.2038?): “Pond. / Rembrandt.”.
Collector's mark: Recto: lower right corner, also partially on the mount, stamped in black: Sir Joshua Reynolds (L.2364). Mount (historic), Recto: lower right, written in brown ink: William Esdaile (L.2617); lower right corner, written in brown ink: John Barnard (just his initials, as in first parts of L.1419 and L.1420). Mount (historic), Verso: upper right, written in brown ink: John Barnard (L.1420), transcribed above; lower left, written in brown ink: William Esdaile (L.2617), transcribed above; lower centre edge, written in brown ink: Arthur Pond (variant of L.2038?).
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