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Bodies of Saul and his sons taken down from the wall of Beth Shean (or the Execution of three Anabaptist martyrs in Amsterdam, 1559?)

Maker

(artist)
1606-1669

Title

Bodies of Saul and his sons taken down from the wall of Beth Shean (or the Execution of three Anabaptist martyrs in Amsterdam, 1559?)

Date of Production

(circa) 1642 - 1645

Medium

pen and brown ink, with touches of grey wash and white pigment on the severed head (gypsum? see notes) on laid paper, with brown ink framing lines; a small section of paper on the arm of the man carrying the severed head was excised and replaced by the artist

Dimensions

Height: 19.9 cm
Width: 27.4 cm

Accession Number

D.1978.PG.187

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords







Label Text

Saul’s decapitated corpse and the bodies of his sons are here being removed from the walls of the Philistine city Beth Shean for burial. The gaze of the slouching guard, below the sombre hanging figure at upper left, leads the viewer to the central group bearing Saul’s body. Fluid lines and exuberant shading indicate the architectural setting and add depth, while three rapidly sketched onlookers, peering down through a window, contribute a sense of spectacle.

Provenance

Charles Delanglade, Marseillle (1870-1952); by descent to his niece Hélène and her husband Henri Bonnasse (1899-1984); purchased from him by Colnaghi (London), 12 February 1957; purchased there by Count Antoine Seilern, London (1901-1978), 1 May 1957 (£700); Princes Gate Bequest 1978

Exhibition History

Special Display - Rembrandt drawings, The Courtauld Gallery, London, 22/02/2007-03/06/2007

Drawings by Rembrandt in the Princes Gate Collection, The Courtauld Gallery, London, 02/07/1983-25/09/1983

Literature

Royalton-Kisch, Martin, Catalogue of drawings by Rembrandt and his school. Online research catalogue. https://research.britishmuseum.org/research/publications/online_research_catalogues/rembrandt_drawings/drawings_by_rembrandt.aspx, 2010
under no. 103

Dickey, S.S., ‘Mennonite Martyrdom in Amsterdam in the Art of Rembrandt and his Contemporaries’, in 'Contemporary Explorations in the Culture of the Low Countries', Lanham, Maryland 1996 - pp. 81-103
no. 13 and pp. 96-97
fig. 7

Dickey, S.S., ‘Doop door water en het zwaard. Doopsgezind martelaarschap in de kunst van Rembrandt en zijn tijdgenoten’, in 'Doopsgezinde bijdragen', 1995 - pp. 39-62; nieuwe reeks 21
pp. 58, 60 nn. 52 and 53
identified scene as inconsistent with Saul and bodies taken down from wall, rather of the Anabaptist martyrs ...More

Sumowski, Werner, trans. by Walter L. Strauss, Drawings of the Rembrandt School, 10 vols., New York 1979-1992
vol. III (1980), under no. 809xx

Drawings by Rembrandt in the Princes Gate Collection, Courtauld Galllery, 1983
cat. no. 12
ill.
identified the scene as that in 2 Samuel 31: 7-13, the bodies taken down from the wall

Seilern, Count Antoine, Corrigenda and Addenda to the Catalogue of paintings and drawings at 56 Princes Gate, London, London 1971
no. 187

Haverkamp Begemann, E., Review of Benesch, Part 2 in 'Kunstchronik', Feb. 1961; XIV, 2
pp. 50-51
first connected this with Saul's story, though a later episode than the bodies taken down from the wall

Seilern, Count Antoine, Paintings and drawings of Continental Schools other than Flemish and Italian at 56 Princes Gate, London SW7, London 1961; III
no. 187
pl. XII
titled 'Several scenes of execution' dated c. 1640

Benesch, Otto, Corpus der Rembrandtzeichnungen, 1954-73
vol. III, no. 485a and under no. 518a
fig. 608
dated 1640-41

Isarlo, George, 'Du nouveau sur Rembrandts' in 'Arts', 25 Jul. 1947; no. 125
p.?
ill. front p.

Royalton-Kisch, Martin, The drawings of Rembrandt: a revision of Otto Benesch's catalogue raisonné, rembrandtcatalogue.net ongoing
Benesch 0485a (posted 17 June 2020) and under 0477, 0478, 0479, 0482, 0485
agreed with Dickey 1995 on identification of scene as Anabaptist martyrs; confirmed attribution to Rembrandt; dated c. 1642-45 ...Less

Inscriptions

Watermark: Watermark: none; 2.4 cm between chain lines.

Inscription: none.

Collector's mark: none.

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