Portrait, possibly of the artist's son
Maker
(Artists)
1696-1770
1696-1770
Title
Portrait, possibly of the artist's son
Date of Production
1751-1753
Medium
red and white chalk with stumping on blue laid paper
Dimensions
Height: 23.3 cm
Width: 16.3 cm
Width: 16.3 cm
Accession Number
D.1978.PG.161
Mode of Acquisition
Count Antoine Seilern, bequest, 1978
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
From 2023 display La Serenissima: Drawing in 18th century Venice:
Tiepolo drew a series of head studies in preparation for the painted ceilings of the Würzburg Residence in Bavaria, where he worked assisted by his sons Giovanni Domenico and Lorenzo. The latter often modelled for his father and is traditionally thought to be the sitter for this striking head study.
Tiepolo’s masterful handling of the red chalk exploits the tonal effects of light and shadow on the blue paper, which was much favoured by Venetian artists.
Tiepolo drew a series of head studies in preparation for the painted ceilings of the Würzburg Residence in Bavaria, where he worked assisted by his sons Giovanni Domenico and Lorenzo. The latter often modelled for his father and is traditionally thought to be the sitter for this striking head study.
Tiepolo’s masterful handling of the red chalk exploits the tonal effects of light and shadow on the blue paper, which was much favoured by Venetian artists.
Provenance
possibly given by the artist's son Domenico to Johann Dominik Bossi, Munich (1767-1853); by descent to his daughter Maria Theresa Caroline (1825-1881) and her husband, Carl Christian Friedrich Beyerlen (1826-1881); their estate sale, H.G. Gutekunst (Stuttgart), 27 March 1882; purchased there by Dr O. Eisenmann, Cassel, on behalf of Wilhelm Lübke (1826-1893); purchased from his estate by Joseph Baer & Sons (Frankfurt); purchased there by Dr Hans Wendland, Lugano, by 1925; acquired by Colnaghi (London) between May and November 1929; Nebehay (Vienna); purchased there by Count Antoine Seilern, London (1901-1978), by April 1936; Princes Gate Bequest 1978
Exhibition History
La Serenissima: Drawing in 18th century Venice, The Courtauld Gallery, London, 14/10/2023-11/02/2024
A Passion for Drawings, Collectors at the Courtauld, The Courtauld Gallery, London, 28/02/2002-09/06/2002
Mantegna to Cezanne - Master Drawings from the Courtauld, British Museum, London, 24/02/1983-19/06/1983 ...More
The Princes Gate Collection - Drawings (Selection A), The Courtauld Gallery, London, 17/07/1981-26/01/1982 ...Less
A Passion for Drawings, Collectors at the Courtauld, The Courtauld Gallery, London, 28/02/2002-09/06/2002
Mantegna to Cezanne - Master Drawings from the Courtauld, British Museum, London, 24/02/1983-19/06/1983 ...More
The Princes Gate Collection - Drawings (Selection A), The Courtauld Gallery, London, 17/07/1981-26/01/1982 ...Less
Literature
Mantegna to Cezanne: Master Drawings from the Courtauld, British Museum, London, 1983
no. 73, p. 69
ill. on p. 84
The Princes Gate Collection - Drawings (Selection A), Courtauld Gallery, London, 1981-1982
cat. no. 150
Knox, George, Giambattista and Domenico Tiepolo: a study and catalogue raisonné of the chalk drawings, Oxford 1980
no. M.631 ...More
Levey, Michael, Review of 'Domenico Tiepolo: his earliest activity and a monograph' in 'Burlington Magazine', 1963 - pp. 128-29 and 131; CV
p. 129
Seilern, Count Antoine, Italian paintings and drawings at 56 Princes Gate, London, SW7, London 1959; II
no. 161
pl. CXXI ...Less
no. 73, p. 69
ill. on p. 84
The Princes Gate Collection - Drawings (Selection A), Courtauld Gallery, London, 1981-1982
cat. no. 150
Knox, George, Giambattista and Domenico Tiepolo: a study and catalogue raisonné of the chalk drawings, Oxford 1980
no. M.631 ...More
Levey, Michael, Review of 'Domenico Tiepolo: his earliest activity and a monograph' in 'Burlington Magazine', 1963 - pp. 128-29 and 131; CV
p. 129
Seilern, Count Antoine, Italian paintings and drawings at 56 Princes Gate, London, SW7, London 1959; II
no. 161
pl. CXXI ...Less
Inscriptions
Watermark: Watermark: centre: two fleur-de-lis above a third, all above a single-line letter “W”? (not found in Heawood).
Inscription: Verso: upper centre edge, graphite: “71”; lower left, graphite: “431”; lower left edge, brown ink: “Xrs12. No. 3465.”; lower centre edge, graphite, Colnaghi number: “A5430” [or “5730”].
Collector's mark: none.
Inscription: Verso: upper centre edge, graphite: “71”; lower left, graphite: “431”; lower left edge, brown ink: “Xrs12. No. 3465.”; lower centre edge, graphite, Colnaghi number: “A5430” [or “5730”].
Collector's mark: none.
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