Apotheosis of a Venetian hero
Maker
(artist)
1696-1770
1696-1770
Title
Apotheosis of a Venetian hero
Date of Production
c. 1755 - 1760
Medium
black chalk, pen and brown ink, brown wash on laid paper
Dimensions
Height: 30.9 cm
Width: 24.5 cm
Width: 24.5 cm
Accession Number
D.1978.PG.157
Mode of Acquisition
Count Antoine Seilern, bequest, 1978
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
From 2023 display La Serenissima: Drawing in 18th century Venice:
This drawing is probably a preliminary study for a ceiling at Palazzo Porto in Vicenza, designed by Renaissance architect Andrea Palladio (1508–1580) for the Porto family. The man seated at the centre may be Orazio, the head of the Porto family in Tiepolo’s lifetime. The composition draws on the tradition of representing the glorification of historical and mythological figures to a divine status. The painterly use of wash is characteristic of Tiepolo’s late style. Underlying chalk lines reveal the artist’s first thoughts for the composition.
This drawing is probably a preliminary study for a ceiling at Palazzo Porto in Vicenza, designed by Renaissance architect Andrea Palladio (1508–1580) for the Porto family. The man seated at the centre may be Orazio, the head of the Porto family in Tiepolo’s lifetime. The composition draws on the tradition of representing the glorification of historical and mythological figures to a divine status. The painterly use of wash is characteristic of Tiepolo’s late style. Underlying chalk lines reveal the artist’s first thoughts for the composition.
Provenance
probably mounted by the artist in an album and given to his son, Giuseppe Tiepolo, friar in the convent of the Somaschi, Santa Maria della Salute, Venice, 1762; kept in convent of the Somaschi until its suppression, 1810; possibly acquired there by Count Bernardino Algarotti-Corniani; purchased from him by Edward Cheney, Badger Hall (1803-1885), in Venice, 31 May 1852; by descent to Colonel Alfred Capel Cure, Blake Hall, Ongar, Essex, (1826-1896); his sale, Sotheby's (London), 29 April 1885, lot 1024; purchased there by E. Parsons & Sons (London); possibly acquired in Dublin by William Fagg, Sydenham; possibly B.T. Batsford (London)'s sale, Christie's (London), 14 July 1914, lot 49 (three volumes); purchased there by E. Parsons & Sons (London); Savile Gallery, May 1928; passed to Richard Owen (Paris); sold on behalf of his estate by Arthur Tooth & Sons (London) to Colnaghi (London), 11 January 1952; purchased there by Count Antoine Seilern (1901-1978), 2 July 1952 (£580); Princes Gate Bequest 1978
Exhibition History
La Serenissima: Drawing in 18th century Venice, The Courtauld Gallery, London, 14/10/2023-11/02/2024
The Four Elements, The Courtauld Gallery, London, 1996
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 16/10/1991-19/01/1992 ...More
Drawings by Tiepolo and Guardi in the Princes Gate Collection, The Courtauld Gallery, London, 31/07/1982-30/01/1983 ...Less
The Four Elements, The Courtauld Gallery, London, 1996
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 16/10/1991-19/01/1992 ...More
Drawings by Tiepolo and Guardi in the Princes Gate Collection, The Courtauld Gallery, London, 31/07/1982-30/01/1983 ...Less
Literature
Seilern, Count Antoine, Italian paintings and drawings at 56 Princes Gate, London, SW7, London 1959; II
no. 157
pl. CXVII
Loggia del Lionello, Udine, 1965, Disegni del Tiepolo, 1965
p. 106 under no. 92
Drawings from Stockholm: a loan exhibition from the Nationalmuseum, Pierpont Morgan Library, New York; Museum of Fine Art, Boston; Art Institute of Chicago, 1969
p. 27 under no. 42 ...More
Tiepolo: a bicentenary exhibition, Fogg Art Museum, Harvard University, 1970, 1970
under no. 77
Seilern, Count Antoine, Corrigenda and Addenda to the Catalogue of paintings and drawings at 56 Princes Gate, London, London 1971
no. 157
Bjurström, Per, Disegni veneti del Museo di Stoccolma, Vicenza 1974
no. 111
Bjurström, Per, Drawings in Swedish public collections, III: Italian drawings : Venice, Brescia, Parma, Milan, Genoa, Stockholm 1979
under no. 224
ill.
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 1991
cat. no. 67
pp. 142, 193
ill. on p. 143
Drawings by Tiepolo and Guardi in the Princes Gate Collection, Courtauld Gallery, London, 31/07/1982- 30/01/1983, cat. by Helen Braham
no. 20
Tiepolo and his circle: drawings in American collections, Harvard University Art Museum; Pierpont Morgan Library, New York, 1996-1997, 1996
p. 174 under no. 65 ...Less
no. 157
pl. CXVII
Loggia del Lionello, Udine, 1965, Disegni del Tiepolo, 1965
p. 106 under no. 92
Drawings from Stockholm: a loan exhibition from the Nationalmuseum, Pierpont Morgan Library, New York; Museum of Fine Art, Boston; Art Institute of Chicago, 1969
p. 27 under no. 42 ...More
Tiepolo: a bicentenary exhibition, Fogg Art Museum, Harvard University, 1970, 1970
under no. 77
Seilern, Count Antoine, Corrigenda and Addenda to the Catalogue of paintings and drawings at 56 Princes Gate, London, London 1971
no. 157
Bjurström, Per, Disegni veneti del Museo di Stoccolma, Vicenza 1974
no. 111
Bjurström, Per, Drawings in Swedish public collections, III: Italian drawings : Venice, Brescia, Parma, Milan, Genoa, Stockholm 1979
under no. 224
ill.
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 1991
cat. no. 67
pp. 142, 193
ill. on p. 143
Drawings by Tiepolo and Guardi in the Princes Gate Collection, Courtauld Gallery, London, 31/07/1982- 30/01/1983, cat. by Helen Braham
no. 20
Tiepolo and his circle: drawings in American collections, Harvard University Art Museum; Pierpont Morgan Library, New York, 1996-1997, 1996
p. 174 under no. 65 ...Less
Inscriptions
Watermark: Verso, lower right: small fleur-de-lis above “AF”, the letters terminating in small circles (see tracing in file, variant of Heawood 1895 - Venice 1730).
Inscription: Verso: lower left corner, graphite: “18703.”; lower right edge, graphite: “Tiepolo”.
Collector's mark: none.
Inscription: Verso: lower left corner, graphite: “18703.”; lower right edge, graphite: “Tiepolo”.
Collector's mark: none.
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