by-nc

Apotheosis of a Venetian hero

Maker

(artist)
1696-1770

Title

Apotheosis of a Venetian hero

Date of Production

c. 1755 - 1760

Medium

black chalk, pen and brown ink, brown wash on laid paper

Dimensions

Height: 30.9 cm
Width: 24.5 cm

Accession Number

D.1978.PG.157

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords





Label Text

From 2023 display La Serenissima: Drawing in 18th century Venice:

This drawing is probably a preliminary study for a ceiling at Palazzo Porto in Vicenza, designed by Renaissance architect Andrea Palladio (1508–1580) for the Porto family. The man seated at the centre may be Orazio, the head of the Porto family in Tiepolo’s lifetime. The composition draws on the tradition of representing the glorification of historical and mythological figures to a divine status. The painterly use of wash is characteristic of Tiepolo’s late style. Underlying chalk lines reveal the artist’s first thoughts for the composition.  

Provenance

probably mounted by the artist in an album and given to his son, Giuseppe Tiepolo, friar in the convent of the Somaschi, Santa Maria della Salute, Venice, 1762; kept in convent of the Somaschi until its suppression, 1810; possibly acquired there by Count Bernardino Algarotti-Corniani; purchased from him by Edward Cheney, Badger Hall (1803-1885), in Venice, 31 May 1852; by descent to Colonel Alfred Capel Cure, Blake Hall, Ongar, Essex, (1826-1896); his sale, Sotheby's (London), 29 April 1885, lot 1024; purchased there by E. Parsons & Sons (London); possibly acquired in Dublin by William Fagg, Sydenham; possibly B.T. Batsford (London)'s sale, Christie's (London), 14 July 1914, lot 49 (three volumes); purchased there by E. Parsons & Sons (London); Savile Gallery, May 1928; passed to Richard Owen (Paris); sold on behalf of his estate by Arthur Tooth & Sons (London) to Colnaghi (London), 11 January 1952; purchased there by Count Antoine Seilern (1901-1978), 2 July 1952 (£580); Princes Gate Bequest 1978

Exhibition History

La Serenissima: Drawing in 18th century Venice, The Courtauld Gallery, London, 14/10/2023-11/02/2024

The Four Elements, The Courtauld Gallery, London, 1996

Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 16/10/1991-19/01/1992 ...More

Drawings by Tiepolo and Guardi in the Princes Gate Collection, The Courtauld Gallery, London, 31/07/1982-30/01/1983 ...Less

Literature

Seilern, Count Antoine, Italian paintings and drawings at 56 Princes Gate, London, SW7, London 1959; II
no. 157
pl. CXVII

Loggia del Lionello, Udine, 1965, Disegni del Tiepolo, 1965
p. 106 under no. 92

Drawings from Stockholm: a loan exhibition from the Nationalmuseum, Pierpont Morgan Library, New York; Museum of Fine Art, Boston; Art Institute of Chicago, 1969
p. 27 under no. 42 ...More

Tiepolo: a bicentenary exhibition, Fogg Art Museum, Harvard University, 1970, 1970
under no. 77

Seilern, Count Antoine, Corrigenda and Addenda to the Catalogue of paintings and drawings at 56 Princes Gate, London, London 1971
no. 157

Bjurström, Per, Disegni veneti del Museo di Stoccolma, Vicenza 1974
no. 111

Bjurström, Per, Drawings in Swedish public collections, III: Italian drawings : Venice, Brescia, Parma, Milan, Genoa, Stockholm 1979
under no. 224
ill.

Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 1991
cat. no. 67
pp. 142, 193
ill. on p. 143

Drawings by Tiepolo and Guardi in the Princes Gate Collection, Courtauld Gallery, London, 31/07/1982- 30/01/1983, cat. by Helen Braham
no. 20

Tiepolo and his circle: drawings in American collections, Harvard University Art Museum; Pierpont Morgan Library, New York, 1996-1997, 1996
p. 174 under no. 65 ...Less

Inscriptions

Watermark: Verso, lower right: small fleur-de-lis above “AF”, the letters terminating in small circles (see tracing in file, variant of Heawood 1895 - Venice 1730).

Inscription: Verso: lower left corner, graphite: “18703.”; lower right edge, graphite: “Tiepolo”.

Collector's mark: none.

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