Bull baiting (recto)
Maker
(artist)
1712-1793
(artist)
1764-1835
1712-1793
(artist)
1764-1835
Title
Bull baiting (recto)
Date of Production
1782
Medium
pen and brown ink, brown wash (recto), black chalk, pen and brown ink, grey and brown wash, executed using a compass, with brown ink framing lines on the left and right edges (verso), on laid paper
Dimensions
Height: 16.9 cm
Width: 28.6 cm
Width: 28.6 cm
Accession Number
D.1978.PG.139
Mode of Acquisition
Count Antoine Seilern, bequest, 1978
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Ferdinand Cavendish-Bentinck, 8th Duke of Portland (1889-1980) (according to Christopher Norris); Robert Langton Douglas (1864-1951), by 1935 (seen there by Christopher Norris, though he wasn't sure Douglas owned it); Christopher Norris, Polesden Lacey, Dorking, Surrey (1907-1987) (his letter in object file); presumably purchased from him via Dr Alfred Scharf, London (1900-1965) by Count Antoine Seilern, London (1901-1978), 20 February 1940 (£157.10s); Princes Gate Bequest 1978
Exhibition History
Captured on Paper, Animals in the Prints and Drawings Collection, The Courtauld Gallery, London, 20/06/2002-11/08/2002
Drawings by Tiepolo and Guardi in the Princes Gate Collection, The Courtauld Gallery, London, 31/07/1982-30/01/1983
Drawings by Tiepolo and Guardi in the Princes Gate Collection, The Courtauld Gallery, London, 31/07/1982-30/01/1983
Literature
Byam Shaw, James, 'Francesco Guardi' in 'Old Master Drawings', 1934; IX
p. 50
pl. 49
Mongan, Agnes and Paul J. Sachs, Drawings in the Fogg Museum of Art, Cambridge, Mass. 1946
p. 162 under no. 319
Byam Shaw, James, The drawings of Francesco Guardi, London 1951
p. 69 under no. 43 ...More
Byam Shaw, J., 'Unpublished Guardi drawings' in 'Art Quarterly', 1953; XVI
p. 279
Seilern, Count Antoine, Italian paintings and drawings at 56 Princes Gate, London, SW7, London 1959; II
no. 139
pl. XCIX (recto)
Fondazione Giorgio Cini, La Civiltà veneziana del Settecento, Florence 1960
fig. 15 (recto)
Seilern, Count Antoine, Corrigenda and Addenda to the Catalogue of paintings and drawings at 56 Princes Gate, London, London 1971
no. 139
Drawings from New York Collections: 18th century in Italy, Metropolitan Museum of Art, New York, 1971
p. 88 under no. 209
Morassi, Antonio, Guardi: tutti i disegni di Antonio, Francesco e Giacomo Guardi, Venice 1975
under cat. 268 p. 124
Fig. 270
Drawings by Tiepolo and Guardi in the Princes Gate Collection, Courtauld Gallery, London, 31/07/1982- 30/01/1983, cat. by Helen Braham
no. 27
Bean, Jacob and William Griswold, 18th century Italian drawings in the Metropolitan Museum of Art, New York 1990
p. 113 under no. 95
Sotheby's (London), Old Master & 19th Century Paintings Day Auction, Part I, 6 July 2023.
cat. no. 215 ...Less
p. 50
pl. 49
Mongan, Agnes and Paul J. Sachs, Drawings in the Fogg Museum of Art, Cambridge, Mass. 1946
p. 162 under no. 319
Byam Shaw, James, The drawings of Francesco Guardi, London 1951
p. 69 under no. 43 ...More
Byam Shaw, J., 'Unpublished Guardi drawings' in 'Art Quarterly', 1953; XVI
p. 279
Seilern, Count Antoine, Italian paintings and drawings at 56 Princes Gate, London, SW7, London 1959; II
no. 139
pl. XCIX (recto)
Fondazione Giorgio Cini, La Civiltà veneziana del Settecento, Florence 1960
fig. 15 (recto)
Seilern, Count Antoine, Corrigenda and Addenda to the Catalogue of paintings and drawings at 56 Princes Gate, London, London 1971
no. 139
Drawings from New York Collections: 18th century in Italy, Metropolitan Museum of Art, New York, 1971
p. 88 under no. 209
Morassi, Antonio, Guardi: tutti i disegni di Antonio, Francesco e Giacomo Guardi, Venice 1975
under cat. 268 p. 124
Fig. 270
Drawings by Tiepolo and Guardi in the Princes Gate Collection, Courtauld Gallery, London, 31/07/1982- 30/01/1983, cat. by Helen Braham
no. 27
Bean, Jacob and William Griswold, 18th century Italian drawings in the Metropolitan Museum of Art, New York 1990
p. 113 under no. 95
Sotheby's (London), Old Master & 19th Century Paintings Day Auction, Part I, 6 July 2023.
cat. no. 215 ...Less
Inscriptions
Watermark: Watermark: Recto, upper centre edge, fragment: halves of three stacked crescent moons (no exact match in Heawood but see e.g. Heawood 867 - Venice 1696).
Inscription: Recto: lower left corner, brown ink, signed (Byam Shaw confirmed artist's hand): "Fco. Guardi".
Collector's mark: none.
Inscription: Recto: lower left corner, brown ink, signed (Byam Shaw confirmed artist's hand): "Fco. Guardi".
Collector's mark: none.
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