Seated lion
Maker
(artist)
1729-1804
Formerly attributed to
(artist)
1712-1793
1729-1804
Formerly attributed to
(artist)
1712-1793
Title
Seated lion
Date of Production
1700 - 1799
Medium
pen and brown ink, grey and black wash, white bodycolour on laid paper prepared with a pink wash
Dimensions
Height: 29 cm
Width: 18.5 cm
Width: 18.5 cm
Accession Number
D.1978.PG.133.1
Mode of Acquisition
Count Antoine Seilern, bequest, 1978
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
From 2023 display La Serenissima: Drawing in 18th century Venice:
The lion is traditionally associated with Mark the Evangelist, patron saint of Venice. Depictions of lions feature prominently on the city’s monuments, such as the façade of Saint Mark’s Basilica or the four statues guarding the entrance of the Arsenal. One of them, the Piraeus Lion, dates to around 360 BCE. It was brought to Venice in 1684 from its original location in the harbour of Athens. Novelli may have taken inspiration from this famous sculpture to draw the saint’s celebrated animal companion.
The lion is traditionally associated with Mark the Evangelist, patron saint of Venice. Depictions of lions feature prominently on the city’s monuments, such as the façade of Saint Mark’s Basilica or the four statues guarding the entrance of the Arsenal. One of them, the Piraeus Lion, dates to around 360 BCE. It was brought to Venice in 1684 from its original location in the harbour of Athens. Novelli may have taken inspiration from this famous sculpture to draw the saint’s celebrated animal companion.
Provenance
Giuseppe Chiantorre, Turin (born c. 1870), L.540; James Byam Shaw, London (1903-1992) [according to a note by Seilern in the provenance file]; Arcade Gallery (London); purchased there by Colnaghi (London), 31 May 1958; purchased there by Count Antoine Seilern, London (1901-1978), 27 June 1958 (£300, as by Guardi); Princes Gate Bequest 1978
Exhibition History
La Serenissima: Drawing in 18th century Venice, The Courtauld Gallery, London, 14/10/2023-11/02/2024
Drawings by Tiepolo and Guardi in the Princes Gate Collection, The Courtauld Gallery, London, 31/07/1982-30/01/1983
Drawings by Tiepolo and Guardi in the Princes Gate Collection, The Courtauld Gallery, London, 31/07/1982-30/01/1983
Literature
Seilern, Count Antoine, Italian paintings and drawings at 56 Princes Gate, London, SW7, London 1959; II
no. 133 bis
pl. XCIII bis
as by Guardi, before 1760
Morassi, Antonio, Guardi: tutti i disegni di Antonio, Francesco e Giacomo Guardi, Venice 1975
no. 446
fig. 448
as by Guardi
Drawings by Tiepolo and Guardi in the Princes Gate Collection, Courtauld Gallery, London, 31/07/1982- 30/01/1983, cat. by Helen Braham
no. 36 ...More
Byam Shaw, James and George Knox, The Robert Lehman Collection. Italian Eighteenth-century drawings, Princeton 1987; 6
pp. 79-80 under no. 64
as by Novelli ...Less
no. 133 bis
pl. XCIII bis
as by Guardi, before 1760
Morassi, Antonio, Guardi: tutti i disegni di Antonio, Francesco e Giacomo Guardi, Venice 1975
no. 446
fig. 448
as by Guardi
Drawings by Tiepolo and Guardi in the Princes Gate Collection, Courtauld Gallery, London, 31/07/1982- 30/01/1983, cat. by Helen Braham
no. 36 ...More
Byam Shaw, James and George Knox, The Robert Lehman Collection. Italian Eighteenth-century drawings, Princeton 1987; 6
pp. 79-80 under no. 64
as by Novelli ...Less
Inscriptions
Watermark: Watermark: none.
Collector's mark: Recto: lower right corner, stamped in purple: Giuseppe Chiantorre (L.540).
Inscription: Recto: lower centre, graphite, difficult to read due to pink preparation, two words: “Borou […]” (? “Borou” also appears on verso of D.1978.PG.133; Seilern read it as "Bernini fecit" but this does not match). Verso: lower right edge, graphite, Colnaghi inventory number: “A 22854 CHX”.
Collector's mark: Recto: lower right corner, stamped in purple: Giuseppe Chiantorre (L.540).
Inscription: Recto: lower centre, graphite, difficult to read due to pink preparation, two words: “Borou […]” (? “Borou” also appears on verso of D.1978.PG.133; Seilern read it as "Bernini fecit" but this does not match). Verso: lower right edge, graphite, Colnaghi inventory number: “A 22854 CHX”.
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