Alpine landscape
Maker
(artist)
active late 16th or early 17th century (Life dates)
Formerly attributed to
(artist)
1525-1569
active late 16th or early 17th century (Life dates)
Formerly attributed to
(artist)
1525-1569
Title
Alpine landscape
Date of Production
1575-1625
Medium
traces of black chalk (confirmed under IR), pen and brown ink, with dashes of brown wash in the foreground, on laid paper, with grey ink framing lines
Dimensions
Height: 19.5 cm
Width: 32.4 cm
Width: 32.4 cm
Accession Number
D.1978.PG.10
Mode of Acquisition
HM Government (Acceptance in Lieu), allocation, 1978
Credit
Accepted by HM Government in lieu of Inheritance Tax and allocated to the Samuel Courtauld Trust, 1981.
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
A single dwelling is the only evidence of man in this rugged landscape. A skilled draughtsman, the artist captures the combination of delicacy and monumentality present in Pieter Bruegel the Elder’s landscapes, including the painted 'Landscape with the Flight into Egypt' (also in the Courtauld collection). The artist’s characteristic use of mid-ground focus, however, is not found in Bruegel drawings. The intention of these imitative works, whether as displays of virtuosity or to pass as Bruegel originals, is unclear.
Provenance
Sir Thomas Lawrence, London (1769-1830), L.2445; ceded by his executors to Samuel Woodburn (London), 1835; Woodburn estate sale, Christie’s (London), 4 - 8 June 1860, lot 92; purchased there by Sir Thomas Phillips (1792-1872); by descent to his grandson, Thomas Fitzroy Fenwick (1856-1938); purchased from the Fenwick estate by Count Antoine Seilern, London (1901-1978), 1946; Princes Gate Bequest 1978 (Accepted by HM Government in lieu of Inheritance Tax and allocated to the Samuel Courtauld Trust, 1981)
Exhibition History
Drawings Gallery Display - Bruegel / Not Bruegel, The Courtauld Gallery, London, 16/01/2016-17/04/2016
Mantegna to Cezanne - Master Drawings from the Courtauld, British Museum, London, 24/02/1983-19/06/1983
Mantegna to Cezanne - Master Drawings from the Courtauld, British Museum, London, 24/02/1983-19/06/1983
Literature
Mielke, Hans, Pieter Bruegel: die Zeichnungen, Turnhout 1996
no. A 5 on p. 76
as Savery; in file
Mielke, Hans, 'Noch einmal zum Problem von Pieter Bruegels Landschaftszeichnungen' in 'Münchner Jahrbuch der bildenden Kunst', 1991 - pp. 137-47
pp. 142-43
fig. 7 on p. 143
The age of Bruegel: Netherlandish drawings in the sixteenth century, National Gallery of Art, Washington and Pierpont Morgan Library, New York, 1986-87
p. 92 note 3 and p. 98 under no. 27
in file for PG.9 ...More
Mantegna to Cezanne: Master Drawings from the Courtauld, British Museum, London, 1983
no. 17 on p. 18
ill. p. 29
in file
Oberhuber, Konrad, 'Bruegel's early landscape drawings' in 'Master Drawings', 1981 - pp. 146-56; XIX
p. 147
in file for PG.9
'Des dessins de Pierre Bruegel l'Ancien' in 'Bruegel: une dynastie de peintres', Palais des Beaux-Arts, Brussels, 1980
p. 63
ill. p. 65
in file for PG.9
Müller Hofstede, Justus, 'Zur Interpretation von Pieter Bruegels Landschaft Ästhetischer Landschaftsbegriff und Stoische Weltbetrachtung' in 'Pieter Bruegel und seine Welt', Berlin 1979
pp. 94, 125
in file for PG.9
Seilern, Count Antoine, Corrigenda and Addenda to the Catalogue of paintings and drawings at 56 Princes Gate, London, London 1971
no. 10
in file
Catalogue raisonné des estampes de Bruegel l'Ancien, Bibliothèque royale Albert Ier, Brussels, 1969
pp. 30, 38
in file for PG.9
Lugt, Frits, Musée du Louvre: Inventaire général des dessins des écoles du Nord. Maitres des anciens Pays-Bas nes avant 1550, Paris 1968
p. 83 under no. 331
de Tolnay, Charles and Christopher White, 'Letters: A landscape by Pieter Bruegel the Elder' in 'Burlington Magazine, Apr. 1964 - p. 186; 106, 733
p. 186
in file
Münz, Ludwig, Bruegel: the drawings, London 1961
no. 12 on pp. 208-209 and pp. 19, 209 under no. 13
pl. 12
Prints & Drawings of Pieter Bruegel the Elder, Los Angeles County Museum, March-May 1961, 1961
p. 21 under no. 7
Popham, A.E., 'Sir Thomas Phillipps as a Patron of Artists and a Collector of Pictures and Drawings' in 'The Formation of the Phillipps Library from 1841-1872 (Phillipps Studies, IV), Cambridge 1956
p. 226
Seilern, Count Antoine, Flemish paintings & drawings at 56 Princes Gate, London SW 7, London 1955; I
no. 10
pl. XXVII
in file
Grossmann, F., The drawings of Pieter Bruegel the Elder in the Museum Boymans. Postscript: 'Notes on the landscape drawings of Bruegel' in 'Bulletin Museum Boymans', 1954; V, 3
p. 79
de Tolnay, Charles, The drawings of Pieter Bruegel the elder: with a critical catalogue, London 1952
no. 22 on p. 60
ill.
in file for PG.9
Popham, A.E., Catalogue of drawings in the collection formed by Sir Thomas Phillipps, now in the possession of his grandson T. FitzRoy Phillipps Fenwick of Thirlestaine House Cheltenham, London 1935
p. 179
pl. LXX
de Tolnay, Charles, Pierre Bruegel l'ancien, Brussels 1935
p. 101, no. 3
fig. 172
Popham, A.E., Vasari Society, Second series, 1931; XII
no. 10 ...Less
no. A 5 on p. 76
as Savery; in file
Mielke, Hans, 'Noch einmal zum Problem von Pieter Bruegels Landschaftszeichnungen' in 'Münchner Jahrbuch der bildenden Kunst', 1991 - pp. 137-47
pp. 142-43
fig. 7 on p. 143
The age of Bruegel: Netherlandish drawings in the sixteenth century, National Gallery of Art, Washington and Pierpont Morgan Library, New York, 1986-87
p. 92 note 3 and p. 98 under no. 27
in file for PG.9 ...More
Mantegna to Cezanne: Master Drawings from the Courtauld, British Museum, London, 1983
no. 17 on p. 18
ill. p. 29
in file
Oberhuber, Konrad, 'Bruegel's early landscape drawings' in 'Master Drawings', 1981 - pp. 146-56; XIX
p. 147
in file for PG.9
'Des dessins de Pierre Bruegel l'Ancien' in 'Bruegel: une dynastie de peintres', Palais des Beaux-Arts, Brussels, 1980
p. 63
ill. p. 65
in file for PG.9
Müller Hofstede, Justus, 'Zur Interpretation von Pieter Bruegels Landschaft Ästhetischer Landschaftsbegriff und Stoische Weltbetrachtung' in 'Pieter Bruegel und seine Welt', Berlin 1979
pp. 94, 125
in file for PG.9
Seilern, Count Antoine, Corrigenda and Addenda to the Catalogue of paintings and drawings at 56 Princes Gate, London, London 1971
no. 10
in file
Catalogue raisonné des estampes de Bruegel l'Ancien, Bibliothèque royale Albert Ier, Brussels, 1969
pp. 30, 38
in file for PG.9
Lugt, Frits, Musée du Louvre: Inventaire général des dessins des écoles du Nord. Maitres des anciens Pays-Bas nes avant 1550, Paris 1968
p. 83 under no. 331
de Tolnay, Charles and Christopher White, 'Letters: A landscape by Pieter Bruegel the Elder' in 'Burlington Magazine, Apr. 1964 - p. 186; 106, 733
p. 186
in file
Münz, Ludwig, Bruegel: the drawings, London 1961
no. 12 on pp. 208-209 and pp. 19, 209 under no. 13
pl. 12
Prints & Drawings of Pieter Bruegel the Elder, Los Angeles County Museum, March-May 1961, 1961
p. 21 under no. 7
Popham, A.E., 'Sir Thomas Phillipps as a Patron of Artists and a Collector of Pictures and Drawings' in 'The Formation of the Phillipps Library from 1841-1872 (Phillipps Studies, IV), Cambridge 1956
p. 226
Seilern, Count Antoine, Flemish paintings & drawings at 56 Princes Gate, London SW 7, London 1955; I
no. 10
pl. XXVII
in file
Grossmann, F., The drawings of Pieter Bruegel the Elder in the Museum Boymans. Postscript: 'Notes on the landscape drawings of Bruegel' in 'Bulletin Museum Boymans', 1954; V, 3
p. 79
de Tolnay, Charles, The drawings of Pieter Bruegel the elder: with a critical catalogue, London 1952
no. 22 on p. 60
ill.
in file for PG.9
Popham, A.E., Catalogue of drawings in the collection formed by Sir Thomas Phillipps, now in the possession of his grandson T. FitzRoy Phillipps Fenwick of Thirlestaine House Cheltenham, London 1935
p. 179
pl. LXX
de Tolnay, Charles, Pierre Bruegel l'ancien, Brussels 1935
p. 101, no. 3
fig. 172
Popham, A.E., Vasari Society, Second series, 1931; XII
no. 10 ...Less
Inscriptions
Watermark: Watermark: none. Peter Bower says it is lightweight, very good quality paper (2017 report).
Inscription: none.
Collector's mark: Recto: lower left corner, blindstamped: Thomas Lawrence (L.2445).
Inscription: none.
Collector's mark: Recto: lower left corner, blindstamped: Thomas Lawrence (L.2445).
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