Study for 'Apres-Midi Tunisien'
Maker
(Artists)
1884-1937
1884-1937
Title
Study for 'Apres-Midi Tunisien'
Date of Production
(circa) 1922
Medium
watercolour, bodycolour, pen, black ink, graphite on laid paper
Dimensions
Height: 21.6 cm
Width: 20.6 cm
Width: 20.6 cm
Accession Number
D.1962.GC.16
Mode of Acquisition
Gabrielle Cross, gift, 1962
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
This is a study for Glyn Philpot’s oil painting L’Après Midi Tunisien (1922). Two men have kicked off their slippers and are lounging in a niche shielded from the sun. An ornate mashrabiyya screen appears behind them here, but not in the finished painting. This discrepancy suggests that Philpot experimented with different visual effects and that he was not simply depicting an observed scene.
Philpot first visited Tunisia in 1920, and then again in the mid-1930s. For artists travelling to North Africa, ideas of the Orient drawn from fiction were as important as reality itself. Texts like Arabian Nights contributed to moulding the artists’ and public’s expectations around the Orient, imagined as a place of decadence and lasciviousness.
Philpot first visited Tunisia in 1920, and then again in the mid-1930s. For artists travelling to North Africa, ideas of the Orient drawn from fiction were as important as reality itself. Texts like Arabian Nights contributed to moulding the artists’ and public’s expectations around the Orient, imagined as a place of decadence and lasciviousness.
Provenance
By descent to the artist's niece, Miss Gabrielle Cross (1910-1997); Gabrielle Cross Gift 1962
Exhibition History
Drawing on Arabian Nights, The Courtauld Gallery, London, 22/02/2023-04/06/2023
Glyn Philpot: Flesh and Spirit, Pallant House Gallery, Chichester, 14/05/2022-23/10/2022
Glyn Philpot: Flesh and Spirit, Pallant House Gallery, Chichester, 14/05/2022-23/10/2022
Literature
Glyn Philpot 1884-1937. Edwardian Aesthete to Thirties Modernist, National Portrait Gallery, London, 1984
under no. 83 on p. 99
under no. 83 on p. 99
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