Design for Greenwich
Maker
John James (artist)
1672-1746
Formerly attributed to
Thomas Ripley (artist)
1683-1758
1672-1746
Formerly attributed to
Thomas Ripley (artist)
1683-1758
Title
Design for Greenwich
Date of Production
1735
Medium
pen and grey ink on two sheets of laid paper joined together, with grey ink framing lines, executed using a ruler and compass; the sheet of paper used on the right is significantly more foxed than the other sheet
Dimensions
Height: 47.1 cm
Width: 91.7 cm
Width: 91.7 cm
Accession Number
D.1961.XX.2.1
Mode of Acquisition
Geoffrey F. Webb, gift, 1960
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
This scale drawing was made in order to plan the Queen Mary Block of the Sailors' Hospital at Greenwich. The block was planned to complement the existing King William Block built in 1708. This drawing was probably based on designs for the earlier block, though it could have been taken from the building itself.
Provenance
John Edmund Gardner (1819-1899); by descent to his son; purchased from him en bloc by Major Sir Edward Coates (1853-1921), 1910; his estate sale, Sotheby's (London), 1-5 May 1924, probably lot 2232 (18 items); purchased there by B.T. Batsford (London) (£5.5 for all 18); purchased there by Professor Geoffrey Webb (1898-1970), circa 1927-28; Webb Gift 1960 Provenance detailed by Kerry Downes in the file for D.1961.XX.2.1.
Exhibition History
Architectural Drawings from the Witt Collection, The Courtauld Gallery, London, 01/07/1961-01/10/1961
Literature
Architectural Drawings from the Witt Collection, Courtauld Gallery, London, 1961
cat. no. 13
Downes, Kerry, Hawksmoor, 1959
cat. no. 13
Downes, Kerry, Hawksmoor, 1959
Inscriptions
Watermark: Watermark: Left sheet: left centre: “PORTAL & BRIDGES”; Countermark: centre: Strasburg lily above “GR”; Right sheet: centre: “PORTAL” [not cut off – it is not followed by any words] (Portal was a papermarker who founded his mill in Hampshire in 1712; his heirs eventually partnered with a cousin named Bridges].
Inscription: All Recto, brown ink, artist’s hand: throughout the drawing are numerous dimensions; upper left, written vertically: “Architrave to Nitch-herd [?] the Same – but not carved”; lower left, written vertically: “Pilaster” and added after in graphite, partly faded: “not diminish[…]”; written at upper right below a window and again lower right, vertically: “plain”; lower centre, below a scale running from “5” to “100 Feet”, titled: “South Front of Queen Mary’s Building._”. Verso: lower right, red-brown ink: “South Front of Queen Mary’s Building_”.
Collector's mark: none.
Inscription: All Recto, brown ink, artist’s hand: throughout the drawing are numerous dimensions; upper left, written vertically: “Architrave to Nitch-herd [?] the Same – but not carved”; lower left, written vertically: “Pilaster” and added after in graphite, partly faded: “not diminish[…]”; written at upper right below a window and again lower right, vertically: “plain”; lower centre, below a scale running from “5” to “100 Feet”, titled: “South Front of Queen Mary’s Building._”. Verso: lower right, red-brown ink: “South Front of Queen Mary’s Building_”.
Collector's mark: none.
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