ⓒ Work in copyright. All rights reserved.
Rug design
Maker
Attributed to
(artist)
1885-1978
Alternatively attributed to
(artist)
1879-1961
(artist)
1885-1978
Alternatively attributed to
(artist)
1879-1961
Title
Rug design
Date of Production
1913 - 1915
Medium
pen and black ink, bodycolour on wove paper; whole design is over a grid composed in black ink with graphite tick marks added down left edge of grid; on verso is brown wash in square design, likely an offset, not a deliberate drawing
Dimensions
Height: 60.5 cm
Width: 31.2 cm
Width: 31.2 cm
Accession Number
D.1958.PD.5
Mode of Acquisition
Pamela Diamand, gift, 1958
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
© Estate of Vanessa Bell. All rights reserved, DACS 2023. © Estate of Duncan Grant. All rights reserved, DACS 2023
Location
Not currently on display
Keywords
Label Text
Rugs were one of the Omega Workshops’ specialities. Vibrant and colourful, Omega rugs were unlike anything available at the time. Clients usually selected a rug from a portfolio of designs such as this one at the Omega’s premises in Fitzroy Square, Bloomsbury.
Although this drawing is on squared paper, and names of colours have been noted down, presumably as an indication to the manufacturer, it is an artist’s sketch rather than a finished technical drawing for production. No rug after this design is known.
Although this drawing is on squared paper, and names of colours have been noted down, presumably as an indication to the manufacturer, it is an artist’s sketch rather than a finished technical drawing for production. No rug after this design is known.
Provenance
Roger Fry (1866-1934); by descent to his daughter Pamela Diamand; Pamela Diamand Gift 1958
Exhibition History
Bloomsbury Spirit, Artipelag, Stockholm, 23/03/2018-30/09/2018
Picasso, Braque, Leger and the International Language of Cubism, Complesso del Vittoriano & Rome & Italy, 07/03/2013-30/06/2013
Beyond Bloomsbury - Designs of the Omega Workshops 1913-19, The Courtauld Gallery, London, 18/06/2009-20/09/2009 ...More
Roger Fry and the Omega Workshops, The Courtauld Gallery (Prints and Drawings Study Room), 01/08/1990-02/12/1990 ...Less
Picasso, Braque, Leger and the International Language of Cubism, Complesso del Vittoriano & Rome & Italy, 07/03/2013-30/06/2013
Beyond Bloomsbury - Designs of the Omega Workshops 1913-19, The Courtauld Gallery, London, 18/06/2009-20/09/2009 ...More
Roger Fry and the Omega Workshops, The Courtauld Gallery (Prints and Drawings Study Room), 01/08/1990-02/12/1990 ...Less
Literature
Beyond Bloomsbury - Designs of the Omega Workshops 1913-19, Courtauld Gallery, London, 2009
cat. no. 15
ill. on p. 99
cat. no. 15
ill. on p. 99
Inscriptions
Watermark: Watermark: none.
Inscription: Recto, all graphite and artist’s hand: upper margin: “Black green straw grey maroon Blue”; running vertically down left margin at regular intervals, descending from “186” to “16” with “122” added between “126” and “116”; all three green areas labelled “green”; all three grey areas labelled “grey”; central yellow area labelled “straw”; maroon area at lower right labelled “maroon”; various numbers inscribed within grids across the whole drawing. Verso: lower right, blue crayon: “Please write [the former word written over the word “name” which was crossed out] colors / on pattern [former word underlined]”; lower left, blue ink: “HHF. 263.” and added after in graphite: “/5”.
Collector's mark: none.
Inscription: Recto, all graphite and artist’s hand: upper margin: “Black green straw grey maroon Blue”; running vertically down left margin at regular intervals, descending from “186” to “16” with “122” added between “126” and “116”; all three green areas labelled “green”; all three grey areas labelled “grey”; central yellow area labelled “straw”; maroon area at lower right labelled “maroon”; various numbers inscribed within grids across the whole drawing. Verso: lower right, blue crayon: “Please write [the former word written over the word “name” which was crossed out] colors / on pattern [former word underlined]”; lower left, blue ink: “HHF. 263.” and added after in graphite: “/5”.
Collector's mark: none.
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