Male nude lying on his back
Maker
(artist)
1710-1788
1710-1788
Title
Male nude lying on his back
Date of Production
(circa) 1730 - 1737
Medium
graphite on laid paper
Dimensions
Height: 23.5 cm
Width: 18.7 cm
Width: 18.7 cm
Accession Number
D.1952.RW.981
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
This drawing is thought to have been made whilst the artist was studying in Italy. Life drawing, a well-established tradition in Italian academies, became during the 18th century an increasingly important aspect of the training of British artists. The practice of communal drawing by groups of artists sitting around a posed naked figure was vital in developing a sense of community and common purpose amongst British artists, and ultimately their sense of belonging to a 'national school'. The awkward and presumably uncomfortable pose of this model shows one aim of the life class: forcing students to tackle difficult problems such as foreshortening.
Provenance
Charles Noel, 1st Earl Gainsborough (1781-1866) (according to Witt card); Christie's (London); purchased there by Sir Robert Witt, London (1872-1952), L.2228b, n.d. (£2); Witt Bequest 1952
Exhibition History
The Artist's Model - From Etty to Spencer, Djanogly Art Gallery, Nottingham, 16/10/1999-12/12/1999
The Artist's Model - From Etty to Spencer, Kenwood House, London, 22/07/1999-26/09/1999
The Artist's Model - From Etty to Spencer, York City Art Gallery, York, 29/05/1999-11/07/1999 ...More
Neo-Classical Drawings, The Courtauld Gallery, London, November 1972-December 1972 ...Less
The Artist's Model - From Etty to Spencer, Kenwood House, London, 22/07/1999-26/09/1999
The Artist's Model - From Etty to Spencer, York City Art Gallery, York, 29/05/1999-11/07/1999 ...More
Neo-Classical Drawings, The Courtauld Gallery, London, November 1972-December 1972 ...Less
Literature
The Artist's Model: its role in British Art from Lely to Etty, Nottingham University Art Gallery; Iveagh Bequest, Kenwood, 1991
no. 44
Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 28
no. 44
Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 28
Inscriptions
Watermark: Watermark: none.
Inscription: Mount (removed, cut down and now in object file): graphite: "P. Hussey_"; graphite: “14.".
Collector's mark: Mount (removed, cut down and now in object file): stamped in black: Sir Robert Witt (L.2228b).
Inscription: Mount (removed, cut down and now in object file): graphite: "P. Hussey_"; graphite: “14.".
Collector's mark: Mount (removed, cut down and now in object file): stamped in black: Sir Robert Witt (L.2228b).
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