Atalanta's race
Maker
(artist)
1532-1603
1532-1603
Title
Atalanta's race
Date of Production
(circa) 1585
Medium
black chalk, pen and brown ink, brown wash, white bodycolour, on laid paper, with partial black chalk framing lines
Dimensions
Height: 20.3 cm
Width: 32 cm
Width: 32 cm
Accession Number
D.1952.RW.98
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
racing
Label Text
As narrated by the classical author Ovid, Atalanta agreed to marry the man who could beat her in a race. Using a ruse, Hippomenes dropped three golden apples, received from the goddess Venus, shown in her chariot at top left. Atalanta could not resist picking them up and thus lost the race.
Although the story warns against greed for gold and sensual temptation, de Vos imbued his depiction with sensory appeal by adopting an expressive drawing technique that captures the wild race and entices the senses of the viewer.
In the last years of his life, Maerten de Vos prepared a series of illustrations for a publication of the Roman author Ovid’s poem Metamorphoses. In several instances, the artist revisited and reworked some of his earlier compositions. This drawing is one of de Vos’s initial ideas for a print depicting the story of the race between Atalanta and Hippomenes.
Although the story warns against greed for gold and sensual temptation, de Vos imbued his depiction with sensory appeal by adopting an expressive drawing technique that captures the wild race and entices the senses of the viewer.
In the last years of his life, Maerten de Vos prepared a series of illustrations for a publication of the Roman author Ovid’s poem Metamorphoses. In several instances, the artist revisited and reworked some of his earlier compositions. This drawing is one of de Vos’s initial ideas for a print depicting the story of the race between Atalanta and Hippomenes.
Provenance
Rt Hon Henry Hobhouse, Somerset (1854-1937); purchased from him by Colnaghi (London), 18 November 1935; purchased there by Sir Robert Witt, London (1872-1952), 26 February 1936 (£3 according to Colnaghi, £4 in part exchange according to Witt); Witt Bequest 1952
Exhibition History
Drawings Gallery Display - Traces: Renaissance Drawings for Flemish Prints, The Courtauld Gallery, London, 18/06/2022-25/09/2022
Drawings Gallery Display - Renaissance Modern, The Courtauld Gallery, London, 22/04/2015-07/06/2015
Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977-January 1978
Drawings Gallery Display - Renaissance Modern, The Courtauld Gallery, London, 22/04/2015-07/06/2015
Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977-January 1978
Literature
Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977- January 1978
cat. no. 4
Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 132
cat. no. 4
Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 132
Inscriptions
Watermark: none.
Collector's mark: none.
Inscription: Recto: lower centre edge, brown ink: "Loopen om prys".
Collector's mark: none.
Inscription: Recto: lower centre edge, brown ink: "Loopen om prys".
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