Rape of Proserpina
Maker
Luca Penni (artist)
1500-1577
1500-1577
Title
Rape of Proserpina
Date of Production
1544
Medium
pen and brown ink, brown wash, white bodycolour (now discoloured) on laid paper, squared in black chalk, incised for transfer, laid down
Dimensions
Height: 25.7 cm
Width: 33.7 cm
Width: 33.7 cm
Accession Number
D.1952.RW.832
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
The story of the rape of Proserpine (in Greek myth called Persephone), daughter of Ceres, the goddess of fertility, is linked to the fertility of the earth. Pluto, king of the Underworld, fell in love with Proserpine and abducted her in his chariot, down a great chasm to the Underworld. Much grieved by the loss of her daughters, Ceres vowed that the earth would remain barren until Proserpine was returned. Finally an agreement was made that Proserpine would return to her mother every spring, remaining on earth for one third of the year, when the land would become fertile. The remainder of the year she would spend in the Underworld, when the earth would return to its barren state. Penni's drawing focuses on the tragedy of the moment of Proserpine's abduction.
Provenance
Spencer (London); purchased there by Sir Robert Witt, London (1872-1952) n.d.; Witt Bequest 1952
Exhibition History
Luca Penni: un disciple de Raphael a Fontainebleau, Musée du Louvre, Paris, 08/10/2012-14/01/2013
Between Renaissance and Baroque: European Art 1520-1600, Manchester City Art Gallery, 1965
Between Renaissance and Baroque: European Art 1520-1600, Manchester City Art Gallery, 1965
Literature
Luca Penni: un disciple de Raphael a Fontainebleau, Louvre, Paris, 2012-2013
cat. no. 28
p. 120
Fig. 111, p. 118
G.L. Conran, Between Renaissance and Baroque: European Art 1520-1600, Manchester City Art Gallery, 1965
cat. no. 354
Béguin, Sylvie, L’École de Fontainebleau: le maniérisme à la cour de France, Paris 1960
p. 69
cat. no. 28
p. 120
Fig. 111, p. 118
G.L. Conran, Between Renaissance and Baroque: European Art 1520-1600, Manchester City Art Gallery, 1965
cat. no. 354
Béguin, Sylvie, L’École de Fontainebleau: le maniérisme à la cour de France, Paris 1960
p. 69
Inscriptions
Watermark: Watermark: none.
Inscription: Recto: lower right edge, white bodycolour: "Luc Pen". Verso (hidden under backing sheet): centre, large: “1”. Verso (backing sheet): upper centre, pen and brown ink: "HO"; centre, grey wash: "25".
Collector's mark: none.
Inscription: Watermark: none
Inscription: Recto: lower right edge, white bodycolour: "Luc Pen". Verso (hidden under backing sheet): centre, large: “1”. Verso (backing sheet): upper centre, pen and brown ink: "HO"; centre, grey wash: "25".
Collector's mark: none.
Inscription: Watermark: none
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