Venus and Anchises
Maker
(artist)
1564-1625
1564-1625
Title
Venus and Anchises
Medium
black chalk, pen and brown ink, brown wash on laid paper, laid down
Dimensions
Height: 28.8 cm
Width: 39.7 cm
Width: 39.7 cm
Accession Number
D.1952.RW.73
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Jonathan Richardson, the younger, London (1694-1771), L.2170 and L.2997; possibly his estate sale, Langford & Son (London), 5 February - 12 February 1772, any one of eight lots including Rottenhammer; Charles Fairfax Murray, London (1849-1919); possibly his estate sale, Christie's (London), 30 January 1920, lot 118 (if identified then as 'Diana and Actaeon', with 9 others); purchased there by Brall (Louis Brall & Sons?) (£16.8); F.R. Meatyard (London); purchased there by Sir Robert Witt, London (1872-1952), n.d. (£1.55, as 'Mythological Subject'); Witt Bequest 1952
Inscriptions
Watermark: Watermarks: Backing sheet (?): upper centre: winged shield containing a five-petaled flower on a wide stem (not found in Heawood).
Inscription: Verso (backing sheet): upper centre, brown ink, Richardson the younger’s hand: “Tunc ille Aneas, quem Dardanio Anchisa / Alma Venus Phrygÿ genuit Simoëntis ad undam? Virg. An. 1. 621. / See above all Homer’s exquisite + Long Hymn to Venus, where this Subject is painted at Large; + is the Richest + most Genteel / Antique Picture extant in Poetry; + where is represented that very Early Magnificence of Dress, to adorn the most Exquisite / Beauties of Greek Elegance that ever Poet or Painter treates the Eye, that can See with. The nimbus round the Goddesses Head is / truly Antique; also the present Author Seems to have known Nothing of This Original Master=Stile. / For it is not by any means Every Eye that Can See. My Dear Late Father said, “Those Few who had a Taste for the Vertù; who / were Capable of Seeing the Beauties of Nature had a Sense More than the rest of the World.” Indeed such are / a Glass which a Fine Object passes over, without, ItSelf, being Sensible of It; or Him who, in Paradise, Saw Undelighted all Delights! / Nos etiam oculos habemos eruditos, says Cicero to Atticus, in a Letter in which He desired Him to purchase some Antique Sta: / :tues of Great Men to adorn his Tusculan Library. Atticus was then at Athens. //”.
Collector's mark: Recto: lower right edge, stamped in black ink: Jonathan Richardson, the younger (L.2170). Verso (backing sheet): upper centre, pen and brown ink, full transcribed above: Jonathan Richardson, the younger (L.2997).
Inscription: Verso (backing sheet): upper centre, brown ink, Richardson the younger’s hand: “Tunc ille Aneas, quem Dardanio Anchisa / Alma Venus Phrygÿ genuit Simoëntis ad undam? Virg. An. 1. 621. / See above all Homer’s exquisite + Long Hymn to Venus, where this Subject is painted at Large; + is the Richest + most Genteel / Antique Picture extant in Poetry; + where is represented that very Early Magnificence of Dress, to adorn the most Exquisite / Beauties of Greek Elegance that ever Poet or Painter treates the Eye, that can See with. The nimbus round the Goddesses Head is / truly Antique; also the present Author Seems to have known Nothing of This Original Master=Stile. / For it is not by any means Every Eye that Can See. My Dear Late Father said, “Those Few who had a Taste for the Vertù; who / were Capable of Seeing the Beauties of Nature had a Sense More than the rest of the World.” Indeed such are / a Glass which a Fine Object passes over, without, ItSelf, being Sensible of It; or Him who, in Paradise, Saw Undelighted all Delights! / Nos etiam oculos habemos eruditos, says Cicero to Atticus, in a Letter in which He desired Him to purchase some Antique Sta: / :tues of Great Men to adorn his Tusculan Library. Atticus was then at Athens. //”.
Collector's mark: Recto: lower right edge, stamped in black ink: Jonathan Richardson, the younger (L.2170). Verso (backing sheet): upper centre, pen and brown ink, full transcribed above: Jonathan Richardson, the younger (L.2997).
Information on this object may be incomplete and will be updated as research progresses. We are particularly committed to addressing any discriminatory or offensive language and ideas that might be present in our records. To help improve this record, and to enquire about images of The Courtauld Gallery Collection, please email gallery.collectionsonline@courtauld.ac.uk. Find out more about using and licensing our images.
____________________________