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Design for a frontispiece with a portrait of the artist Guercino

Maker

Cesare Gennari (artist)
1637-1688

Title

Design for a frontispiece with a portrait of the artist Guercino

Date of Production

(circa) 1675

Medium

red and black chalk, pen and brown ink, brown wash on laid paper, partly incised, with remnants of black chalk preparation on verso (around the edges)

Dimensions

Height: 27.9 cm
Width: 41.7 cm

Accession Number

D.1952.RW.567

Mode of Acquisition

Robert Clermont Witt, bequest, 1952

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords







Label Text

Cesare Gennari designed this frontispiece for a series of etchings after landscape drawings by his uncle Guercino, whose portrait appears in the medallion. Cesare’s name and the printmaker’s, Giuseppe Roli, appear along the lower left edge of this drawing. Their names were added by Clemente Nicoli, an eighteenth-century engraver who produced prints after Guercino and other Bolognese artists. Nicoli owned this sheet and inscribed his own name along the lower centre edge.

Notes

As the custodians of Guercino's studio after his death, Benedetto and Cesare Gennari preserved their uncle's drawings in a relatively intact corpus and cherished his memory. A drawing in the Witt collection shows one of the ways in which Benedetto and Cesare chose to honour their uncle. It is a design by Cesare Gennari made as the frontispiece to a series of fourteen etchings of Guercino landscape drawings, published in the 1670s with a dedication to Francesco II d'Este, Duke of Modena. Benedetto, who was in Paris working for the French court between 1672 - 1674, had the series etched there by Jean Pesne. The plates were then sent to Bologna, where Cesare drew a frontispiece (engraved by Gioseffo Roli) that is a testament to 'Guercinosity'. Cesare's drawing uses the entire range of media at his disposal, resulting in a collage-like effect. Two putti drawn in stumped black chalk hold a medallion portrait in red ink of a youthful Guercino, whose squint is not emphasized (in contrast to Leoni's engraving). One putto pulls back a curtain drawn in brown wash and red chalk, revealing a striking landscape that is clearly also an homage to Guercino's style. [Entry from Julian Brooks, Guercino: Mind to Paper, The J. Paul Getty Museum, Los Angeles, 2006, pp. 5 - 6].

Provenance

Clemente Maria Nicoli (1753-after 1811); E. Parsons & Sons (London); purchased there by Sir Robert Witt, London (1872-1952), n.d. (£2.65); Witt Bequest 1952

Exhibition History

Drawings Gallery Display - Reading Drawings, The Courtauld Gallery, London, 21/01/2017-04/06/2017

Guercino - Mind to Paper, The Courtauld Gallery, London, 22/02/2007-13/05/2007

Guercino - Mind to Paper, J Paul Getty Museum & Los Angeles & California & USA, 24/10/2006-21/01/2007 ...More

Drawings by Guercino and other Baroque Masters, The Courtauld Gallery, London, 01/02/1977-01/03/1977 ...Less

Literature

Guercino: Mind to paper, J. Paul Getty Museum, Los Angeles; Courtauld Gallery, London, 2006-2007 Los Angeles, 2006
pp. 5-6
Illus. p. 5

Inscriptions

Inscription: Cesare Genari intagliato da Gio: Roli collezione Nicoli

Inscription: Frontespicio a Paesi, Dissegni / del. Cav. Gio. Franco Barbieri / intagliati da Gio. Penna in Parigi / Cesare Genari Invenit / Groseffo Roli fece / Tommaso Colli forma in Bologna / a S. Tommaso d'Aquino

Inscription: 127.

Collector's mark: none.

Watermark: Verso: right centre, circle containing numbers: "0 9"

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