Dante and Virgil passing over the Sea of Traitors
Maker
(artist)
1554-1627
Formerly attributed to
(artist)
1527-1585
1554-1627
Formerly attributed to
(artist)
1527-1585
Title
Dante and Virgil passing over the Sea of Traitors
Date of Production
1591
Medium
black chalk, pen and brown ink, brown wash on laid paper, laid down
Dimensions
Height: 19.4 cm
Width: 24.6 cm
Width: 24.6 cm
Accession Number
D.1952.RW.566
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
traitors
Label Text
This drawing illustrates a passage from Dante Alighieri’s Divine Comedy (Inferno, XXXIII). Having arrived in the last circle of Hell, Dante and his companion, the Roman poet Virgil, cross a frozen lake where traitors are eternally imprisoned in ice. While Virgil looks on, Dante finds Count Ugolino della Gherardesca, who pauses from gnawing the back of Archbishop Ruggieri’s head. The inscription along the lower margin suggests that the drawing was presented to Pietro de’ Medici in 1591, who resided in Spain at the time.
Provenance
Nathaniel Hone, London (1718-1784), L.2793; possibly his estate sale, Hutchins (London), 7-14 February 1785, lot 25 on 3rd night (lot of 12 drawings, described as 'Cangiaso, etc.'; no buyer's name listed); Reverend Dr Henry Wellesley, Oxford (1791-1866); his estate sale, Sotheby’s (London), 25 June - 10 July 1866, lot 324; purchased there by Rowbotham (a vendor of drawings to the BM around 1892, who then lived at 20 Knowles Hill Crescent, Lewisham); Richard Johnson, Manchester and Chislehurst (active c. 1850-1875, d. c. 1877), L.2216; his estate sale, J.C. Platt (London), 23 - 26 April 1912, lot 115 (no buyer's name listed); E. Parsons & Sons (London), 1916, no. 878; purchased there by Sir Robert Witt, London (1872-1952), L.2228b (£2.1); Witt Bequest 1952
Exhibition History
Drawings Gallery Display - Unseen, The Courtauld Gallery, London, 15/01/2015-29/03/2015
The Primacy of Drawing, Bristol Museum and Art Gallery, 21/09/1991-03/11/1991; City Museum and Art Gallery, Stoke on Trent, 09/11/1991-05/01/1992; Graves Art Gallery, Sheffield, 11/01/1992-23/02/1992
The Primacy of Drawing, Bristol Museum and Art Gallery, 21/09/1991-03/11/1991; City Museum and Art Gallery, Stoke on Trent, 09/11/1991-05/01/1992; Graves Art Gallery, Sheffield, 11/01/1992-23/02/1992
Literature
Newcome, Mary, 'Drawings by Paggi, 1577-1600' in 'Antichita Viva', 1991 - 14-23
p. 19
Illus. p. 18, fig. 6
p. 19
Illus. p. 18, fig. 6
Inscriptions
Inscription: Cangiaso.
Inscription: Al' Sig.r D.' Pietro Medici in Spagna. l'anno 1591 1_ff.a z.e 1/2----
Collector's mark: Nathaniel Hone (L.2793)
Collector's mark: Richard Johnson (L.2216)
Collector's mark: Sir Robert Witt (L.2228b)
Watermark: none evident in the drawing sheet. Backing sheet (historic), Verso: centre: “J WHATMAN”.
Inscription: Al' Sig.r D.' Pietro Medici in Spagna. l'anno 1591 1_ff.a z.e 1/2----
Collector's mark: Nathaniel Hone (L.2793)
Collector's mark: Richard Johnson (L.2216)
Collector's mark: Sir Robert Witt (L.2228b)
Watermark: none evident in the drawing sheet. Backing sheet (historic), Verso: centre: “J WHATMAN”.
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