Female figure representing Contemplation - study for the monument to John Braithwaite
Maker
(artist)
1755-1826
1755-1826
Title
Female figure representing Contemplation - study for the monument to John Braithwaite
Date of Production
(circa) 1801
Medium
graphite, pen and brown ink on laid paper
Dimensions
Height: 12.7 cm
Width: 7.6 cm
Width: 7.6 cm
Accession Number
D.1952.RW.475
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Thomas Woolner (1825-1892); purchased from his heirs? by Sir Robert Witt, London (1872-1952), L.2228b, n.d. (6 shillings); Witt Bequest 1952 Note in the file says Witt purchased this group of Flaxman drawings (D.1952.RW.467, 471 and 473-478) from Woolner; on Modes he was identified as Thomas Woolner, although his death in 1892 would make this a very early purchase for Witt, as we otherwise only have records of him purchasing from the early 1920s. Woolner had two sons, only one of whom survived childhood, named Hugh - could Witt have purchased this drawing from him? A drawing in the BM (1954,0610.16) is listed as belonging to Thomas Woolner’s daughters, and D.2007.DS.41 was purchased from a ‘Mrs Woolner’ by Agnew’s in 1908.
Exhibition History
Neo-Classical Drawings, The Courtauld Gallery, London, November 1972-December 1972
Literature
Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 19
p. 19
Inscriptions
Watermark: Watermark: none.
Collector's mark: Verso: lower right corner, stamped in black: Sir Robert Witt (L.2228b).
Inscription: Recto: lower left, graphite: “165” and circled “104”; lower centre, graphite: “Contemplation / 103”; lower right corner, graphite: “80”.
Collector's mark: Verso: lower right corner, stamped in black: Sir Robert Witt (L.2228b).
Inscription: Recto: lower left, graphite: “165” and circled “104”; lower centre, graphite: “Contemplation / 103”; lower right corner, graphite: “80”.
Information on this object may be incomplete and will be updated as research progresses. We are particularly committed to addressing any discriminatory or offensive language and ideas that might be present in our records. To help improve this record, and to enquire about images of The Courtauld Gallery Collection, please email gallery.collectionsonline@courtauld.ac.uk. Find out more about using and licensing our images.
____________________________