Christ in Glory adored by the Doge Venier
Maker
After
(artist)
1528-1588
Formerly attributed to
(artist)
1526-1578
(artist)
1528-1588
Formerly attributed to
(artist)
1526-1578
Title
Christ in Glory adored by the Doge Venier
Date of Production
1540 - 1578
Medium
pen and brown ink, brown wash, purple, blue and yellow bodycolour, on brown-prepared laid paper, on a historic mount
Dimensions
Height: 29 cm
Width: 41 cm
Width: 41 cm
Accession Number
D.1952.RW.4433
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Charles Rogers, London (1711-1784), L.624; Thomas Banks, London (1735-1805), L.2423; by descent to his daughter, Lavinia Forster; by descent to her son-in-law, Ambrose Poynter, London (1796-1886); William Bateson, London (1861-1926), L.2604a; R.E.A. Wilson (London); purchased there by Sir Robert Witt, London (1872-1952), L.2228b, n.d. (£11); Witt Bequest 1952
Inscriptions
Watermark: Watermarks: Recto, left of centre: four-lobed shape containing lines and a circle (see sketch in file, description too vague to search in Briquet). Mount (historic), Recto: left centre edge: crowned shield containing fleur-de-lis.
Inscription: Mount (historic), Recto: lower left edge, graphite: “Coll Ch. / Rogers / 1711-1784 / No 624 //”; lower left edge, graphite: “Coll. Marque”; right lower edge, graphite, the first two lines crossed out – is a transcription of the same inscription below, which has been cut off and thus no longer shows all the same information (names of collectors and Lugt numbers, but the first two are incorrect): “Coll. W. Bates / No. 2605 / Coll TL. Banks / No. 1423 / Coll. A. Poynter / No. 161 //”. Mount (historic), Verso: right centre, graphite: “Paul Veronese”.
Collector's mark: Recto: lower left corner, pen and brown ink: Charles Rogers (L.624). Mount (historic), Recto: lower left, stamped in black ink: Sir Robert Witt (L.2228b); lower right, stamped in black ink: William Bateson (L.2604a); lower right, stamped in black ink: Thomas Banks (L.2423).
Inscription: Mount (historic), Recto: lower left edge, graphite: “Coll Ch. / Rogers / 1711-1784 / No 624 //”; lower left edge, graphite: “Coll. Marque”; right lower edge, graphite, the first two lines crossed out – is a transcription of the same inscription below, which has been cut off and thus no longer shows all the same information (names of collectors and Lugt numbers, but the first two are incorrect): “Coll. W. Bates / No. 2605 / Coll TL. Banks / No. 1423 / Coll. A. Poynter / No. 161 //”. Mount (historic), Verso: right centre, graphite: “Paul Veronese”.
Collector's mark: Recto: lower left corner, pen and brown ink: Charles Rogers (L.624). Mount (historic), Recto: lower left, stamped in black ink: Sir Robert Witt (L.2228b); lower right, stamped in black ink: William Bateson (L.2604a); lower right, stamped in black ink: Thomas Banks (L.2423).
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