View of the Ijssel
Maker
(artist)
1628-1697
1628-1697
Title
View of the Ijssel
Date of Production
(5 January) 1672
Medium
pen and brown ink, brown and grey wash, on laid paper, with graphite and brown ink framing lines, now laid down on Japanese tissue
Dimensions
Height: 11.2 cm
Width: 17.4 cm
Width: 17.4 cm
Accession Number
D.1952.RW.4381
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
possibly Johannes Stinstra (1708-1790); his sale, Roos (Amsterdam), 17 February 1823, part of lot 44 or lot 47; Lady Phyllis Benton; her sale, Sotheby's (London), 26 April 1950, lot 18 (£22, with one other); purchased there by Duits (London) on behalf of Sir Robert Witt, London (1872-1952); Witt Bequest 1952
Exhibition History
Dutch drawings from the Witt Collection: Part 1: Landscape, The Courtauld Gallery, London, 1972 (Jan.-Mar.)
Landscapes in the Making: Dutch & Flemish 16-17th Century Drawings from the Courtauld Gallery, Tobu Museum of Arts, Tokyo, 03/11/2000-24/12/2000; Shizuoka Prefectural Museum of Art, Shizuoka, 02/02/2001-11/03/2001; Koriyama City Museum of Art, Koriyama, 17/03/2001-15/04/2001
The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, The Courtauld Gallery, London, 03/09/1986-30/11/1986; The Drawing Center, New York, 08/04/1986-26/07/1986 ...More
Met Huygens op Reis, Rijksmuseum, Amsterdam and Ghent Museum of Fine Arts, 20/11/1982-08/05/1983
Master Drawings of the 17th century from the Witt Collection, Art Gallery of South Australia, Festival Exhibitions, Adelaide, 1968 ...Less
Landscapes in the Making: Dutch & Flemish 16-17th Century Drawings from the Courtauld Gallery, Tobu Museum of Arts, Tokyo, 03/11/2000-24/12/2000; Shizuoka Prefectural Museum of Art, Shizuoka, 02/02/2001-11/03/2001; Koriyama City Museum of Art, Koriyama, 17/03/2001-15/04/2001
The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, The Courtauld Gallery, London, 03/09/1986-30/11/1986; The Drawing Center, New York, 08/04/1986-26/07/1986 ...More
Met Huygens op Reis, Rijksmuseum, Amsterdam and Ghent Museum of Fine Arts, 20/11/1982-08/05/1983
Master Drawings of the 17th century from the Witt Collection, Art Gallery of South Australia, Festival Exhibitions, Adelaide, 1968 ...Less
Literature
Dutch drawings from the Witt Collection: Part 1: Landscape, Courtauld Gallery, London, January - March 1972
cat. no. 50
Gerson, H., 'Gezicht op Naarden door Constantijn Huygens, de Zoon' in 'Festoen', 1976 - pp. 305-12; 6
p. 306
fig. 6 on p. 311
Rembrandt and his century: Dutch drawings of the seventeenth century from the collection of Frits Lugt, Pierpont Morgan Library, New York, 8 December 1977 - 19 February 1978; Institut néerlandais, Paris, 16 March - 30 April 1978, 1977
p. 87n8 ...More
The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, Courtauld Gallery, London, 1986
cat. no. 47
ill. on p. 119 ...Less
cat. no. 50
Gerson, H., 'Gezicht op Naarden door Constantijn Huygens, de Zoon' in 'Festoen', 1976 - pp. 305-12; 6
p. 306
fig. 6 on p. 311
Rembrandt and his century: Dutch drawings of the seventeenth century from the collection of Frits Lugt, Pierpont Morgan Library, New York, 8 December 1977 - 19 February 1978; Institut néerlandais, Paris, 16 March - 30 April 1978, 1977
p. 87n8 ...More
The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, Courtauld Gallery, London, 1986
cat. no. 47
ill. on p. 119 ...Less
Inscriptions
Watermark: Watermark: none.
Inscription: Recto: upper right edge, brown ink, dated by the artist: "Aend [the "d" superscript] Yss.l 5 Jan. 1672. [altered from "1662"]". Verso (now obscured by Japanese tissue): left upper edge, brown ink, artist's hand, upside down: "5 Jan 1672".
Collector's mark: none.
Inscription: Recto: upper right edge, brown ink, dated by the artist: "Aend [the "d" superscript] Yss.l 5 Jan. 1672. [altered from "1662"]". Verso (now obscured by Japanese tissue): left upper edge, brown ink, artist's hand, upside down: "5 Jan 1672".
Collector's mark: none.
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