Design for a pediment with ornamental filling (recto)
Maker
(artist)
1684-1754
1684-1754
Title
Design for a pediment with ornamental filling (recto)
Date of Production
1700 - 1799
Medium
graphite, pen and grey ink, grey wash (recto), graphite (verso), on laid paper
Dimensions
Height: 19 cm
Width: 42.8 cm
Width: 42.8 cm
Accession Number
D.1952.RW.4243
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
It is evident that this drawing is the work of a sculptor because the lines of the pediment do little more than establish the parameters of the space that relief sculpture will fill. By architectural convention, pediment sculpture announces the identity and function of a building. The vase of flowers framed by garden implements – scythe and rake – seems to indicate the garden façade of a country house. The peace and pleasure of this idyllic pastoral scene is disturbed by the pair of hissing serpents to either side of the mascaron, the asymmetry of whose writhing coils threaten to unbalance this ornamental world. Pineau was at the forefront of the Rococo movement. By the mid-century he was held especially responsible for the ‘decadence’ it wrought on French ornament.
Provenance
Emmanuel Alfred Beurdeley, Paris (1847-around 1919), L.421; Paul Prouté (Paris); purchased there by Sir Robert Witt, London (1872-1952), L.2228b, n.d.; Witt Bequest 1952
Exhibition History
Drawings Gallery Display - Ornament by Design, The Courtauld Gallery, London, 23/04/2016-12/06/2016
Inscriptions
Watermark: Watermark: upper centre: a name, too faint to make out.
Inscription: Recto: upper right edge, graphite, partially erased: “Pineau […] / Ca[…] du XVII / Dessin d’un fronton //”. Verso: upper left corner, graphite, underlined: “N Pineau”; lower right edge, graphite: erased and now illegible. Mount (removed, in portfolio from P&D), Recto: lower centre, graphite, unclear: “1aa”; lower centre, graphite: “N. Pineau”; lower right corner, graphite: “#4”.
Collector's mark: Recto: lower right corner, added on a separate piece of paper, cut around the mark and pasted down, stamped in black ink: Emmanuel Alfred Beurdeley (L.421). Verso: lower right corner, stamped in black ink: Sir Robert Witt (L.2228b).
Inscription: Recto: upper right edge, graphite, partially erased: “Pineau […] / Ca[…] du XVII / Dessin d’un fronton //”. Verso: upper left corner, graphite, underlined: “N Pineau”; lower right edge, graphite: erased and now illegible. Mount (removed, in portfolio from P&D), Recto: lower centre, graphite, unclear: “1aa”; lower centre, graphite: “N. Pineau”; lower right corner, graphite: “#4”.
Collector's mark: Recto: lower right corner, added on a separate piece of paper, cut around the mark and pasted down, stamped in black ink: Emmanuel Alfred Beurdeley (L.421). Verso: lower right corner, stamped in black ink: Sir Robert Witt (L.2228b).
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