Head of a bearded man
Maker
(artist)
1748-1825
1748-1825
Title
Head of a bearded man
Date of Production
c. 1775-1780
Medium
black chalk on pale blue laid paper (this is 'blued' paper - white paper which has had smalt added in the vat as an optical brightener to counteract the natural yellowing of the cellulose fibres in the white paper)
Dimensions
Height: 11 cm
Width: 15.5 cm
Width: 15.5 cm
Accession Number
D.1952.RW.3867
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
This drawing in black chalk depicts the left profile of a bearded man in the antique style, with an aquiline nose, an intense gaze and a headband wound through wavy hair. David probably executed it during his first stay in Rome between 1775 and 1780. Indeed, a few other studies from David’s twelve Roman albums are drawn on the same pale blue laid paper.
The barely discernible hint of colour is likely a result of ‘blueing’ the sheet: the unbleached fibres used to produce white paper often had a yellowish cast, so small quantities of blue fibres or pigments were added during the papermaking process to tone down this effect. This was less expensive than bleaching the pulp. Analysis of this sheet determined the pigment used here was smalt, which is made of finely ground cobalt glass, and was commonly used in papermaking throughout the 18th century.
The barely discernible hint of colour is likely a result of ‘blueing’ the sheet: the unbleached fibres used to produce white paper often had a yellowish cast, so small quantities of blue fibres or pigments were added during the papermaking process to tone down this effect. This was less expensive than bleaching the pulp. Analysis of this sheet determined the pigment used here was smalt, which is made of finely ground cobalt glass, and was commonly used in papermaking throughout the 18th century.
Provenance
Konstantinoff (Paris); purchased there by Sir Robert Witt, London (1872-1952), L.2228b, n.d.; Witt Bequest 1952
Exhibition History
Drawn to Blue: Artists' use of Blue Paper, The Courtauld Gallery, London, 04/10/2024-26/01/2025
Neo-Classical Drawings, The Courtauld Gallery, London, November 1972-December 1972
A selection of drawings from the Witt collection: French drawings c. 1600-c. 1800, The Courtauld Gallery, London, 1962 ...More
French Master Drawings, Glynn Vivian Art Gallery, Swansea, 1962
Bristol City Museum and Art Gallery, 1959 ...Less
Neo-Classical Drawings, The Courtauld Gallery, London, November 1972-December 1972
A selection of drawings from the Witt collection: French drawings c. 1600-c. 1800, The Courtauld Gallery, London, 1962 ...More
French Master Drawings, Glynn Vivian Art Gallery, Swansea, 1962
Bristol City Museum and Art Gallery, 1959 ...Less
Literature
Rosenberg, Pierre, Jacques-Louis David 1748-1825: Catalogue raisonné des dessins, Milan: Mondadori Electa Spa 2002; 1
cat. no. 16
p. 39, cat no. 16
ill. on p. 39
cat. no. 16
p. 39, cat no. 16
ill. on p. 39
Inscriptions
Watermark: upper centre edge: N and D [?] separated by a four-leaf clover (not found in Heawood).
Inscription: Recto: lower right corner, graphite, signed? by the artist: "David". Verso: lower right corner, graphite: "79So / NF".
Collector's mark: Verso: lower left corner, stamped in black ink: Sir Robert Witt (L.2228b).
Inscription: Recto: lower right corner, graphite, signed? by the artist: "David". Verso: lower right corner, graphite: "79So / NF".
Collector's mark: Verso: lower left corner, stamped in black ink: Sir Robert Witt (L.2228b).
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