The Blind leading the blind
Maker
(artist)
1609-1664
1609-1664
Title
The Blind leading the blind
Medium
pen and brown ink and brown wash on laid paper, inlaid into a historic mount
Dimensions
Height: 26.4 cm
Width: 38.5 cm
Width: 38.5 cm
Accession Number
D.1952.RW.3845
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Max Hevesi (dealer in Vienna until 1938, when emigrated to London and founded Hazlitt Gallery); from whom purchased by Sir Robert Witt, London (1872-1952), n.d. (as by Anonymous Italian School); Witt Bequest 1952
Exhibition History
Baroque Brilliance. The draughtsmanship of Giovanni Benedetto Castiglione, Kunsthaus Zurich, 10/12/2021-06/03/2022
Das Capriccio als Kunstprinzip: zur Vorgeschichte der Moderne von Arcimboldo und Callot bis Tiepolo und Goya, Wallraf-Richartz-Museum, Cologne; Kunsthaus Zürich; Kuntshistorisches Museum, Vienna, 08/12/1996-21/09/1997
Drawings by Guercino and other Baroque Masters, The Courtauld Gallery, London, 01/02/1977-01/03/1977 ...More
Giovanni Benedetto Castiglione, Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA, 01/09/1971-01/11/1971
Italian Drawings of the 17th and 18th Centuries from the Witt
Collection, The Courtauld Gallery, London, 01/03/1971-01/04/1971
Italian Old Master drawings. Witt Collection, Courtauld Gallery, The National Art Gallery of New Zealand, Wellington, 1970
A Selection of Drawings from The Witt/Courtauld Collections, University of Sussex, Falmer, 1964
Drawings from the Witt Collection at the Courtauld Institute of Art, St James's Square, London; York City Art Gallery; Peterborough Art Gallery, 1953 ...Less
Das Capriccio als Kunstprinzip: zur Vorgeschichte der Moderne von Arcimboldo und Callot bis Tiepolo und Goya, Wallraf-Richartz-Museum, Cologne; Kunsthaus Zürich; Kuntshistorisches Museum, Vienna, 08/12/1996-21/09/1997
Drawings by Guercino and other Baroque Masters, The Courtauld Gallery, London, 01/02/1977-01/03/1977 ...More
Giovanni Benedetto Castiglione, Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA, 01/09/1971-01/11/1971
Italian Drawings of the 17th and 18th Centuries from the Witt
Collection, The Courtauld Gallery, London, 01/03/1971-01/04/1971
Italian Old Master drawings. Witt Collection, Courtauld Gallery, The National Art Gallery of New Zealand, Wellington, 1970
A Selection of Drawings from The Witt/Courtauld Collections, University of Sussex, Falmer, 1964
Drawings from the Witt Collection at the Courtauld Institute of Art, St James's Square, London; York City Art Gallery; Peterborough Art Gallery, 1953 ...Less
Literature
Das Capriccio als Kunstprinzip: zur Vorgeschichte der Moderne von Arcimboldo und Callot bis Tiepolo und Goya: Malerei, Zeichnung, Graphik, Wallraf-Richartz-Museum, Cologne; Kunsthaus, Zurich; Kuntshistorisches Museum im Palais Harrach, Vienna, 1996-1997, 1996
no. Z6
ill. on p. 322
Giovanni Benedetto Castiglione, Philadelphia Museum of Art, 1971
cat. no. 26
Italian Old Master drawings. Witt Collection, Courtauld Gallery, The National Art Gallery of New Zealand, Wellington, 1970
cat. no. 39 ...More
Percy, Ann, 'A Castiglione "Album"' in 'Master Drawings', Summer 1968 - 144-148, 205-215; 6, 2
no. 11 on p. 148
ill. on p. 212, pl. 41b
Drawings from the Witt Collection at the Courtauld Institute of Art, St James's Square, London, York City Art Gallery and Peterborough Art Gallery, 1953
cat. no. 48 ...Less
no. Z6
ill. on p. 322
Giovanni Benedetto Castiglione, Philadelphia Museum of Art, 1971
cat. no. 26
Italian Old Master drawings. Witt Collection, Courtauld Gallery, The National Art Gallery of New Zealand, Wellington, 1970
cat. no. 39 ...More
Percy, Ann, 'A Castiglione "Album"' in 'Master Drawings', Summer 1968 - 144-148, 205-215; 6, 2
no. 11 on p. 148
ill. on p. 212, pl. 41b
Drawings from the Witt Collection at the Courtauld Institute of Art, St James's Square, London, York City Art Gallery and Peterborough Art Gallery, 1953
cat. no. 48 ...Less
Inscriptions
Watermark: Watermarks: just visible via transmitted light at Recto, left centre is a circle, and another figure is at upper centre, but neither is clear due to the mount. Neither is evident in raking light from either the recto nor verso so unclear if either belongs to the drawing sheet or to inner layers of the mount.
Inscription: 2i
Inscription: 3845
Inscription: 3
Collector's mark: collector's mark of Sir Robert Witt (L.2228b)
Inscription: 2i
Inscription: 3845
Inscription: 3
Collector's mark: collector's mark of Sir Robert Witt (L.2228b)
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