A battle scene
Maker
(artist)
1652-1725
1652-1725
Title
A battle scene
Date of Production
1673 - 1676 or 1695
Medium
black chalk, graphite, pen and brown ink, grey wash, partly incised for transfer, the verso prepared with black chalk for transfer
Dimensions
Height: 24.8 cm
Width: 26.3 cm
Width: 26.3 cm
Accession Number
D.1952.RW.3586
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
Foggini may relate to a commission from the Florentine Medici court for a series of elaborate silver plates.
At some point, the drawing was divided, with both halves owned by Sir Robert Witt. Witt only bequeathed the left-hand half to The Courtauld. The right-hand portion of the sheet appeared on the market in 2018 and both halves are here reunited for the first time.
At some point, the drawing was divided, with both halves owned by Sir Robert Witt. Witt only bequeathed the left-hand half to The Courtauld. The right-hand portion of the sheet appeared on the market in 2018 and both halves are here reunited for the first time.
Notes
Developed in a semi-circular format, this lively battle scene was executed by Florentine draughtsman and sculptor Giovanni Battista Foggini (1652-1725). The drawing constitutes the left section of a larger design, the other half of which is in The Courtauld Gallery’s collection (D.2018.XX.3). Both sheets are of similar size and are annotated 'Foggini' in the upper corners. Foggini was the most accomplished and successful Florentine sculptor of the late Baroque period. In 1673, he was sent by the young Grand Duke of Tuscany, Cosimo III de’ Medici, to study at the newly instituted Florentine Academy in Rome where he remained for three years. On his return from Rome, he immediately began to receive commissions for sculpture from the Medici court. A decade later he was appointed grand ducal sculptor, after the death of Ferdinando Tacca, and in 1694 he became the court architect as well. From then until his death he was chiefly employed on commissions for the Medici. Foggini supervised the grand ducal studio and foundry in Borgo Pinti, which was the centre for official bronze commissions, as well as the Galleria dei Lavori (now the Opificio delle Pietre Dure), the manufactory for works in hardstone inlay. According to the Foggini specialist Kira d’Alburquerque, this drawing could be dated to Foggini's sojourn in Rome (1673-76). Alternatively, it could be linked to a commission for designs for silver plates he received from the Medici Grand Duke Cosimo III, at the time when the artist was heading the Galleria dei Lavori from 1695.
Provenance
Singer; purchased from him (?) by Sir Robert Witt, London (1872-1952), n.d.; Witt Bequest 1952
Exhibition History
From the Baroque to Today: New Acquisitions of Works on Paper, The Courtauld Gallery, London, 23/02/2024-27/05/2024
Inscriptions
Inscription: Foggini
Inscription: GB. Foggini £ 5 / #6 [the last line very faint]
Inscription: 9311.
Inscription: Giovanni Battista Foggini / Italian 1652-1725 / Signed or inscribed 'Foggini' / Prepared for Engraving. / T.O.
Collector's mark: Sir Robert Witt (L.2228b)
Watermark: none.
Inscription: GB. Foggini £ 5 / #6 [the last line very faint]
Inscription: 9311.
Inscription: Giovanni Battista Foggini / Italian 1652-1725 / Signed or inscribed 'Foggini' / Prepared for Engraving. / T.O.
Collector's mark: Sir Robert Witt (L.2228b)
Watermark: none.
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