Design for a ceiling decoration, with Virtues and other figures (recto)
Maker
(Artists)
1511-1574
Formerly attributed to
(artist)
1675-1734
1511-1574
Formerly attributed to
(artist)
1675-1734
Title
Design for a ceiling decoration, with Virtues and other figures (recto)
Date of Production
(circa) 1555 - 1560
Medium
black chalk, pen and brown ink, brown wash, executed using a ruler and compass, the central tondo and two rectangular paintings below have been cut out and re-inserted (recto), pen and brown ink (verso), on laid paper
Dimensions
Height: 41.8 cm
Width: 34.2 cm
Width: 34.2 cm
Accession Number
D.1952.RW.3504
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
an anonymous eighteenth-century collection; sale of that collection, Sotheby's (London), 2 February 1944, lot 113 (as by Thornhill, with D.1952.RW.3503 and 3504); purchased there by Colnaghi (London) on behalf of Sir Robert Witt, London (1872-1952) (£10); Witt Bequest 1952
Exhibition History
Giorgio Vasari: principi, letterati e artisti nelle carte di Giorgio Vasari, Casa Vasari, Arezzo, 26/09/1981-29/11/1981
Gloria dell'Arte, Philbrook Art Centre, Tulsa, 28/10/1979-27/01/1980
Arezzo, Italy, 1974 ...More
Architectural Drawings from the Witt Collection, University of Nottingham, 01/05/1972-01/06/1972
Master Drawings from the Witt and Courtauld Collections, Whitworth Art Gallery, Manchester, 17/11/1962-22/12/1962
Architectural Drawings from the Witt Collection, The Courtauld Gallery, London, 01/07/1961-01/10/1961 ...Less
Gloria dell'Arte, Philbrook Art Centre, Tulsa, 28/10/1979-27/01/1980
Arezzo, Italy, 1974 ...More
Architectural Drawings from the Witt Collection, University of Nottingham, 01/05/1972-01/06/1972
Master Drawings from the Witt and Courtauld Collections, Whitworth Art Gallery, Manchester, 17/11/1962-22/12/1962
Architectural Drawings from the Witt Collection, The Courtauld Gallery, London, 01/07/1961-01/10/1961 ...Less
Literature
Härb, Florian, The Drawings of Giorgio Vasari (1511 - 1547), Roma 2015
pp. 354 - 355
Acidini, Cristina and Giacomo Pirazzoli, Ammannati e Vasari: per la città dei Medici, Florenec 2011
p. 43
fig. 15
Giorgio Vasari: principi, letterati e artisti nelle carte di Giorgio Vasari, Casa Vasari, Arezzo, 1981
cat. no. VIII/ 47a
pp. 287-89
fig. 169 ...More
Gloria dell'Arte, Philbrook Art Centre, Tulsa, 1979 / 1980
cat. no. 73
Monbeig Goguel, Catherine, Il Manierismo fiorentino, Milan 1971
pl. 22
Anthony Blunt and Philip Troutman, Master Drawings from the Witt and Courtauld Collections, 1962
cat. no. 95
Architectural Drawings from the Witt Collection, Courtauld Gallery, London, 1961
cat. no. 11 ...Less
pp. 354 - 355
Acidini, Cristina and Giacomo Pirazzoli, Ammannati e Vasari: per la città dei Medici, Florenec 2011
p. 43
fig. 15
Giorgio Vasari: principi, letterati e artisti nelle carte di Giorgio Vasari, Casa Vasari, Arezzo, 1981
cat. no. VIII/ 47a
pp. 287-89
fig. 169 ...More
Gloria dell'Arte, Philbrook Art Centre, Tulsa, 1979 / 1980
cat. no. 73
Monbeig Goguel, Catherine, Il Manierismo fiorentino, Milan 1971
pl. 22
Anthony Blunt and Philip Troutman, Master Drawings from the Witt and Courtauld Collections, 1962
cat. no. 95
Architectural Drawings from the Witt Collection, Courtauld Gallery, London, 1961
cat. no. 11 ...Less
Inscriptions
Watermark: Watermark: lower centre: circle containing an "M"? topped by a cross (see photo in file, not found in Briquet under "M").
Inscription: Recto: all in brown ink, artist’s hand: around central tondo: “SIMILIS FACTUS SUM PELLICANO” and “IHS”, and around the sides, clockwise from upper left: “MODEST/IA”, “SPES”, “PATIENTIA”, “T[…]PERA / […]TIA”, “CONSTAN/TIA”, “CONCORD/IA”, “PAX”, “IVSTITI/A”, “FIDES”, “CONTRI/TIO”, “VIRGINITA/S” and “CASTI/TAS”; upper right corner, graphite: “3”.
Collector's mark: none.
Inscription: Recto: all in brown ink, artist’s hand: around central tondo: “SIMILIS FACTUS SUM PELLICANO” and “IHS”, and around the sides, clockwise from upper left: “MODEST/IA”, “SPES”, “PATIENTIA”, “T[…]PERA / […]TIA”, “CONSTAN/TIA”, “CONCORD/IA”, “PAX”, “IVSTITI/A”, “FIDES”, “CONTRI/TIO”, “VIRGINITA/S” and “CASTI/TAS”; upper right corner, graphite: “3”.
Collector's mark: none.
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