Two studies of seated women
Maker
(artist)
1734-1802
1734-1802
Title
Two studies of seated women
Date of Production
1700 - 1799
Medium
graphite and brown ink on laid paper
Dimensions
Height: 41.2 cm
Width: 30.2 cm
Width: 30.2 cm
Accession Number
D.1952.RW.3448
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
Unlike iron gall ink, which is black when first applied and turns brown with age, bistre is brown when first applied; it is also slightly more transparent than iron gall ink. Bistre is made from the soot left by burning wood, and will vary in colour according to what type of wood produced the soot. Having sketched the figures roughly in pencil, Romney has drawn the ink lines entirely with a brush, rather than a pen. He used the brush full of ink in the areas of shadow around the chest of the woman in profile, and allowed it to run slightly dry as it reached the end of the strokes describing the softly folded drapery of her skirt.
Provenance
Leonard G. Duke, London (1890-1971); purchased from him by Colnaghi (London), 4 January 1944; purchased there by Sir Robert Witt, London (1872-1952), L.2228b, 8 January 1944 (£7); Witt Bequest 1952
Exhibition History
Material Evidence, The Courtauld Gallery, London, 30/10/1998-24/01/1999
Zwei Jahrhunderte Englische Malerei: Britische Kunst und Europa 1680 bis 1880, Haus der Kunst, Munich, 21/11/1979-27/01/1980
Zwei Jahrhunderte Englische Malerei: Britische Kunst und Europa 1680 bis 1880, Haus der Kunst, Munich, 21/11/1979-27/01/1980
Literature
Zwei Jahrhunderte Englische Malerei: Britische Kunst und Europa 1680 bis 1880, Haus der Kunst, Munich, 1979-1980
cat. no. 62
Zwei Jahrhunderte Englische Malerei: Britische Kunst und Europa 1680 bis 1880, Haus der Kunst, Munich, 1979-1980
no. 162
ill. on p. 286
Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 41
cat. no. 62
Zwei Jahrhunderte Englische Malerei: Britische Kunst und Europa 1680 bis 1880, Haus der Kunst, Munich, 1979-1980
no. 162
ill. on p. 286
Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 41
Inscriptions
Watermark: Watermark: Recto, left centre edge and left upper edge: "IV R " (no match found in Heawood or Churchill; IV = initials of Jan Villedary, used 1668-1812, R is perhaps for Adriaan Rogge (1704-1803)?).
Inscription: Verso: upper left corner, graphite, over an earlier inscription which included an "H": "R15".
Collector's mark: Verso: lower left corner, stamped in black: Sir Robert Witt (L.2228b).
Inscription: Verso: upper left corner, graphite, over an earlier inscription which included an "H": "R15".
Collector's mark: Verso: lower left corner, stamped in black: Sir Robert Witt (L.2228b).
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