Visit to a nunnery
Maker
Circle of
(artist)
1696-1770
1700-1799
(artist)
1696-1770
1700-1799
Title
Visit to a nunnery
Date of Production
1710-1770
Medium
black chalk, pen and brown and black ink, brown wash on laid paper
Dimensions
Height: 28.7 cm
Width: 20.6 cm
Width: 20.6 cm
Accession Number
D.1952.RW.3304
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Monastic & religious life
Label Text
This elaborately finished drawing depicts a Venetian nunnery, the architecture of which is constructed following the rules of linear perspective. The illusion of depth originates from a vanishing point resting in the city beyond the interior; diagonal lines drawn from the vanishing point create the perspectival grids which are reinforced by the rectilinear motifs of the tiled floor, barred windows, and coffered ceiling.
Provenance
Eduard Sack, Hamburg (1857-1913), L.903a; Heinrich Eisemann (Frankfurt am Main and London); purchased there by Sir Robert Witt, London (1872-1952), L.2228b, n.d.; Witt Bequest 1952
Exhibition History
Special Display - The Grid, The Courtauld Gallery, London, 26/01/2012-28/05/2012
Eighteenth-century Venice, Whitechapel Art Gallery, London; Birmingham Museum and Art Gallery, 03/01/1951-18/04/1951
Eighteenth-century Venice, Whitechapel Art Gallery, London; Birmingham Museum and Art Gallery, 03/01/1951-18/04/1951
Literature
Sack, Eduard, Giambattista und Domenico Tiepolo: ihr leben und ihre werke: ein Beitrag zur Kunstgeschichte de achtzehnten jahrhunderts, Hamburg 1910
no. 254, p. 133
no. 254, p. 133
Inscriptions
Watermark: Watermark: lower centre: small circle.
Inscription: Recto: upper left edge, brown ink: “i4i” [as in “141”, imitating numbering as seen on D.1952.RW.1836?]; lower right corner, brown ink: “Tiepolo.”. Verso: lower centre edge, graphite, second line cut off: “G.B. Tiepolo / # […] //”. Mount (removed, in box of mounts from P&D), Recto (within cartouche): lower centre, pen and brown ink: “J.B. TIEPOLO”; lower left, graphite: “ST 1219”; lower right, graphite: “254 / 133 //” [the catalogue and page numbers on which this appears in Eduard Sack's catalogue of Tiepolos]. Mount (removed, in box of mounts from P&D), Verso: lower right, graphite: “ST 1219 / SACK 254 / p. 133 //”.
Collector's mark: Recto: lower left corner, blindstamped: Eduard Sack (L.903a). Verso: lower left corner, stamped in black ink: Sir Robert Witt (L.2228b).
Inscription: Recto: upper left edge, brown ink: “i4i” [as in “141”, imitating numbering as seen on D.1952.RW.1836?]; lower right corner, brown ink: “Tiepolo.”. Verso: lower centre edge, graphite, second line cut off: “G.B. Tiepolo / # […] //”. Mount (removed, in box of mounts from P&D), Recto (within cartouche): lower centre, pen and brown ink: “J.B. TIEPOLO”; lower left, graphite: “ST 1219”; lower right, graphite: “254 / 133 //” [the catalogue and page numbers on which this appears in Eduard Sack's catalogue of Tiepolos]. Mount (removed, in box of mounts from P&D), Verso: lower right, graphite: “ST 1219 / SACK 254 / p. 133 //”.
Collector's mark: Recto: lower left corner, blindstamped: Eduard Sack (L.903a). Verso: lower left corner, stamped in black ink: Sir Robert Witt (L.2228b).
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