Two studies of a female nude for 'And the Sea gave up the Dead which were in it'
Maker
(artist)
1830-1896
1830-1896
Title
Two studies of a female nude for 'And the Sea gave up the Dead which were in it'
Date of Production
(circa) 1877 - 1884
Medium
black and white chalk on heavy brown wove paper
Dimensions
Height: 32.6 cm
Width: 23.6 cm
Width: 23.6 cm
Accession Number
D.1952.RW.3279
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
Trained abroad, Leighton maintained the Continental practice of making successive preparatory drawings for details in finished images. This is one of many studies for a mosaic roundel commissioned as part of a decorative scheme for the dome of St Paul’s Cathedral, London (which was later abandoned). The quotation describes a scene from the biblical Last Judgement. A similarly posed figure in reverse of this study can be seen in the upper right corner of a later painting (Tate, London) but there Leighton replaced the female body with that of a man.
Provenance
stamped with the artist's mark, L.1741a; Valentine Cameron Prinsep, London (1838-1904); Fine Art Society (London) by 1897 [per the RA exhibition label now in the object file]; Spink & Son (London); purchased there by Sir Robert Witt, London (1872-1952), L.2228b, n.d.; Witt Bequest 1952
Exhibition History
Life, Legend, Landscape - Victorian Drawings and Watercolours, The Courtauld Gallery, London, 17/02/2011-15/05/2011
unnumbered typescript - title was possibly 'A Selection of Drawings from The Witt/Courtauld Collections [as exhibited in 1964 at University of Sussex, Falmer]', Nottingham University, 1966
Some British Drawings on loan to the National Gallery of Canada from the Collection of Sir Robert Witt, American Federation of the Arts, Washington, D.C. and nine cities in the USA, 1951 ...More
Some British Drawings on loan to the National Gallery of Canada from the Collection of Sir Robert Witt, National Gallery of Canada, Ottawa, 1949 - 1950
200th Winter Exhibition, Royal British Academy, Suffolk Street, London, 1943-44
British Fine Art, Paris, 1900
Winter Exhibition, Royal Academy of Arts, London, 1897 ...Less
unnumbered typescript - title was possibly 'A Selection of Drawings from The Witt/Courtauld Collections [as exhibited in 1964 at University of Sussex, Falmer]', Nottingham University, 1966
Some British Drawings on loan to the National Gallery of Canada from the Collection of Sir Robert Witt, American Federation of the Arts, Washington, D.C. and nine cities in the USA, 1951 ...More
Some British Drawings on loan to the National Gallery of Canada from the Collection of Sir Robert Witt, National Gallery of Canada, Ottawa, 1949 - 1950
200th Winter Exhibition, Royal British Academy, Suffolk Street, London, 1943-44
British Fine Art, Paris, 1900
Winter Exhibition, Royal Academy of Arts, London, 1897 ...Less
Literature
Life, Legend, Landscape: Victorian Drawings & Watercolours, The Courtauld Gallery, 2011
no. 4
ill. on p. 49
Life, Legend, Landscape - Victorian Drawings and Watercolours, The Courtauld Gallery, 2011
cat. no. 4
ill. on p. 49
Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 32 ...More
Some British Drawings on loan to the National Gallery of Canada from the Collection of Sir Robert Witt, National Gallery of Canada, Ottawa, 1949-50
no. 37
Hubbard, Hesketh, Some Victorian Draughtsmen, Cambridge, 1944
fig. 53
Roe, F. Gordon, The Nude from Cranach to Etty and Beyond, Leigh-on-Sea, 1944
pl. 44
Cockerell, Samuel Pepys, Drawings and Studies by the Late Lord Leighton of Stretton, P.R.S.A., London, The Fine Art Society 1898
pl. 30 ...Less
no. 4
ill. on p. 49
Life, Legend, Landscape - Victorian Drawings and Watercolours, The Courtauld Gallery, 2011
cat. no. 4
ill. on p. 49
Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 32 ...More
Some British Drawings on loan to the National Gallery of Canada from the Collection of Sir Robert Witt, National Gallery of Canada, Ottawa, 1949-50
no. 37
Hubbard, Hesketh, Some Victorian Draughtsmen, Cambridge, 1944
fig. 53
Roe, F. Gordon, The Nude from Cranach to Etty and Beyond, Leigh-on-Sea, 1944
pl. 44
Cockerell, Samuel Pepys, Drawings and Studies by the Late Lord Leighton of Stretton, P.R.S.A., London, The Fine Art Society 1898
pl. 30 ...Less
Inscriptions
Watermark: Watermark: none.
Inscription: Recto: lower centre edge, graphite: "study". Verso: upper left corner, graphite: "x"; centre, graphite, circled: "M10"; now not visible, but evident in a photo (see IMAF photos): graphite: "N10 / Val Prinsep / JW [?] Prinsep." Support? (removed, now in object file): graphite: "#10 / Val Prinsep.".
Label: Removed, now in object file on a Witt Library mount: printed in black and filled in with blue crayon: "PARIS EXHIBITION, 1900. / British Fine Art Section. / CASE. / No. 14"; printed in black and filled in with brown (very faded) ink: "N.B. - This Label to be affixed to the back of the frame (not the canvas) of the P[cut off] / ROYAL ACADEMY WINTER EXHIBITION, 1897 / Name of Artist Lord Leighton P.R. / Title of Work / (Please correct if not properly given) / Name and Address of Owner The Fine Art Society / 148 New Bond St.".
Collector's mark: Recto: lower left corner, blindstamped: Frederic Leighton (L.1741a). Mount (removed, see photo), Recto: lower left, stamped in black: Sir Robert Witt (L.2228b)
Inscription: Recto: lower centre edge, graphite: "study". Verso: upper left corner, graphite: "x"; centre, graphite, circled: "M10"; now not visible, but evident in a photo (see IMAF photos): graphite: "N10 / Val Prinsep / JW [?] Prinsep." Support? (removed, now in object file): graphite: "#10 / Val Prinsep.".
Label: Removed, now in object file on a Witt Library mount: printed in black and filled in with blue crayon: "PARIS EXHIBITION, 1900. / British Fine Art Section. / CASE. / No. 14"; printed in black and filled in with brown (very faded) ink: "N.B. - This Label to be affixed to the back of the frame (not the canvas) of the P[cut off] / ROYAL ACADEMY WINTER EXHIBITION, 1897 / Name of Artist Lord Leighton P.R. / Title of Work / (Please correct if not properly given) / Name and Address of Owner The Fine Art Society / 148 New Bond St.".
Collector's mark: Recto: lower left corner, blindstamped: Frederic Leighton (L.1741a). Mount (removed, see photo), Recto: lower left, stamped in black: Sir Robert Witt (L.2228b)
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