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Rocky landscape - study for 'Saint Peter in Penitence' (Dulwich Picture Gallery) (recto)

Maker

(artist)
1610-1690

Title

Date of Production

(circa) 1634

Medium

graphite with stumping (recto and verso) on laid paper

Dimensions

Height: 18 cm
Width: 29.4 cm

Accession Number

D.1952.RW.3211

Mode of Acquisition

Robert Clermont Witt, bequest, 1952

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords

Provenance

Jonathan Richardson, the elder, London (1665-1745), L.2184; Thomas Hudson, London (1701-1779), L.2432; possibly his estate sale, Langford (Covent Garden), 15-27 March 1779, first night, lot 48 ('six by Teniers'), second night, lot 49 ('two by Teniers') or fourth night, lot 49 ('four by Teniers'); Arthur Pond (1705-1758); possibly his estate sale, Langford (Covent Garden), London, 24 April – 3 May 1759, fifth night, lot 27 (‘five by Teniers’) [catalogue on Brill not annotated with buyers' names]; sale of property of a lady, Christie's (London), 18 December 1942, lot 3; purchased there by Max de Beer (London) (£7.7); purchased from him by Sir Robert Witt, London (1872-1952), L.2228b; Witt Bequest 1952

Exhibition History

Landscapes in the Making: Dutch & Flemish 16-17th Century Drawings from the Courtauld Gallery, Tobu Museum of Arts, Tokyo, 03/11/2000-24/12/2000; Shizuoka Prefectural Museum of Art, Shizuoka, 02/02/2001-11/03/2001; Koriyama City Museum of Art, Koriyama, 17/03/2001-15/04/2001

Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 16/10/1991-19/01/1992

The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, The Courtauld Gallery, London, 03/09/1986-30/11/1986; The Drawing Center, New York, 08/04/1986-26/07/1986 ...More

Bruegel: une dynastie de peintres, Palais des Beaux Arts, Brussels, 18/09/1980-18/11/1980

Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977-January 1978

High Life, Low Life: David Teniers the Younger, Rye Art Gallery, 1972 (Apr.-May) ...Less

Literature

Michiel Jonker and Ellinor Bergvelt, Catalogue of Dulwich Picture Gallery. Dutch, Flemish and German Schools, with addenda to the British School, 2 vols., Emily Lane and Rieke van Leeuwen (eds.), The Hague, 2021, https://dulwich-picture-gallery-i.rkdstudies.nl/catalogue-of-dulwich-picture-gallery-i-a-n/ and https://dulwich-picture-gallery-ii.rkdstudies.nl/dulwich-picture-gallery-ii-o-z/
under David Teniers II DPG 314 and DPG 323
ill.
https://dulwich-picture-gallery-ii.rkdstudies.nl/teniers-ii/dpg314-dpg323/

Jonker, Michiel and Ellinoor Bergvelt, Dutch and Flemish paintings. Dulwich Picture Gallery, London, 2016
p. 244
fig. 1 on p. 246 (recto)

Klinge, Margareta, 'David Teniers der Jüngere als Zeichner, Die Antwerpen Schaffenszeit (1633-1651)' in 'Jaarboek van het Koninklijk Museum voor Schone Kunsten', 1997 - 71-282
pp. 97-100 and no. 2 on p. 233
pl. 2 on p. 99 ...More

Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 1991
cat. no. 66
pp. 140, 193
ill. on p. 141 (recto and verso)

David Teniers de Jonge: Schilderijen. Tekeningen, Koninklijk Museum voor Schone Kunsten, Antwerp, 1991
pp. 42-43 under nos. 8a and 8b
fig. 8a

The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, Courtauld Gallery, London, 1986
cat. no. 20
ill. on p. 65

Bruegel: une dynastie de peintres, Palais des Beaux-Arts, Brussels, 1980
cat. no. 229
ill. (recto and verso)

Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977- January 1978
cat. no. 65

High Life, Low Life: David Teniers the Younger, Rye Art Gallery, April - May 1972
cat. no. 4
no. 4

Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 131

Christie's, Catalogue of Paintings and Drawings. Ancient and Modern Pictures and Drawings, the Property of Constance Lyall, 18 December 1942 ...Less

Inscriptions

Watermark: Watermark: none.

Collector's mark: Verso: lower right corner, all stamped in black ink: Thomas Hudson (L.2432); Jonathan Richardson, the elder (L.2184); Sir Robert Witt (L.2228b).

Inscription: none.

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