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Landscape with trees, a horse and rider and standard-bearer (recto)
Maker
(artist)
1564-1635
(verso)
(artist)
1571-1618
Title
Date of Production
Medium
Dimensions
Width: 18.2 cm
Accession Number
Mode of Acquisition
Credit
Copyright
Location
Keywords
Provenance
Exhibition History
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 16/10/1991-19/01/1992
The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, The Courtauld Gallery, London, 03/09/1986-30/11/1986; The Drawing Center, New York, 08/04/1986-26/07/1986 ...More
Mantegna to Cezanne - Master Drawings from the Courtauld, British Museum, London, 24/02/1983-19/06/1983
Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977-January 1978
Pieter Bruegel der Altere als Zeichner, Herkunft und Nachfolge, Staatliche Museen zu Berlin Preussischer Kulturbesitz Kupferstichkabinett, Berlin, 19/09/1975-16/11/1975
A Selection of Drawings from The Witt/Courtauld Collections, University of Sussex, Falmer, 1964
Master Drawings from the Witt and Courtauld Collections, Whitworth Art Gallery, Manchester, 17/11/1962-22/12/1962
Drawings from the Witt Collection, The Courtauld Gallery, London, 1958-59
Tekeningen van Jan van Eyck tot Rubens / De Van Eyck à Rubens: les maitres flamands du dessin, Museum Boijmans van Beuningen, Rotterdam, 17/12/1948-01/02/1949; Bibliotheque Nationale, Paris, 08/02/1949-16/03/1949; Palais des Beaux-Arts, Brussels, 17/03/1949-03/05/1949
Old Masters from the Witt Collection, Victoria and Albert Museum, London, 01/01/1943-01/05/1943 ...Less
Literature
p. 277n6
Hochmann, Michel, 'Hans Rottenhammer and Pietro Mera: two northern artists in Rome and Venice' in 'Burlington Magazine', September 2003
p. 643 (verso)
fig. 29 on p. 642 (verso)
as 'Venus and Adonis'
Wurfbain, Maarten, 'Gerbrant Adriaensz. Bredero en de schilderkunst' in 'Amstelodamum', 2001 - 16-23; 88
p. 19 (recto and verso)
fig. 1 on p. 16 (verso) ...More
Fiamminghi à Roma 1508-1608: Artistes des Pays-Bas et de la Principauté de Liège à Rome à la Renaissance, Palais des Beaux-Arts, Brussels and Palazzo delle Esposizioni, Rome, 1995
no. 7
as 'Venus and Adonis'
Gerszi, Terez, 'Joos de Momper als Zeichner' in 'Jahrbuch der Berliner Museen', Teil I, 1993 , pp. 175-190
p. 180 (recto)
fig. 7 on p. 181 (recto)
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 1991
cat. no. 52
pp. 112, 186
ill. p. 113 (recto), p. 186 (verso)
Ertz, Klaus, Josse de Momper der Jüngere (1564-1635). Die Gemälde mit kritischem Oeuvrekatalog, Freren 1986
p. 94
fig. 42 (recto only)
The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, Courtauld Gallery, London, 1986
cat. no. 14
ill. on p. 53
Mantegna to Cezanne: Master Drawings from the Courtauld, British Museum, London, 1983
cat. no. 31
ill. on p. 39
Renaissance et Maniérisme dans les Écoles du Nord, École des Beaux-Arts, Paris and Hamburger Kunsthalle, 1985-1986
p. 196, under no. 99
Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977- January 1978
cat. no. 26
Pieter Bruegel der Altere als Zeichner, Herkunft und Nachfolge, Staatliche Museen zu Berlin Preussischer Kulturbesitz Kupferstichkabinett, Berlin, 1975
cat. no. 202
pl. 234
Anthony Blunt and Philip Troutman, Master Drawings from the Witt and Courtauld Collections, 1962
cat. no. 43
Faggin, Giorgio, ‘Frans Badens (Il Carracci di Amsterdam)’, Arte Veneta, XXIII, 1969, pp. 131-44
pp. 132, 138, 140 (verso)
fig. 150 on p. 135 (verso only)
Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 128 ...Less
Inscriptions
Inscription: Recto: within the drawing, lower right of centre, brown ink, signed and dated by the artist: “Jooes de momper, / 1598”; lower right corner, brown ink: “213H”. Verso: lower left corner, brown ink, signed and dated by the artist: “franciscu. baedens / a roma 1596; lower right edge, brown ink: “francius”. Mount (removed, recorded in file): graphite: “Lord St Helens & Woodburn.”.
Collector's mark: none.
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