Joseph Interpreting Pharaoh's Dreams
Maker
Antonio Gionima (artist)
1697-1732
Formerly attributed to
(artist)
1665-1747
1697-1732
Formerly attributed to
(artist)
1665-1747
Title
Joseph Interpreting Pharaoh's Dreams
Medium
red chalk, pen and brown ink, brown wash, traces of white bodycolour, on laid paper, laid down on a historic support
Dimensions
Height: 19.8 cm
Width: 23.4 cm
Width: 23.4 cm
Accession Number
D.1952.RW.2816
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Benno Geiger, Italy (1882-1965); his sale, Sotheby's (London), 7 - 10 December 1920, lot 85 (as Job and the Messengers); probably purchased there by Colnaghi [based on inscribed Colnaghi stock number A2711, which accords with a purchase date in December 1920]; Henry Oppenheimer, London (1859-1932); his estate sale, Christie's (London), 10 July 1936, lot 80 (as by Gionima); purchased there by Sir Robert Witt, London (1872-1952), for £7.35; Witt Bequest 1952
Exhibition History
Old Master Drawings from the Witt Collection, Auckland City Art Gallery, 01/09/1960-01/10/1960
Exhibition of Drawings of the Bolognese School, Walter Gernsheim, London, 10/05/1937-10/06/1937
Exhibition of Drawings of the Bolognese School, Walter Gernsheim, London, 10/05/1937-10/06/1937
Literature
Old Master Drawings from the Witt Collection, Auckland City Art Gallery, 1960
cat. no. 29
Geiger, Benno, Handzeichnungen alter Meister, Zurich, 1948
no. 63
ill. on p. 93
cat. no. 29
Geiger, Benno, Handzeichnungen alter Meister, Zurich, 1948
no. 63
ill. on p. 93
Inscriptions
Watermark: centre: a bishop's mitre supported by wings, with a curved tail crossed by a bishop's staff? Or could be a tulip with two feathered leaves and a curved stem crossed by a staff (no match found in Heawood, Briquet or Piccard).
Inscription: Verso (hidden by support, visible with transmitted light): upper left, brown ink: “Gionima Day: 3. -63 108“ [the '63' crossed out]; upper right, brown ink: “8.“. Support (historic), Recto: lower left, graphite, mostly erased: “G[...] Crespi“. Support (historic), Verso: lower left, graphite, Colnaghi number: “A2711“; lower left, graphite: “15“ [or “75“]; lower left edge, graphite: “Giuseppe Maria Crespi“; lower centre edge, graphite: “13“.
Collector's mark: Support (historic), Recto: lower left corner, stamped in black ink: Sir Robert Witt (L.2228b).
Inscription: Verso (hidden by support, visible with transmitted light): upper left, brown ink: “Gionima Day: 3. -63 108“ [the '63' crossed out]; upper right, brown ink: “8.“. Support (historic), Recto: lower left, graphite, mostly erased: “G[...] Crespi“. Support (historic), Verso: lower left, graphite, Colnaghi number: “A2711“; lower left, graphite: “15“ [or “75“]; lower left edge, graphite: “Giuseppe Maria Crespi“; lower centre edge, graphite: “13“.
Collector's mark: Support (historic), Recto: lower left corner, stamped in black ink: Sir Robert Witt (L.2228b).
Information on this object may be incomplete and will be updated as research progresses. We are particularly committed to addressing any discriminatory or offensive language and ideas that might be present in our records. To help improve this record, and to enquire about images of The Courtauld Gallery Collection, please email gallery.collectionsonline@courtauld.ac.uk. Find out more about using and licensing our images.
____________________________