Wood landscape
Maker
(artist)
1544-1607
1544-1607
Title
Wood landscape
Date of Production
(circa) 1598 - 1600
Medium
pen and brown ink, watercolour on laid paper, with brown ink framing lines, squared in black chalk
Dimensions
Height: 25.9 cm
Width: 25.8 cm
Width: 25.8 cm
Accession Number
D.1952.RW.2740
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
The square format of this drawing plunges the viewer into the understory of a wood with its thick crowns of foliage and deep shadows. Coninxloo’s energetic penwork conveys a sense of movement, as if the trees were tossed by a strong breeze. In the last two decades of his career Coninxloo turned from purely imaginary landscapes to a closer study of nature that would strongly influence seventeenth-century Dutch forest painting.
Provenance
William Esdaile, London (1758-1837), L.2617; Sotheby's (London); purchased there by Sir Robert Witt, London (1872-1952), n.d.; Witt Bequest 1952
Exhibition History
Drawings Gallery Display - Regarding Trees, The Courtauld Gallery, London, 18/06/2016-25/09/2016
The Witt Collection - Four centuries of drawings, The Courtauld Gallery, London, 03/04/2004-20/06/2004
Landscapes in the Making: Dutch & Flemish 16-17th Century Drawings from the Courtauld Gallery, Tobu Museum of Arts, Tokyo, 03/11/2000-24/12/2000; Shizuoka Prefectural Museum of Art, Shizuoka, 02/02/2001-11/03/2001; Koriyama City Museum of Art, Koriyama, 17/03/2001-15/04/2001 ...More
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 16/10/1991-19/01/1992
The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, The Courtauld Gallery, London, 03/09/1986-30/11/1986; The Drawing Center, New York, 08/04/1986-26/07/1986
Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977-January 1978 ...Less
The Witt Collection - Four centuries of drawings, The Courtauld Gallery, London, 03/04/2004-20/06/2004
Landscapes in the Making: Dutch & Flemish 16-17th Century Drawings from the Courtauld Gallery, Tobu Museum of Arts, Tokyo, 03/11/2000-24/12/2000; Shizuoka Prefectural Museum of Art, Shizuoka, 02/02/2001-11/03/2001; Koriyama City Museum of Art, Koriyama, 17/03/2001-15/04/2001 ...More
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 16/10/1991-19/01/1992
The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, The Courtauld Gallery, London, 03/09/1986-30/11/1986; The Drawing Center, New York, 08/04/1986-26/07/1986
Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977-January 1978 ...Less
Literature
Prosperetti, Leopoldine, Trees: An Overlooked topic in Renaissance Art (in Di la dal fiume e tra gli alberi, il paesaggio del Rinascimento a Venezia, nascita e fortuna di un genere artistico, xv - xvii secolo, by Laura de Fuccia and Christophe Brouard), Ravenna / Giorgio Pozzi Editore 2012
76 - 77
ill. on p. 6
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 1991
cat. no. 24
pp. 56, 177
ill. on p. 57
The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, Courtauld Gallery, London, 1986
cat. no. 8
ill. on p. 41 ...More
Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977- January 1978
cat. no. 25
Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 125 ...Less
76 - 77
ill. on p. 6
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 1991
cat. no. 24
pp. 56, 177
ill. on p. 57
The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, Courtauld Gallery, London, 1986
cat. no. 8
ill. on p. 41 ...More
Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977- January 1978
cat. no. 25
Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 125 ...Less
Inscriptions
Watermark: Watermark: none.
Inscription: Recto: lower right corner, grey ink: “C.[e superscript]”. Verso: upper left corner, brown ink: “D”; lower right edge, graphite: “4/6”.
Collector's mark: Recto: lower left (within the drawing), brown ink: William Esdaile (L.2617).
Inscription: Recto: lower right corner, grey ink: “C.[e superscript]”. Verso: upper left corner, brown ink: “D”; lower right edge, graphite: “4/6”.
Collector's mark: Recto: lower left (within the drawing), brown ink: William Esdaile (L.2617).
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