Study of frightened horses
Copyright
Work in the public domain
Image: Courtauld
Image: Courtauld
Maker
(artist)
1733-1807
1733-1807
Formerly attributed to
(artist)
1769-1859
(artist)
1769-1859
Title
Study of frightened horses
Date of Production
1700 - 1799
Medium
graphite, pen and brown ink, watercolour on laid paper, laid down on Japanese tissue
Dimensions
Height: 19.2 cm
Width: 32 cm
Width: 32 cm
Object Number
D.1952.RW.2712
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
Courtauld Gallery, London (Samuel Courtauld Trust)
Location
Not currently on display
Keywords
Label Text
Like George Stubbs in his painting, 'Horse Frightened by a Lion' (1770), at the Walker Art Gallery, Liverpool, Gilpin here engages with the fashionable theory of the Sublime. Both artists use horses to exploit the sense of fear and danger at the heart of this aesthetic emotion. Gilpin dramatizes the subject, placing a trio of horses against a stormy backdrop, as if on stage. Rapid penstrokes and exaggerated poses heighten the drama.
Notes
A former mount inscription identified this as 'Macbeth's horses' but the only known painting by Gilpin of Macbeth 'The Weird Sisters' (formerly New York priv. coll.) doesn't have horses, but rather the witch riding a skeleton horse.
Inscriptions
Watermark: Watermark: centre: lion rampant with sword and soldier with spear above a bell: "PRO PATRIA / JUBB" [tracing in object file. The top half is Irish Pro Patria watermark c. 1760 by the Nun family, Milmount Mill, Rockbrook, County Dublin (http://baph.org.uk/watermarks.html). Jubb's mill in Ewell, Surrey closed in 1794.]
Inscription: Verso (hidden under Japanese tissue): upper left, graphite: "P"; upper right corner, graphite: "ch."; upper right, graphite: "F". Mount (removed, now missing, attested to in Modes): graphite: "Macbeth's horses / J. Ward"; pen and ink: "M. 1823-9".
Collector's mark: none.
Inscription: Verso (hidden under Japanese tissue): upper left, graphite: "P"; upper right corner, graphite: "ch."; upper right, graphite: "F". Mount (removed, now missing, attested to in Modes): graphite: "Macbeth's horses / J. Ward"; pen and ink: "M. 1823-9".
Collector's mark: none.
Provenance
Squire Gallery (London); purchased there by Sir Robert Witt, London (1872-1952) in 1935; Witt Bequest 1952
Exhibition History
Captured on Paper, Animals in the Prints and Drawings Collection, Courtauld Gallery, London, 20/06/2002-11/08/2002
L'Aquarelle Romantique en France et en Angleterre, Musee des Beaux-Arts, Calais, 29/07/1961-17/09/1961
...MoreDrawings from the Robert Witt Collection at the Courtauld Institute of Art, London, St James's Square, London; York City Art Gallery; Peterborough Art Gallery, 01/06/1953-25/07/1953
Some British Drawings from the Collection of Sir Robert Witt, Arts Council of Great Britain, 1948
A Loan exhibition of English and French paintings and drawings, Wigan Grammar School, 06/04/1938-30/04/1938
James Ward Exhibition, Squire Gallery, London, 1935
...LessLiterature
L'Aquarelle Romantique en France et en Angleterre, Musee des Beaux-Arts, Calais, 1961
cat. no. 66
ill.
cat. no. 66
ill.
Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 23
p. 23
Drawings from the Witt Collection at the Courtauld Institute of Art, St James's Square, London, York City Art Gallery and Peterborough Art Gallery, 1953
cat. no. 14
...Morecat. no. 14
Some British Drawings from the Collection of Sir Robert Witt, Arts Council of Great Britain, 1948
no. 82
pl. VIII
...Lessno. 82
pl. VIII
Information on this object may be incomplete and will be updated as research progresses. We are particularly committed to addressing any discriminatory or offensive language and ideas that may be present in our records.
We are also continuously working to digitise the collection and improve the quality of our digital resources; images will be added/updated as new photography becomes available.
To help improve this record and to enquire about images of the Courtauld Gallery Collection, please email gallery.collectionsonline@courtauld.ac.uk.
Find out more about using and licensing our images.
____________________________