Three figures after the antique
Maker
(artist)
1680-1767
Formerly attributed to
Adriano Zabarelli (artist)
1610-1680
1680-1767
Formerly attributed to
Adriano Zabarelli (artist)
1610-1680
Title
Three figures after the antique
Date of Production
1695 - 1757
Medium
graphite, pen and brown ink, brown wash on laid paper, on a historic support
Dimensions
Height: 20.5 cm
Width: 29 cm
Width: 29 cm
Accession Number
D.1952.RW.2564
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Consul Joseph Smith, Venice (ca. 1674-1770); possibly Antoine-Joseph Dezallier d'Argenville, Paris (1680-1765), L.2951; unknown collector, L.474; Thomas Banks, London (1735-1805), L.1423; by descent to his son-in-law Ambrose Poynter, London (1796-1886), L.161; William Bateson, London (1861-1926), L.2604a; E. Parsons & Sons (London); purchased there by Sir Robert Witt, London (1872-1952), L.2228b, n.d.; Witt Bequest 1952
Inscriptions
Watermark: Watermarks: centre: difficult to decipher – triangular lines connected to a vertical line ending in a three-lobed flower (nothing similar in Heawood). Support (historic): lower centre edge, fragment of a shape – unable to decipher.
Inscription: Recto: lower centre (within the drawing), brown ink: “A.Z.IN:”; lower left corner, brown ink, Joseph Smith's hand and initials: “no. 2. / JS.”. Verso (hidden by support, visible via transmitted light): lower left corner, ink: “3”. Support (historic), Recto: lower centre, graphite (written under an erased inscription): “77”; lower right, graphite, erased and hard to read: “Zabarelli (Adriano) Palladino 1610-1680 […]”. Support (historic), Verso: centre, brown ink: “no. 9” [?]; lower right, graphite, circled: “J.896.”; lower right corner, graphite: “3” and “11”.
Collector's mark: Recto: right lower edge, all stamped in black ink: William Bateson (L.2604a); unidentified collector (L.474); Thomas Banks (L.2423) [this stamp partly on the drawing and partly on the support]. Support (historic), Verso: upper left edge, pen and brown ink, cut off: Antoine-Joseph Dezallier d’Argenville (L.2951)? “22638” followed by a paraph (does not exactly match the paraph as published by Lugt); lower right corner, stamped in black ink: Ambrose Poynter (L.161).
Inscription: Recto: lower centre (within the drawing), brown ink: “A.Z.IN:”; lower left corner, brown ink, Joseph Smith's hand and initials: “no. 2. / JS.”. Verso (hidden by support, visible via transmitted light): lower left corner, ink: “3”. Support (historic), Recto: lower centre, graphite (written under an erased inscription): “77”; lower right, graphite, erased and hard to read: “Zabarelli (Adriano) Palladino 1610-1680 […]”. Support (historic), Verso: centre, brown ink: “no. 9” [?]; lower right, graphite, circled: “J.896.”; lower right corner, graphite: “3” and “11”.
Collector's mark: Recto: right lower edge, all stamped in black ink: William Bateson (L.2604a); unidentified collector (L.474); Thomas Banks (L.2423) [this stamp partly on the drawing and partly on the support]. Support (historic), Verso: upper left edge, pen and brown ink, cut off: Antoine-Joseph Dezallier d’Argenville (L.2951)? “22638” followed by a paraph (does not exactly match the paraph as published by Lugt); lower right corner, stamped in black ink: Ambrose Poynter (L.161).
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