Cockerel spreading its wings
Maker
(artist)
1686-1755
After
(artist)
1622-1674
Formerly attributed to
(artist)
1636-1695
1686-1755
After
(artist)
1622-1674
Formerly attributed to
(artist)
1636-1695
Title
Cockerel spreading its wings
Date of Production
1700 - 1799
Medium
black and white chalk on blue laid paper, laid down on a historic support
Dimensions
Height: 27.8 cm
Width: 39.3 cm
Width: 39.3 cm
Accession Number
D.1952.RW.2456
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
This drawing, copied by Oudry from an oil sketch design by Pieter Boel for a tapestry, captures the awkwardness of wings used to maintain balance on the ground, rather than to fly through the air. Oudry drew a similarly posed cockerel in an illustration to one of La Fontaine's 'Fables', called 'La Perdrix et les Coqs', in which cockerels are characterised (by a female partridge) as 'impolite and bad mannered, always noisy and violent'. These characteristics are echoed here in the tension between the detailed evocation of the beauty of the bird's wings, and their awkwardness and aggression when 'out of their element'.
Provenance
Henry Phillpotts, Bishop of Exeter (1778-1869); his estate sale, Sotheby's (London), 5 November 1930, lot 56 (as by Hondecoeter); purchased there by Sir Robert Witt, London (1872-1952), L.2228b; Witt Bequest 1952
Exhibition History
The Four Elements, The Courtauld Gallery, London, 1996
French Drawings: XVI-XIX Centuries, The Courtauld Gallery, London, 04/07/1991-06/10/1991
A selection of drawings from the Witt collection: French drawings c. 1600-c. 1800, The Courtauld Gallery, London, 1962 ...More
French Master Drawings, Glynn Vivian Art Gallery, Swansea, 1962
French 17th Century Drawings, Bristol City Art Gallery, Bristol, 1956
Drawings from the Witt Collection at the Courtauld Institute of Art, St James's Square, London; York City Art Gallery; Peterborough Art Gallery, 1953
Old Masters from the Witt Collection, Victoria and Albert Museum, London, 01/01/1943-01/05/1943 ...Less
French Drawings: XVI-XIX Centuries, The Courtauld Gallery, London, 04/07/1991-06/10/1991
A selection of drawings from the Witt collection: French drawings c. 1600-c. 1800, The Courtauld Gallery, London, 1962 ...More
French Master Drawings, Glynn Vivian Art Gallery, Swansea, 1962
French 17th Century Drawings, Bristol City Art Gallery, Bristol, 1956
Drawings from the Witt Collection at the Courtauld Institute of Art, St James's Square, London; York City Art Gallery; Peterborough Art Gallery, 1953
Old Masters from the Witt Collection, Victoria and Albert Museum, London, 01/01/1943-01/05/1943 ...Less
Literature
French Drawings: XVI-XIX Centuries, Courtauld Gallery, London, 1991
no. 39. p. 88
ill. on p. 89
Opperman, Hal N., Jean-Baptiste Oudry, New York and London 1977
no. D941
Drawings from the Witt Collection at the Courtauld Institute of Art, St James's Square, London, York City Art Gallery and Peterborough Art Gallery, 1953
cat. no. 80
no. 39. p. 88
ill. on p. 89
Opperman, Hal N., Jean-Baptiste Oudry, New York and London 1977
no. D941
Drawings from the Witt Collection at the Courtauld Institute of Art, St James's Square, London, York City Art Gallery and Peterborough Art Gallery, 1953
cat. no. 80
Inscriptions
Watermark: Watermark: unable to check due to support.
Inscription: Support (historic), Verso: centre, graphite, underlined, erased: “Special”; lower right, graphite: “Hondecoet”; lower left corner, graphite, Witt number: “2456”.
Collector's mark: Support (historic), Verso: lower right corner, stamped in black ink: Sir Robert Witt (L.2228b).
Inscription: Support (historic), Verso: centre, graphite, underlined, erased: “Special”; lower right, graphite: “Hondecoet”; lower left corner, graphite, Witt number: “2456”.
Collector's mark: Support (historic), Verso: lower right corner, stamped in black ink: Sir Robert Witt (L.2228b).
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