Head of a youth with fur collar
Maker
Circle of
(artist)
1682-1754
(artist)
1682-1754
Title
Head of a youth with fur collar
Medium
black and white chalk with stumping on grey laid paper, laid down on a historic support
Dimensions
Height: 39.4 cm
Width: 27.2 cm
Width: 27.2 cm
Accession Number
D.1952.RW.2451
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
From 2023 display La Serenissima: Drawing in 18th century Venice:
Piazzetta achieved international fame as a master draughtsman with a series of teste di carattere, or head studies. Their success with collectors stimulated a considerable workshop production, sometimes making it difficult to distinguish his works from those by his talented assistants.
The drawings’ firm contours and delicate shading reflect Piazzetta’s academic training in Bologna and his interest in the work of Rembrandt (1606–1669), and the Italian Baroque artist Guercino (1591–1666). The head studies convey a sense of psychological investigation and intimacy. However, they should not be understood as straightforward portraits, since Piazzetta frequently used members of his family and studio assistants as models for his paintings and drawings.
Piazzetta achieved international fame as a master draughtsman with a series of teste di carattere, or head studies. Their success with collectors stimulated a considerable workshop production, sometimes making it difficult to distinguish his works from those by his talented assistants.
The drawings’ firm contours and delicate shading reflect Piazzetta’s academic training in Bologna and his interest in the work of Rembrandt (1606–1669), and the Italian Baroque artist Guercino (1591–1666). The head studies convey a sense of psychological investigation and intimacy. However, they should not be understood as straightforward portraits, since Piazzetta frequently used members of his family and studio assistants as models for his paintings and drawings.
Provenance
Miss L.S. Hope, Angus House, North Berwick, Scotland; her sale, Sotheby's (London), 5 November 1930, lot 79; purchased there by Sir Robert Witt, London (1872-1952), L.2228b; Witt Bequest 1952
Exhibition History
La Serenissima: Drawing in 18th century Venice, The Courtauld Gallery, London, 14/10/2023-11/02/2024
A Passion for Drawings, Collectors at the Courtauld, The Courtauld Gallery, London, 28/02/2002-09/06/2002
Master Drawings from the Witt and Courtauld Collections, Whitworth Art Gallery, Manchester, 17/11/1962-22/12/1962 ...More
Eighteenth-century Venice, Whitechapel Art Gallery, London; Birmingham Museum and Art Gallery, 03/01/1951-18/04/1951
Old Masters from the Witt Collection, Victoria and Albert Museum, London, 01/01/1943-01/05/1943 ...Less
A Passion for Drawings, Collectors at the Courtauld, The Courtauld Gallery, London, 28/02/2002-09/06/2002
Master Drawings from the Witt and Courtauld Collections, Whitworth Art Gallery, Manchester, 17/11/1962-22/12/1962 ...More
Eighteenth-century Venice, Whitechapel Art Gallery, London; Birmingham Museum and Art Gallery, 03/01/1951-18/04/1951
Old Masters from the Witt Collection, Victoria and Albert Museum, London, 01/01/1943-01/05/1943 ...Less
Literature
Anthony Blunt and Philip Troutman, Master Drawings from the Witt and Courtauld Collections, 1962
cat. no. 86
cat. no. 86
Inscriptions
Watermark: none.
Collector's mark: Support (historic), Recto: lower left, stamped in black ink: Sir Robert Witt (L.2228b).
Inscription: Support (historic), Recto: upper right edge, graphite: “XXIV”; lower left, graphite: “J.B. Piazzetta / x / 42 ”.
Collector's mark: Support (historic), Recto: lower left, stamped in black ink: Sir Robert Witt (L.2228b).
Inscription: Support (historic), Recto: upper right edge, graphite: “XXIV”; lower left, graphite: “J.B. Piazzetta / x / 42 ”.
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