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Woodland study
Maker
1607-1674
Title
Date of Production
Medium
Dimensions
Width: 37.3 cm
Accession Number
Mode of Acquisition
Credit
Copyright
Location
Keywords
Label Text
Provenance
Exhibition History
Landscapes in the Making: Dutch & Flemish 16-17th Century Drawings from the Courtauld Gallery, Tobu Museum of Arts, Tokyo, 03/11/2000-24/12/2000; Shizuoka Prefectural Museum of Art, Shizuoka, 02/02/2001-11/03/2001; Koriyama City Museum of Art, Koriyama, 17/03/2001-15/04/2001
Material Evidence, The Courtauld Gallery, London, 30/10/1998-24/01/1999 ...More
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 16/10/1991-19/01/1992
The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, The Courtauld Gallery, London, 03/09/1986-30/11/1986; The Drawing Center, New York, 08/04/1986-26/07/1986
Master Drawings of the 17th century from the Witt Collection, Art Gallery of South Australia, Festival Exhibitions, Adelaide, 1968
Exhibition of Dutch Art 1450-1900, Royal Academy, London, 1929 ...Less
Literature
cat. no. 46
pp. 100, 183
ill. on p. 101
The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, Courtauld Gallery, London, 1986
cat. no. 50
ill. on p. 125
Schneider, H. and R.E.O. Ekkart, Jan Lievens, sein Leben und seine Werke, Amsterdam and Israel 1973
pp. 30, 370, no. Z281 ...More
Dutch drawings from the Witt Collection: Part 1: Landscape, Courtauld Gallery, London, January - March 1972
cat. no. 46
Schneider, H., Jan Lievens, sein Leben und seine Werke, Haarlem 1932
no. Z281
Exhibition of Dutch Art 1450-1900, Royal Academy, London, 1929
no. 650 ...Less
Inscriptions
Inscription: Recto: upper right corner, brown ink, L.2942: “ΘҐ ”; lower left corner, brown ink: "N14i"; lower centre edge, brown ink: ".50.". Verso: upper centre, brown ink, hand of Abraham Furnerius: "Jan Lievens de Jonghe". Support (removed, in portfolio from P&D): centre, graphite: “John Leivens. 1607.”; right centre, graphite: “No. 7. / 5 of this Master.”.
Collector's mark: Recto: upper right corner, brown ink: identified in 2022 Master Drawings article as Greek code probably inscribed by Dr Johannes Furnerius (L.2942) Support (removed, in portfolio from P&D): lower left corner, stamped in black ink: Sir Robert Witt (L.2228b).
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