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Dream of Jacob

Maker

(artist)
1532-1603

Title

Dream of Jacob

Date of Production

1580 - 1585

Medium

pen and brown ink, brown wash, white bodycolour (oxidised in places) on laid paper, incised for transfer, with brown ink framing lines, on a historic support, lower left corner made up

Dimensions

Height: 20.4 cm
Width: 27.3 cm

Accession Number

D.1952.RW.2257

Mode of Acquisition

Robert Clermont Witt, bequest, 1952

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords










Provenance

possibly Erasmus Quellinus the Younger, Antwerp (1607-1678) [as recorded in his 1678-79 inventory]; Sir Henry Willoughby Rooke (1782-1869); by descent to his son, Reverend Willoughby John Edward Rooke (1810-1902); by descent to his niece, Muriel H. Williams (b. 1927); purchased from her by Campbell Dodgson, London (1867-1948) on behalf of Sir Robert Witt, London (1872-1952), November 1926 (along with D.1952.RW.2258); Witt Bequest 1952

Exhibition History

Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 16/10/1991-19/01/1992

The Age of Breughel, National Gallery of Art, Washington, D.C. and J.P. Morgan Library, New York, 02/11/1986-05/04/1987

Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977-January 1978 ...More

Between Renaissance and Baroque: European Art 1520-1600, Manchester City Art Gallery, 1965

Exhibition of Belgian and Flemish Art 1300-1900, Royal Academy of Arts, London, 1927 ...Less

Literature

Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 1991
cat. no. 77
pp. 162, 196
ill. on p. 163

The Age of Breughel, National Gallery of Art, Washington / Morgan Library, New York, 1986-87
cat. no. 120
no. 120
ill. on p. 304

G.L. Conran, Between Renaissance and Baroque: European Art 1520-1600, Manchester City Art Gallery, 1965
cat. no. 395 ...More

Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 133

Exhibition of Belgian and Flemish Art 1300-1900, Royal Academy of Arts, London 1927, 1927
cat. no. 550

Hollstein, F.W.H., Dutch and Flemish etchings, engravings and woodcuts ca. 1450-1700, Amsterdam 1949-2004
vol. XLIV, p. 22 under no. 70 ...Less

Inscriptions

Watermark: Watermark: none in the drawing. Support (historic): fragment, possibly top of a fleur-de-lis on a shield (as suggested by Peter Bower).

Collector's mark: Support (historic), Verso: lower right corner, stamped in black ink: Sir Robert Witt (L.2228b).

Inscription: Recto: lower left corner, brown ink, signed by the artist: "M•D•VOS•". Support (historic), Recto: lower left, graphite: arrow pointing up at signature; lower right, graphite: "Martin De Vos.". Support (historic), Verso: centre, graphite: "The original from which a print was taken".

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