Wooded landscape with the Capuchin monastery at Tervuren
Maker
(artist)
1595-1672
1595-1672
Title
Wooded landscape with the Capuchin monastery at Tervuren
Date of Production
1640
Medium
graphite, pen and brown ink, watercolour on laid paper, with black ink framing lines
Dimensions
Height: 19.4 cm
Width: 34.9 cm
Width: 34.9 cm
Accession Number
D.1952.RW.2175
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
The monastery depicted here once stood at the edge of the Forêt de Soigne near Brussels. The buildings in the middle ground, already diminutive, are dwarfed by ranks of ash trees whose slender trunks and lacelike foliage form a screen that extends across the sheet. Van Uden observed the scene from a low viewpoint, allowing both a high degree of detail in the foreground and a sense of the trees’ soaring height.
Provenance
Thomas Dimsdale, London (1758-1823), L.2426; Frank Garrett; his estate sale, Puttick & Simpson (London), 2 June 1926, lot 1; purchased there by Sir Robert Witt, London (1872-1952), for £6.3; Witt Bequest 1952
Exhibition History
Drawings Gallery Display - Regarding Trees, The Courtauld Gallery, London, 18/06/2016-25/09/2016
Imagining Islands, The Courtauld Gallery, London, 20/06/2013-21/07/2013
Landscapes in the Making: Dutch & Flemish 16-17th Century Drawings from the Courtauld Gallery, Tobu Museum of Arts, Tokyo, 03/11/2000-24/12/2000; Shizuoka Prefectural Museum of Art, Shizuoka, 02/02/2001-11/03/2001; Koriyama City Museum of Art, Koriyama, 17/03/2001-15/04/2001 ...More
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 16/10/1991-19/01/1992
The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, The Courtauld Gallery, London, 03/09/1986-30/11/1986; The Drawing Center, New York, 08/04/1986-26/07/1986
Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977-January 1978
Old Masters from the Witt Collection, Victoria and Albert Museum, London, 01/01/1943-01/05/1943
Exhibition of paintings: seventeenth century Dutch and Flemish schools, loaned by the Trustees of the National Gallery, and drawings loaned by Sir Robert Witt, C.B.E. and Lady Witt., Hanley Museum & Art Gallery, Stoke-on-Trent, 29/02/1928-26/05/1928; City of York Museum and Art Gallery, York, 01/06/1928-01/09/1928
Exhibition of Belgian and Flemish Art 1300-1900, Royal Academy of Arts, London, 1927 ...Less
Imagining Islands, The Courtauld Gallery, London, 20/06/2013-21/07/2013
Landscapes in the Making: Dutch & Flemish 16-17th Century Drawings from the Courtauld Gallery, Tobu Museum of Arts, Tokyo, 03/11/2000-24/12/2000; Shizuoka Prefectural Museum of Art, Shizuoka, 02/02/2001-11/03/2001; Koriyama City Museum of Art, Koriyama, 17/03/2001-15/04/2001 ...More
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 16/10/1991-19/01/1992
The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, The Courtauld Gallery, London, 03/09/1986-30/11/1986; The Drawing Center, New York, 08/04/1986-26/07/1986
Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977-January 1978
Old Masters from the Witt Collection, Victoria and Albert Museum, London, 01/01/1943-01/05/1943
Exhibition of paintings: seventeenth century Dutch and Flemish schools, loaned by the Trustees of the National Gallery, and drawings loaned by Sir Robert Witt, C.B.E. and Lady Witt., Hanley Museum & Art Gallery, Stoke-on-Trent, 29/02/1928-26/05/1928; City of York Museum and Art Gallery, York, 01/06/1928-01/09/1928
Exhibition of Belgian and Flemish Art 1300-1900, Royal Academy of Arts, London, 1927 ...Less
Literature
Cavalli-Björkman, Görel, et al., Dutch and Flemish paintings. III Flemish paintings, c. 1600-c. 1800, Stockholm, 2010
pp. 408-10 under no. 218, note 1
Boëlens van Waesberghe, Benoît, European master drawings unveiled: Van der Goes, Michelangelo, Van Goyen, Fragonard and other masters from Belgian collections, exh. cat., Amsterdam, 2002
pp. 78-79 under no. 31, note 1
Logan, Anne-Marie, Flemish drawings in the age of Rubens: selected drawings from American collections, Wellesley, Mass, Seatle and London 1993
p. 221 under no. 72 ...More
Stampfle, Felice, Netherlandish drawings of the fifteenth and sixteenth centuries and Flemish drawings of the seventeenth and eighteenth centuries in the Pierpont Morgan Library, New York 1991
p. 161, under no. 336
fig. 151
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 1991
cat. no. 73
pp. 154, 195
ill. on p. 155
The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, Courtauld Gallery, London, 1986
cat. no. 23
ill. on p. 71
Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977- January 1978
cat. no. 50
Flemish Drawings of the Seventeenth Century. From the Collection of Frits Lugt Institut Néerlandais Paris, Carlos van Hasselt (ed.), Victoria & Albert Museum, London; Institut Néerlandais, Paris; Kunstmuseum, Bern; Royal Library of Belgium, Brussels
p. 145, notes 4 and 7 under no. 111
Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 132
Exhibition of paintings : seventeenth century dutch and flemish schools, loaned by the Trustees of the National Gallery, and drawings loaned by Sir Robert Witt, C.B.E. and Lady Witt., Hanley Museum & Art Gallery, Stoke-on-Trent and City of York Museum and Art Gallery, York, 1928, 1928
cat. no. 35
Exhibition of Belgian and Flemish Art 1300-1900, Royal Academy of Arts, London 1927, 1927
cat. no. 639 ...Less
pp. 408-10 under no. 218, note 1
Boëlens van Waesberghe, Benoît, European master drawings unveiled: Van der Goes, Michelangelo, Van Goyen, Fragonard and other masters from Belgian collections, exh. cat., Amsterdam, 2002
pp. 78-79 under no. 31, note 1
Logan, Anne-Marie, Flemish drawings in the age of Rubens: selected drawings from American collections, Wellesley, Mass, Seatle and London 1993
p. 221 under no. 72 ...More
Stampfle, Felice, Netherlandish drawings of the fifteenth and sixteenth centuries and Flemish drawings of the seventeenth and eighteenth centuries in the Pierpont Morgan Library, New York 1991
p. 161, under no. 336
fig. 151
Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 1991
cat. no. 73
pp. 154, 195
ill. on p. 155
The Northern Landscape: Flemish, Dutch and British Drawings from the Courtauld Collections, Courtauld Gallery, London, 1986
cat. no. 23
ill. on p. 71
Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977- January 1978
cat. no. 50
Flemish Drawings of the Seventeenth Century. From the Collection of Frits Lugt Institut Néerlandais Paris, Carlos van Hasselt (ed.), Victoria & Albert Museum, London; Institut Néerlandais, Paris; Kunstmuseum, Bern; Royal Library of Belgium, Brussels
p. 145, notes 4 and 7 under no. 111
Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 132
Exhibition of paintings : seventeenth century dutch and flemish schools, loaned by the Trustees of the National Gallery, and drawings loaned by Sir Robert Witt, C.B.E. and Lady Witt., Hanley Museum & Art Gallery, Stoke-on-Trent and City of York Museum and Art Gallery, York, 1928, 1928
cat. no. 35
Exhibition of Belgian and Flemish Art 1300-1900, Royal Academy of Arts, London 1927, 1927
cat. no. 639 ...Less
Inscriptions
Watermark: centre: large crowned shield containing fleur-de-lis, above "4 / WR".
Mount (removed, in portfolio from P&D), centre: “C & IHONIG”.
Laid line frequency: 9 per cm, variable
Chain line widths: 21 mm apart, variable
Inscription: Recto: lower right, brown ink, signed and dated by the artist: "1640 _L.V.V.". Verso: left centre edge, brown ink: "utdens". Support (removed, in portfolio from P&D), Recto: centre, graphite: “No. 1458”; lower right, graphite, name and Witt number: “Udeno 2175”.
Collector's mark: Mount (removed, in portfolio from P&D): lower left corner, stamped in black ink: Thomas Dimsdale (L.2426).
Inscription: Recto: lower right, brown ink, signed and dated by the artist: "1640 _L.V.V.". Verso: left centre edge, brown ink: "utdens". Support (removed, in portfolio from P&D), Recto: centre, graphite: “No. 1458”; lower right, graphite, name and Witt number: “Udeno 2175”.
Collector's mark: Mount (removed, in portfolio from P&D): lower left corner, stamped in black ink: Thomas Dimsdale (L.2426).
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